Retro Television Review: If Tomorrow Comes (dir by George McCowan)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s If Tomorrow Comes!  It  can be viewed on YouTube.

If Tomorrow Comes tells the story of a forbidden marriage.

In 1941, Eileen Phillips (Patty Duke) meets David Tayanaka (Frank Liu) and the two of them quickly fall in love.  David asks Eileen to marry him and Eileen says yes, even though they both know that it won’t be easy.  Eileen’s father (James Whitmore) and her brother, Harlan (Michael McGreevey), are both prejudiced against the Japanese and David’s parents (played by Mako and Buelah Quo) would both rather than David marry someone of Japanese descent.  Eileen and David decide to elope first and tell their parents afterwards.

On December 7th, Eileen sneaks out of the house and joins David at his church.  They are married by Father Miller (John McLiam), who agrees to keep their secret.  Eileen and David then drive over to the church attended by Eileen’s family but no sooner have they arrived than the local sheriff (Pat Hingle) pulls up and announces that the Japanese have bombed Pearl Harbor.  The sheriff instructs everyone to return home and to listen to their radios.  David slips his wedding ring off his finger.  Telling the parents will have to wait.

Eileen’s father and brother are convinced that every Japanese person in town, even though the majority of them were born in America and have never even been to Japan, is a subversive.  David and his family are harassed by government agents like the oily Coslow (Bert Remsen).  One morning, they discover that all of their farm animals have been killed and someone has written “REMEMBER PEARL HARBOR” with their blood.  When Franklin D. Roosevelt orders the internment of the Japanese, David’s father is among those taken away.  When Harlan continues to harass David, it eventually leads to not just one but two tragedies.

If Tomorrow Comes is a real tear-jerker, one that features a great performance from Frank Liu and a good one from Patty Duke.  Though it may seem a tad implausible that David and Eileen would get married just an hour before Japan attacked Pearl Harbor (and considering the attack occurred on a Sunday morning, I’m a little curious how they found a priest who was free to secretly marry them), the film does a good job of showing how fear can lead to otherwise good people doing terrible things.  One of the film’s strongest moments comes as David’s father is taken away to an internment camp and the Japanese prisoners try to prove their loyalty by spontaneously singing America, The Beautiful.  It’s a moment that reminds us of the danger of letting our fear destroy our humanity.

It’s a film that still feels relevant today, with its portrayal of heavy-handed government agents searching for subversives and ignoring the Constitution in order to save it.  When David visited his father at the internment camp, I thought about how, at the heigh of the COVID pandemic, it was not unusual to see people demanding that the unmasked and the unvaccinated by interned away from the rest of the world.  If Tomorrow Comes is a love story and a melodrama and tear-jerker but, above all else, it’s a warning about the destructive power of fear and prejudice.

A Movie A Day #136: Missing in Action 2: The Beginning (1985, directed by Lance Hool)


Goddamn, dude.  Chuck Fucking Norris.  Even when the movie is terrible, Chuck is cool.

That is especially relevant when it comes to a movie like Missing In Action 2: The Beginning.  Produced by Cannon Films and shot back-to-back with the first Missing in Action, The Beginning was supposed to come out first.  However, Menahem Golan and Yoram Globus took a look at the two movies and realized that The Beginning would work better as the 2nd film in the series.  They were right though some post-production tinkering did lead to some serious errors in continuity.

(Not that anyone watching a Golan/Globus production would be worrying about continuity.)

Did you ever wonder how James Braddock (Chuck Norris) became a POW in the first place?  No?  Missing In Action 2 is going to show you how it happened anyway.  It turns out that he and his men were captured, in 1972, by the Viet Cong when their helicopter crashed into a lake.  At the start of the movie, Chuck only has a mustache.  If Chuck had been fully bearded, there is no way the VC could have captured him.  After Chuck and his men have spent ten years in a jungle prison, where they are forced to pick poppies for a French heroin drug lord, Chuck has grown a full beard and is finally strong enough to escape from the prison, rescue his men, and defeat the sadistic camp commandant (Soon-Tek Oh) in hand-to-hand combat.  None of it is surprising but there’s enough weird stuff, like the prostitutes that the French drug dealer flies into the camp and the Australian journalist who shows up out of nowhere and is executed ten minutes later, to keep it interesting.  Chuck is as stiff as always but he’s good in the action scenes and gets to show off some sweet karate moves towards the end of the movie.  Supposedly, Chuck viewed the Missing in Action films as a tribute to his brother, Wieland, who was killed in Vietnam.

The continuity error has to do with the amount of time that Braddock and his men spend in the camp.  After Chuck is captured in 1972, the film inserts some footage of Ronald Reagan giving a speech about the men who never returned from Vietnam.  A narrator says that the Americans are still wondering what happened to the thousands of soldiers who were reported as being MIA in Vietnam.  The implication is that Chuck and company spent ten years in the POW Camp, which means that they escaped in 1982.  Since it is said, in Missing in Action, that it has been ten years since Chuck escaped, that means that Missing in Action actually took place in 1992.  But if Chuck and the boys escaped and returned to America in 1982 then why, in 1992, was everyone so convinced that all the POWs were released immediately after the Vietnam War?

Fortunately, Chuck Norris is so cool that it doesn’t matter what year it is.

Chuck Norris, man.

Chuck Fucking Norris.