10 TO MIDNIGHT is probably Charles Bronson’s best film from the infamous Cannon Films. It’s a solid police procedural with a slasher twist. It also has a good soundtrack from Robert O. Ragland. When we meet the creepy killer Warren Stacy (Gene Davis) at the beginning of the film, “Look at Me” plays on the soundtrack as he checks himself out in the mirror and goes through the crime in his mind. On Charles Bronson’s 104th birthday, I’ve chosen this as my song of the day!
Tag Archives: 10 To Midnight
6 Bronsonrific Trailers
Today is Charles Bronson’s birthday! I sent the trailer kitties out to gather the trailers for this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers with one mission in mind. Make it Bronsonriffic! Let’s see how they did!
1) Once Upon A Time In The West (1968)
2) Someone Behind The Door (1970)
3) Death Wish (1974)
4) From Noon Till Three (1976)
5) Telfon (1977)
6) 10 to Midnight (1983)
What do you think, Trailer Kitty?
Charles Bronson interviews the slasher in 10 TO MIDNIGHT (1983)!
Charles Bronson played a cop a bunch of times in the 1980’s, but my personal favorite is Leo Kessler from 10 TO MIDNIGHT. Kessler wants to be a better dad to his daughter Lori (Lisa Eilbacher), but first he needs to catch a psychotic killer who’s murdering beautiful young women. One of the most interesting things about 10 TO MIDNIGHT is the way it tries to fuse a badass cop film with the popular slasher films of the 1980’s. It’s arguably Bronson’s best Cannon film, and Gene Davis is a certifiable creep as the slasher, Warren Stacy. Enjoy this infamous scene where Kessler confronts Stacy about his, ummm… private sexual activities!
Song of the Day: Look At Me by Robert O. Ragland
Today’s song of the day comes from the soundtrack of one director J. Lee Thompson‘s best films, 10 to Midnight.
4 Shots From 4 Films: Special J. Lee Thompson Edition
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
111 years ago today, the director J. Lee Thompson was born in Bristol, England. Though he never quite got the respect that he deserved while he was alive (though he did receive an Oscar nomination for The Guns of Navarone and later won fame as one of the few directors that Charles Bronson actually liked), J. Lee Thompson has since been recognized as a master of genre filmmaking and as someone who was not afraid to add a little subversive subtext to his films. From The Guns of Navarone to the later sequels of Planet of the Apes to working with Charles Bronson and Robert Mitchum, Thompson was one of the best.
In honor of the man and his legacy, here are….
4 Shots From 4 J. Lee Thompson Films
Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)
Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)
Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)
10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)
Brad reviews 10 TO MIDNIGHT (1983), starring Charles Bronson!
Charles Bronson is Leo Kessler, a veteran detective who’s seen it all and has grown sick of a system of justice that he thinks favors criminals over their victims. When girls start getting murdered, he immediately suspects the arrogant Warren Stacy, played by Gene Davis in the best role of his career. When Kessler and his partner Paul McCann (Andrew Stevens) start putting the pressure on Stacy, the killer responds by going after Kessler’s daughter Laurie (Lisa Eilbacher). Needless to say, our hero will do anything to stop the madman, ANYTHING!
10 TO MIDNIGHT is a special movie in my house because it’s my wife’s favorite Charles Bronson film, even when she didn’t have any overall appreciation for Bronson as an actor. Luckily for her, she had me to introduce her to the rest of the iconic actor’s voluminous catalog of movies. I saw 10 TO MIDNIGHT myself when I was pretty young, probably 13 or so. I remember being scared that first night after I watched the movie when I was trying to go to sleep. My wife and I watched it today on my old VHS tape that I’ve owned going back to the late 1980’s.
There are several elements that elevate 10 TO MIDNIGHT above the average cop / slasher thrillers of the 1980’s. First, it’s Charles Bronson in the lead role. Bronson has such a strong presence on screen that his presence alone elevates almost any material. He looks great in the film, and the role gives him some good opportunities, as both a mentor to the young cop, and even more importantly, as a dad who wants to do better for his daughter. It’s a solid role that seems to fit Bronson like a glove. Second, we know from the very beginning of the movie that Warren Stacy is in fact the killer. We also know that the law seems to be working in his favor. And because of that, we’re on Kessler’s side as he goes to extreme lengths to stop his reign of terror. Finally, the script and director J. Lee Thompson go all in on the sex and violence. Examples include Stacy killing his often naked victims while he himself is in the nude. There is much talk in the film about items of a sexual nature and Stacy even has a sexual release device that almost has to be seen to be believed. It definitely adds a decadent and voyeuristic feel to the proceedings. And I haven’t even mentioned yet that it has one of the very best endings of any Bronson film, second only to THE MECHANIC, in my humble opinion.
I highly recommend 10 TO MIDNIGHT!
For a more detailed review of 10 TO MIDNIGHT, check out Lisa’s review from a couple of years back below:
4 Shots From 4 Films: Special 1983 Edition
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to a classic year in film. It’s time for….
4 Shots From 4 1983 Films
Scarface (1983, dir by Brian De Palma, DP: John A. Alonzo)
Star 80 (1983, dir by Bob Fosse, DP: Sven Nyvkist)
Flashdance (1983, dir by Adrian Lyne, DP: Donald Peterman)
10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)
10 Films For The Weekend (6/13/25)
Here are just a few recommendations from a girl who is currently packing for her vacation!
Happy Friday the 13th
Friday the 13th kind of snuck up on me this year, which is a shame because this is the only Friday the 13th that we’re going to get in 2025. I have a feeling that I’m not alone in being taken by surprise, though. Usually the streaming services make a bigger deal about Friday the 13th. This year, only Pluto TV has the complete series available to stream.
That said, you can watch the first Friday the 13th (1980) on Tubi. Though the films were never critical favorites and I doubt they’ll ever have a Halloween-style resurgence (and really, that’s the way I like it because the last thing that horror fans need or deserve is for David Gordon Green to screw up Jason like he did Michael), the first Friday the 13th is still entertaining to watch. It’s interesting to see how much the first few films drew from the Italian giallo movies. The first Friday the 13th is even a whodunit, featuring a killer wearing gloves! It also features a young Kevin Bacon in a speedo so what’s your excuse for not watching? Personally, I always relate to Marcie in this film. I imagine I’d share the same fate if I ever found myself working at a summer camp, wandering around in my underwear and saying, “C’mon, guys….” until someone got annoyed and hit me with an axe. You can watch the film on Tubi.
Friday the 13th: Part 2 (1981) is actually a really good horror movie, featuring interesting victims and, for the first time, Jason Voorhees as the killer. Jason dresses like a hillbilly in this one. Amy Steel is a badass heroine. Russell Todd’s an incredibly handsome man. The film itself actually has some wonderfully creepy shots, from the POV tracking shot that creeps up on Lauren-Marie Taylor to the shadowy shot of the cars driving into town. It can be viewed on Pluto.
Friday the 13th: The Final Chapter (1984) was quite obviously not the final chapter but it was, in my opinion, the best of the films. Everyone remembers this one for Corey Feldman as Tommy Jarvis and Crispin Glover as one of the victims but really, the entire cast does a great job of bringing their characters to life and actually making them interesting for once. My heart always breaks a little for Peter Barton and Barbara Howard. They were such a cute couple. It can be viewed on Pluto.
Friday the 13th Part VII: The New Blood (1987) is hardly the best of the Friday films but I have to admit that I’ve always kind of liked it. Not only does it feature the first appearance of Zombie Jason but it also features enough strange plot twists to keep things watchable. The recently passed Lar Park Lincoln plays Tina, the girl with psychic powers and she gives a far better performance than the material probably deserved. Terry Kiser plays “Bad News” Crews. It can be viewed on Pluto.
Mario Bava’s Bay of Blood (1971) is a classic giallo and it features a rare (and successful) stab at social satire on the part of Mario Bava. It’s also interesting to see the scenes that were lifted, almost shot-for-short, for Friday the 13th Part 2. It can be viewed on Tubi.
Happy Father’s Day
This s going to be a bittersweet Father’s Day for me and my sisters. Our Dad passed away last August. Indeed, one of the reasons why I’m going on vacation next week is so I can get away from the sad memories for a bit. If I had to think of any film that captured my Dad’s independent spirit, I’d probably go with Convoy (1978). When I was growing up, my Dad sometimes worked as an independent trucker. He liked this movie and he liked Rubber Duck and you know what? Rubber Duck would have liked him as well. Convy was notorious for the cost overruns and the amount of drugs done on set but I’ll tell you right now — if you don’t cheer when Kris Kristofferson, Burt Young, and other truckers defy the law, you have no heart. Convoy can be viewed on Tubi.
My Dad was also a Godzilla fan, which is one reason why I’m a Godzilla fan! I can still remember being little and watching Godzilla films with him. They used to air every Saturday afternoon. One of our favorites was Godzilla vs Megalon (1973), in which Godzilla teams up with the giant robot, Jet Jaguar. I know that Godzilla purists tend to be dismissive of this film but I don’t care. I loved it! It can be viewed on Max.
I guess it says something about my job here that I can get sentimental about a violent and bloody film like 10 to Midnight (1983) but I have to admit that I’m always touched by the father-daughter relationship of Leo (Charles Bronson) and Laurie Kessler (Lisa Eilbacher). It reminds me a lot of my relationship with my Dad. Of course, those of you just looking for a good Cannon-era Bronson flick won’t be disappointed either. Gene Davis turns Warren Stacy into a truly loathsome villain and Bronson’s final line is a classic. Plus, this film has got Andrew Stevens in the role of the liberal rookie detective who no one can believe is a cop. The film can be viewed on Tubi.
Happy Odds and Ends
If you want to watch a Bava film that’s a little less gory than Bay of Blood, Planet of the Vampires (1965) is an atmospheric delight. Just as Bay of Blood inspired Friday the 13th, Planet of the Vampires inspired Alien. Keep an eye out for Ivan Rassimov, who had the best head of hair in Italian horror. The film is on Pluto.
Jim Belushi celebrated a birthday this week and you can celebrate as well by watching one of my favorite guilty pleasures, The Principal (1987). This film is heartfelt, violent, occasionally funny, thoroughly ludicrous, and actually kind of touching in its determination to actually say something. Jim Belushi vs Michael Wright is one of the ages. Lou Gossett, Jr. appears to be amused by the whole thing. “He’s the Principal, man!” The film is on Tubi.
Have a great week!
4 Shots From 4 Films: Special Charles Bronson “Badass Cop” Edition!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Charles Bronson played hitmen, melon farmers, boxers and vigilantes throughout the course of his iconic film career. He also played badass cops! Today I celebrate Bronson as a beacon of law and order.
Charlie Congers in LOVE AND BULLETS (1979)
Leo Kessler in 10 TO MIDNIGHT (1983)
Jack Murphy in MURPHY’S LAW (1986)
Lieutenant Crowe in KINJITE: FORBIDDEN SUBJECTS (1989)
Bonus Horror Scene Of The Day: The End Of 10 To Midnight
The scene below is a major spoiler for the film 10 to Midnight so don’t watch if you haven’t seen the film yet. And, to be honest, you probably shouldn’t even read the rest of this post, as the post itself is probably a spoiler as well. There’s no way to truly talk about this film without talking about the ending. 10 to Midnight is a film that’s been on my mind a lot this year, largely because Charles Bronson plays a character who reminds me of my Dad. Bronson’s relationship with his daughter (played by Lisa Eilbacher) also reminds me of my own relationship with my Dad. I doubt there’s many people who get sentimental over a relatively unheralded vigilante horror film from 1983 but, as I’m still processing losing my Dad earlier this year, I am one of those people.
If you have seen the film, you know that this is one of the best endings that Charles Bronson ever filmed. Indeed, in today’s chaotic world, there’s some very satisfying about both Bronson’s final line and his no-nonsense style of dealing with problems. And indeed, with all the bad vibes that seem to have been unleashed on the world over the past few years, this scene feels like an exorcism of sorts.
Serial killer Warren Stacy (Gene Davis) thought he could game the system. He thought he had everything figured out. He smugly assumed no one could stop his reign of terror.
Well, Bronson disagrees.
And with that one wonderful final line, Charles Bronson brings this year’s Horrorthon to a close.
Through the Shattered Lens 