International Horror Film Review: Alien 2: On Earth (dir by Ciro Ippolito)


Don’t get too excited about that title.  Yes, I know that it says Alien 2: On Earth, which would suggest that this is a sequel to the classic sci-fi horror film that we all know and love but …. well, we’ll get to it in a moment.

First, let’s talk about the movie….

HEY, EARTH!  YOU’RE GETTING INVADED AGAIN!

This time, it’s not flying saucers.  It’s not pod people.  It’s not the monsters from Cloverfield or A Quiet Place or Battle Los Angeles or Skyline or any of those films.  Instead, this time, you’re getting invaded by little blue rocks.  These rocks may look pretty but, if you hold them long enough, something will spring out of them and cause your face to explode.  Sometimes, the creature inside the rock will even hug onto your face for a while.  I guess maybe you could call it a face hugger, assuming that you had enough money to settle the copyright suit that would follow….

Famed cave explorer Thelma Joyce (Belinda Mayne) has been having horrific visions, largely due to the fact that she’s psychic whenever it’s convenient for the plot.  Could her visions have something to do with a spacecraft that has recently returned to Earth with all of its inhabitants missing?  (The implication is that the spacecraft was captained by a man named Dallas and had a warrant officer named Ripley, though that’s never specifically stated.)

Oh, why worry about all that ominous outer space stuff?  After all, Thelma and her husband Roy (Mark Bodin) have already got a full weekend planned out.  They’re going to get together with a group of friends and explore a cave!  It sounds like fun.  Of course, on the way to the cave, one of their friends finds a blue rock and decides to take it with him.  Hmmm….there’s no way that could backfire.

Once everyone’s in the cave, Thelma tells Roy that she has a feeling that something awful is about to happen.  Roy laughs off her concerns.  I mean, is Thelma supposed to be a psychic or something?  Oh, wait a minute….

Can you guess what happens?  If you think that Roy, Thelma, and their friends end up getting trapped in the cave with an alien that’s looking to dissolve all of their faces, you might be as much of a psychic as Thelma.  Needless to say, everyone picked the wrong weekend to go underground.

This Italian production from 1980 is, in many ways, a typical low-budget exploitation film.  There’s a lot of gore (including a pretty nifty beheading) and the film ends on a properly (and somewhat humorously) dark note but it takes forever for the movie to actually get going.  Fans of Italian horror will be happy to see Michele Soavi show up as one of the cave explorers and, if nothing else, the film does feature an effective sequence involving a survivor running down the streets of an eerily deserted city.

That said, this film is best-remembered as an example of just how shameless that Italian film industry could be when it came to ripping off more successful films.  Alien 2 had nothing to do with the original Alien but, because Ridley Scott’s film was a huge hit, the film was marketed as being a direct sequel.  Because the word “alien” existed long before any of the movies using it as a title were ever released, 20th Century Fox’s efforts to sue producer/director Ciro Ippolito for copyright infringement were just as unsuccessful as Ippolito’s later attempt to sue the makers of The Descent for, in Ippolito’s opinion, ripping off his story of cave explorers getting ripped apart by a strange creature.

So, no, this is not technically a part of the Alien franchise …. unless you want it to be.  That’s the fun thing about watching an unofficial sequel like this.  You can decide for yourself whether or not to accept it.

Finally, keep watching the skies and don’t pick up any blue rocks!  To quote the film’s final title card, “YOU MAY BE NEXT!”

 

6 Trailers That Make Lisa Marie Go Yay!


Hi everyone! 

I will be the first to admit that I can occasionally be a little moody but tonight, as I sit here typing, I am in such a good, extremely hyper mood.  Maybe it’s because I’m wearing my beloved black Pirates shirt.  Or it could be because, for once, this house is neither too cold nor too warm.  Then again, it could just be because it’s time for me to bring you another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers!

1) I Dismember Mama/The Blood-Splattered Bride (1974)

This is a trailer for a “double feature of horror,” featuring I Dismember Mama and The Blood-Splattered Bride.  When I’ve spoken with other grindhouse movie fans on the web, this trailer is often cited as being a favorite.  Personally, I think it goes along for about a minute too long but I can understand why it’s so popular.  For one thing, it’s nothing like the trailers that are currently playing in theaters across America in that it’s a short film in itself.  By the way, the trailer for Blood-Splattered bride sans I Dismember Mamma can be viewed here.

2) Killer Nun (1978)

From the wonderful nation of Italy comes this example of the odd little grindhouse genre known as nunsploitation.  I can probably count the number of good nunsploitation films on one hand.  And yet when confronted with a film like this, I cannot look away.  Maybe it’s because I was raised in the Catholic church.  Or it could just be because the totally hot and lickable Joe Dallesandro is in so many of them.  Along with Dallesandro, Killer Nun features Anita Ekberg of La Dolce Vita fame and Alida Valli of Third Man, Suspiria, and Inferno fame.

(Sidenote: Once when I was going to Catholic school, this really mean, fat girl was jealous of me because I was prettier than her so she whacked me in the face with a ruler so hard that it actually broke the skin right over my right eye and I had to get 3 stitches to close the cut and I’ve still got this little scar and sometimes, when I wink or seductively arch my right eyebrow, it still hurts a little.  I hope somebody eventually went all Killer Nun on that girl…)

3) Lady Kung Fu (1972)

When I showed my sister Erin this trailer, she said, “You’re not going to jump up and start trying to do any of that stuff yourself, are you?”  “Uhmmm…no,” I replied but, to be honest, I was totally about to do it.  I don’t know much about Angela Mao but just, on the basis of this trailer, she’s my hero.  This trailer is just infectious and, as I watched, I wondered, “How difficult can it be?”  Well, apparently, it’s very difficult but that’s a story for a different time.

4) The Bullet Machine (1969)

“He can hack it!”  Uhmmm….well, yes, okay then.  At first, I thought I had actually found a trailer that was more violent than the trailer for Massacre Mafia Style but, upon careful reflection, I have to say that Massacre Mafia Style is still the king.  The two hitmen in Massacre Mafia Style may not fire as many bullets but they still manage to kill everyone else in the trailer.  Whereas The Bullet Machine is constantly shooting his gun but doesn’t really seem to accomplish much as a result.  Plus, the mafia hitmen had style whereas the Bullet Machine just seems to be kind of a prick.  If ever I have to prove the thesis that most men use guns as a substitute for their own limp penis, this trailer will be exhibit one.

5) Alien 2 (1980)

I don’t know much about this film other than it’s obviously an Italian attempt to capitalize on the success of the original Alien and it is not — as I originally assumed — the same film as Luigi Cozzi’s Alien Contamination.  One of the things that I love about Italian exploitation cinema is just the pure shamelessness of it all.  I imagine there had to have been about a thousand remakes of Alien in the early 80s but only the Italians would have the balls to actually name a film Alien 2.

As for this trailer, it has its slow spots but seriously, stick with it for the final shot.  And remember — you could be next!

(On the plus side, a young Michele Soavi is in this film.  YAY!)

6) Fascination (1978)

I’m in such a good mood right now that I’m just going to have to end this latest entry with a little Jean Rollin.  Now, just in case anyone out there is unfamiliar with the unique cinematic vision of Jean Rollin, you should understand that this trailer is far more explicit than any of the other trailers featured in this post.  In fact, I’m surprised that Youtube hasn’t taken it down yet.  So, if you’re easily offended, I don’t know why you would be visiting this site in the first place.  But anyways, if you’re easily offended, consider yourself warned.

As for Fascination, it’s actually one of the more accessible of Jean Rollin’s vampire films.  The image — seen towards the end of this trailer — of Brigittie LaHaie with a scythe has become iconic.