Film Review: Assassin (dir by Jesse Atlas)


Assassin tells the story of Alexa (Nomzamo Mbatha), a soldier whose husband (Mustafa Shakir) was a member of secret government program in which people would allow their minds to be transferred into the bodies of strangers so that those strangers could then be used to assassinate America’s enemies.  When Alexa’s husband ends up in a coma as a result of trying to assassinate Adrian (Dominic Purcell), Alexa is forcefully recruited into the program and is sent to complete her husband’s mission.

That may sound like it would make for an intriguing film but Assassin is pretty dull.  Neither Nomzamo Mbatha nor Dominic Purcell give particularly interesting performances and the film’s plot and themes were far better explored in Brandon Cronenberg’s Possessor.  Watching the film, I found it impossible to have much sympathy for Alexa because she was not only murdering people but she was also ruining the lives of the innocent people who she ended up possessing.  The fact that her husband was in a coma didn’t excuse any of that.  If anything it made Alexa even less sympathetic.  After seeing what being an assassin did to her husband, why would Alexa want any of that?

Towards the end of the film, one of Alexa’s targets realizes that Alexa is possessing someone else’s body.  Alexa’s handler announces that she’s going to pull Alexa out of the body and then “get the wet team to take this guy out.”  If you have a team that can do it, why are you wasting time with possessing other people’s bodies?  Why would you decide to use the most complicated plan available when you could just simply send in a team and or have a drone blow up the guy’s house?  It’s almost as if the program is designed to be too complex to work.  As I watched the film, I suddenly started to understand why the CIA was never able to take out  Castro.  Sometimes, people just make things complicated for no reason.

Sadly, Assassin is also the final film of Bruce Willis.  Willis plays Valmora, the guy who is in charge of the Assassin program.  As was typical of Willis’s final films, he only gets a few minutes of screen time and he spends most of that time either sitting down or standing in a corner.  Willis, even though he obviously wasn’t in the best of health when he shot this film, still projects enough natural authority to be believable as Valmora.  Even though it’s obvious that he’s repeating lines that were fed to him just a few minutes before shooting, Willis still gives the most (and perhaps only) credible performance in the film.

Assassin is a sad note for Bruce Willis to go out on.  Of Willis’s final batch of films, the best were Gasoline Alley, Corrective Measures, and Wire RoomAssassin, however, is just dull and anyone tempted to watch it just because of Willis’s presence would be better served to go rewatch Die Hard, Pulp Fiction, The Sixth Sense, 12 Monkeys, or …. well, really, any other movie that Bruce Willis ever appeared in.  Bruce Willis was one of our greatest movie stars and nothing, not even films like Assassin, can change that.

Bloodshot Big-Screen Adaptation?


The gents at Latino Review have reported that Matthew Vaughn may have another superhero project in his future. This time it looks like Vaughn may bring to the big-screen a live-adaptation of Valiant Comics’ very own Bloodshot. This title was part of the Valiant Comics resurgence of the early 90’s during the Golden Age of Comic Book Speculation. Bloodshot was one of the more popular titles of that particular comic publishing line which also could be seen with its total sales number of 7 million. An unheard of number for a title not part of the Big Two (DC and Marvel).

Bloodshot the character was an assassin by the name of Angelo Mortalli who was killed then resurrected using advanced nanotechnology. It was these very nanites who brought him back to life who also imbue him with powers like enhanced reflexes and strengths, a healing factor, increased perception and cyberkinesis. During the process of Mortalli being revived with the nanites he loses his memory and the character now known as Bloodshot goes on a journey to find out who he was and how he got to where he is now.

To say that the comic book was violent would be an understatement. With Kick-Ass already being talked about as ultra-violent both in its print form and it’s upcoming film-adaptation it is only logical to conclude that Matthew Vaughn will keep the ultra-violence of the Bloodshot comics intact. If that is the case then I am definitely putting a watch on further developments on this potential project.

Source: Latino Review