Song of the Day: Save The Best For Last (by Vanessa Williams)


The latest “Song of the Day” continues my romance-theme leading up to Valentine’s Day and this one holds a special place in my heart and memories.

“Save The Best For Last” was part of Vanessa Williams’ debut album, The Comfort Zone, and was released around 1992. This was one of those songs which just resonated with many listeners. It’s a song about how we’re so intent on trying to find that special someone to be with in our lives that we never realize that they’re right in front of us. I think many young people and adults gravitate to this song because it’s speaks to how we make finding love difficult through our own need to find it. The thing about this song is how it speaks of missed opportunities but it also talks about how such things will balance out in the end and we finally realize who’s in front of us throughout all the searching and struggling.

I like to think that this was the song which finally put Vanessa Williams on the path to stardom. The fact that it was a song that many other singers passed over only to have Williams take it on proves just prescient the lyrics of the song were in the end. What others saw as something that didn’t deserve their time was finally taken on by someone who has turned it into their signature song.

Save The Best For Last

Sometimes the snow comes down in June
Sometimes the sun goes ’round the moon
I see the passion in your eyes
Sometimes it’s all a big surprise
‘Cause there was a time when all I did was wish
You’d tell me this was love
It’s not the way I hoped or how I planned
But somehow it’s enough

And now we’re standing face to face
Isn’t this world a crazy place
Just when I thought our chance had passed
You go and save the best for last

All of the nights you came to me
When some silly girl had set you free
You wondered how you’d make it through
I wondered what was wrong with you

‘Cause how could you give your love to someone else
And share your dreams with me
Sometimes the very thing you’re looking for
Is the one thing you can’t see

And now we’re standing face to face
Isn’t this world a crazy place
Just when I thought our chance had passed
You go and save the best for last

Sometimes the very thing you’re looking for
Is the one thing you can’t see

Sometimes the snow comes down in June
Sometimes the sun goes ’round the moon
Just when I thought our chance had passed
You go and save the best for last

You went and saved the best for last

Song of the Day: What Kind of Man Would I Be (by Mint Condition)


The next song for the current romance-themed “Song of the Day” column comes direct from 1996 and from one of the most underrated and under-appreciated R&B bands of the past 20 years.

“What Kind of Man Would I Be” by the band Mint Condition remains one of those songs that people always say they love, but never knowing just who sang it. It’s been a long and hard road for Mint Condition, but the fact that even now the band remains together, strong and still putting out albums. Not many R&B groups from the 80’s and 90’s ever last beyond a few releases. One of the secrets which makes Mint Condition always relevant in the music and R&B scene is the fact that these are musicians. Their sound is not overdubbed, auto-tuned and they sing with an honest passion about subject matters without bragging about themselves.

This song, at first listen, sounds like a very depressing track. Some have mistaken it as a story sung about one man’s infidelity when in fact it’s a song about staying true and loyal to that one special person in their life. It’s a song that tells that age’s long story about the temptation to stray and cheat on one’s partner.

“What Kind of Man Would I Be” is a celebration of how true love will always win out over temptation. It also tries to dispel the notion that all men cheat no matter who they are. At least, for one song, it makes a point that not all men are dogs and will cheat at a moment’s notice. This is a song that I try to live my life by and hopefully others would find inspiration to do the same.

What Kind of Man Would I Be

[Intro]
You know
We can’t do this
We just can’t
listen
[Verse 1:]
You say u feel disintented
Cause latley he takes you for granted
Still faithful and true you remained and to hurt so have I
You pore out your heart and I listen
And we catch a vibe reminiscing
Temptations so strong not to mention
The urging inside
[Chorus:]
But what kind of man would i be
If i lived unfaithfuly
And what kind of girl would you be
If you did the same
Cause I dont wanna see her cry
And you dont need a reason to lie
Cause if we laid down tonight
It wont justify on the lovers side
[Verse 2:]
This feeling is strong and we know it
But we gotta see past the moment
Theres too much to lose if we blow it
This is no lie
Still here we are both together
With promises made that we never
Yet feeling it now more than ever
I cant denie
[Chorus x1]
[Bridge]
Here we are all alone
But some how we’ve got to stay strong
[Chorus: until song fades out]
(Makes me wanna say ohhhhhhhhhhhhh)
(Just gotta say ohhhhhhhhhh)
(She makes me wanna say ohhhhhhhhh)
(Just gotta say ohhhhhhhhh)
But what kind of man would I be ohhhh can’t be unfaithful
sorry baby

With promises made that we never
Yet feeling it now more than ever
I cant denie
[Course x1]
[Bridge]
Here we are all alone
But some how we’ve got to stay strong
[Course: until song fades out]
(Makes me wanna say ohhhhhhhhhhhhh)
(Just gotta say ohhhhhhhhhh)
(She makes me wanna say ohhhhhhhhh)
(Just gotta say ohhhhhhhhh)
But what kind of man would I be ohhhh can’t be unfaithful
sorry baby

Song of the Day: Ready or Not (by After 7)


Like I tend to do with a special holiday coming around the corner I do a themed series of posts. This time it will be a new ballad for “Song of the Day” until Valentine’s Day arrives on the 14th. What better way to begin this romance-themed of songs than choosing a classic ballad from my high school days: “Ready or Not” by After 7.

This song comes from the R&B group After 7 and their self-titled debut album from 1989. “Ready or Not” was released as a single in 1990 and quickly became a staple of most R&B and urban contemporary radio stations. It also became a favorite ballad to be played during high school dances especially winter balls and proms (at least in the Bay Area). It was difficult not to like this ballad once one heard it. The late 80’s was a major era for the rebirth of Motown-infused R&B groups and After 7 was one of the better ones to make themselves known during this era.

“Ready or Not” was a very earnest sounding ballad and spoke to the romantic heart of those who listened to it both old and young. I think one reason why high school teens and young adults liked this song (and continue to do even as these same people are now in their 30’s and 40’s) is now it vocalized just exactly what their thoughts were when it came to their significant others. It didn’t just vocalize it, but did so in the most heartfelt way that some people today might call too sugary.

I, for one, still cling to the thought that this song represents romance in it’s most honest form. There’s barely a hint of cynicism in the lyrics and one could believe that Keith Mitchell and Kevon Edmonds (the two out of the trio in the group who sing solos in the song) also believed what they were singing about. They believed in the lyrics not as a way to manipulate their audience the way R&B singers of this current era do now.

“Ready or Not” will continue to be one of those songs which remains a favorite to this day and also one that helps me think back to the good days of my high school days.

Ready or Not

I’ll give the sun
The Rain
The Moon
The Stars and The Mountains
I’ll give you the world
And all that you wish for
And even more
Girl I love you more than you could know
And that’s for sure
I’d climb the highest hill
Cross the widest sea
Nothin could discourage me
And I pray that you will be
Always there for me
Forever more

Ready or not**
I’ll give you everything
and more
All that I’ve got–it’s yours
I’ll give you everything
All that you’re looking for

I’ll give you my heart
My soul
my time
My love is a fountain
I will be your earth
And all that you need for
and even more
Cause girl I love you more than words can show

My love is pure
I’ll walk a thousand miles
Sail a thousand seas
Nothin will discourage me
And I pray that you will be
Always there for me
Forever more

(Repeat Chorus** 3x)

Song of the Day: Rivers and Roads (by The Head and The Heart)


[spoilers]

One of my favorite show has ended this past Friday night. Those who have read my previous “Song of the Day” entry would know that the show I speak of is the spy-comedy series Chuck on NBC. This latest “Song of the Day” entry uses the song which plays during one of the most romantic and heartbreaking scenes to end the series. It’s an ending left ambiguous and allows for the viewer to decide if things work out for the best. The song is The Head and The Heart’s song, “Rivers and Roads”.

Some background info as to why this song has become a favorite of pretty much every Chuck fan. The two characters this plays for is the title character Chuck Bartowski who becomes a spy by accident in the beginning of the series. Sarah Walker (played by the lovely Yvonne Strahovski) is sent to become Chuck’s handler until he could get he spuer-secret Intersect spy database out of his brain or manages to use it well. Throughout the five season of the series these two characters have a “will they or won’t they” fall for each other. They finally do end up falling in love with each other midway through season 3 and even get married. Season 5 (which ended up being it’s last) had a major development in the last couple episodes where Sarah loses her memory of the five years she spent with Chuck and reverts back to pre-Chuck days. So, the wife Chuck married doesn’t remember their special moments together.

The series finale shows Chuck and Sarah back at the beach which ended the pilot episode with Chuck expressing his love once again to the woman he still loves even if she doesn’t remember those times. Throughout the episode we get glimpses that Sarah may be slowly remembering tidbits from their time together but not enough. This final scene has Chuck saying that his best friend in the show saying that one kiss from Chuck with Sarah will magically unlock those memories once again. It’s that final line uttered by Sarah and the two kissing with “Rivers and Roads” playing in the background and the show fading to back which made this episode so heartbreaking an, for many, hopeful that the magical kiss is successful.

I’d like to remember this scene as following the Disney magic that one kiss will unlock those memories. The song by The Head and The Heart is such a perfect accompaniment to this scene and as every fan of the show will probably do is go out and buy this album. This tv romance between Chuck and Sarah was one of the best ever on TV and I, for one, am glad I was able to witness it grow and develop through those 5 seasons on NBC.

Rivers and Roads

A year from now we’ll all be gone
All our friends will move away
And they’re goin’ to better places
But our friends will be gone away

Nothin’ is as it has been
And I miss your face like hell
And I guess it’s just as well
But I miss your face like hell

Been talkin’ ’bout the way things change
And my family lives in a different state
If you don’t know what to make of this
Then we will not relate
So if you don’t know what to make of this
Then we will not relate

Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you
Rivers and roads
Rivers and roads
Rivers till I reach you

Song of the Day: Take On Me (by A-Ha)


Tonight marked the end of one of my favorite TV shows. It was the little spy-comedy show that could. The show powered through the last three seasons of less and less episodes with the threat of cancellation always above. The show I’m talking about is Chuck and to say that my tv world is a little less awesome now that the series finally ended tonight with it’s 2-hour series finale would be an understatement.

This series finale also brought back to my attention a song from my youth that has always been a guilty pleasure that’s become used as a joke or cynically deconstructed by hipsters in this day and age. This series brought back A-Ha’s “Take On Me” as covered by the show’s resident disturbingly hilarious musical duo, Jeffster. Instead of using it as a joke or something for people to laugh at the show used the song in a way that fit the bittersweet feeling fans over the show’s final moments.

I will forever remember this song as one of the many awesome songs which became part of Chuck.

Take On Me

We’re talking away
I don’t know what
I’m to say I’ll say it anyway
Today’s another day to find you
Shying away
I’ll be coming for your love, OK?

Take on me, take me on
I’ll be gone
In a day or two

So needless to say
I’m odds and ends
But that’s me stumbling away
Slowly learning that life is OK.
Say after me
It’s no better to be safe than sorry

Take on me, take me on
I’ll be gone
In a day or two

Oh the things that you say
Is it life or
Just a play my worries away
You’re all the things I’ve got to
remember
You’re shying away
I’ll be coming for you anyway

Take on me, take me on
I’ll be gone
In a day or two

Song of the Day: Death Is the Road to Awe (by Clint Mansell)


Just a little under a year ago I had chosen a particular favorite song as the latest “Song of the Day”. This song was Clint Mansell’s “Together We Will Live Forever” which was part of his exceptional film score for Darren Aronofsky’s 2006 scifi love story, The Fountain. I’ve decided to finally bookend that choice by choosing what has to be the best song in that film’s soundtrack and one of the best piece of film score ever composed: Mansell’s “Death Is the Road to Awe”.

While I’ve given Mansell with the final credit for the creation of this epic song (not just in tone and execution but in length), he had help from frequent collaborator Kronos Quartet and Scottish post-rock band Mogwai. “Death Is the Road to Awe” takes the entirety of Mansell’s film scoring for The Fountain and distills them into a mixture of classical, post-rock and ambient dissonance which seems to all work so well together despite their very differing musical styles.

The Fountain was (still is) a film which brings out either love and admiration for it or utter hate for what some think was a pretentious, jumbled mess. Whether one loved or hated the film (rarely is there one who falls in the middle in their reaction to this film) the reaction most have had for the soundtrack has been mostly positive. I, for one, truly believe it to be one of the greatest film scores ever composed for any film. This song is the ultimate culmination of Mansell’s work for this film and just shows that classical, rock and electronic could co-exist side-by-side to create something truly unique and one-of-a-kind.

Song of the Day: Tom Waits – New Year’s Eve


I never did get around to writing a review of Bad As Me. It’s a shame, because it’s pretty damn good. The old man’s always been in a league of his own, and Tom’s seventeenth studio album feels no less legitimate than anything else he’s created. If anything it’s above average in his discography quality-wise, and that says a lot for someone who released his first album nearly 40 years ago. An entirely accurate representation of his style, here’s 13 anthems to homeless bums, trailer trash, vagabonds, and the starry-eyed refugees of an unforgiving society. I’ve been listening to the closing track, New Year’s Eve, on repeat ever since my deluxe edition pre-order showed up in the mail, and now’s a good day to pass it along.

It’s typical Tom fassion to make the joyous out of the bleak and vice versa. New Year’s Eve might not be as gut-wrenching as Christmas Card from a Hooker in Minneapolis, but it carries on his tradition of looking at the holidays from the perspective of those who’ve got little left in life to celebrate.

The door was open; I was seething
Your mother burst in; it was freezing
She said it looks like it’s trying to rain
I was lost; I felt sea sick
You convinced me that he’d left
You said keep talking, but don’t use any names
I scolded your driver and your brother
We are old enough to know how long you’ve been hooked
And we’ve all been through the war
and each time you score
someone gets hauled and handcuffed and booked

It felt like four in the morning
What sounded like fire works
Turned out to be just what it was
The stars looked like diamonds
Then came the sirens
And everyone started to cuss

All the noise was disturbing
And I couldn’t find Irving
It was like two stations on at the same time
And then I hid your car keys
And I made black coffee
And I dumped out the rest of the rum

Nick and Socorro broke up
And Candice wouldn’t shut up
Fin, he recorded the whole thing
Ray, he said damn you
And someone broke my camera
And it was New Years
And we all started to sing

Should auld acquaintance be forgot and never brought to mind
Should auld acquaintance be forgot for the sake of auld lang syne

I was leaving in the morning with Charles for Las Vegas
And I didn’t plan to come back
I had only a few things
Two hundred dollars
And my records in a brown paper sack

I ran out on Sheila
Everything’s in storage
Calvin’s right, I should go back to driving trucks

Should auld acquaintance be forgot and never brought to mind
Should auld acquaintance be forgot for the sake of auld lang syne

Song of the Day: Sacred Worlds (by Blind Guardian)


The latest “Song of the Day” comes from those metal gods who make up the power metal band, Blind Guardian. It’s a song which begins their latest full-length album, At The Edge of Time, and also a reworking of the song the band created for the console rpg title, Sacred 2: Fallen Angel. The song I’ve chosen this time around is “Sacred Worlds”.

The song was originally titled “Sacred” and was introduced in the game the band made it for during a quaint sequence where virtual, fantasy versions of the band do headbanging show in your typical fantasy inn populated by orcs, goblins, trolls and other find gentle creatures. While the original song was great on its own when the band reworked it with a brand new orchestral intro and outro the song took on a more epic sound.

It’s a pretty long song at a running time of 9:17 and is one of the better songs in Blind Guardian’s latest album. It’s also one of thew songs in my Skyrim playlist which I listen to nonstop while playing in Bethesda Softworks’ latest epic rpg title.

Sacred Worlds

The realm’s bleeding
It suffers
Old and weak

No further arguing
There is war at hand
The system’s failing
Engines running

Then after all
I sense the end is dawning
These lunatics deny the truth

I know I will not fail
There’ll be

War it’s now or never
We shall stand together
One by one
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
I’m coming home

Coming home

You chase in twilight
And you know
You will be on your own
On your own

The misery shown
I’ll be alone in this hour
I’ll face the unknown
Witness the end

I’m bleeding, I’m fading
Here in my final hour
When long-lost memories return
And a voice keeps calling
“All dead and gone
It’s out of hand
Life is in motion”
I’m wishing, I’m fading
“Time to wake up
Face the truth”

I’m sinking
I’m drowning
There’s no doubt, no regret
“Time to reveal now”
This is no illusion
It is real
Carry on the flame
It’s not over now
Watch me, I will rise
Time to reveal now

I know I will not fail
Anymore

I’ll go on forever
All that really matters
Blessed realm
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
(I’m coming home)

Yesterday’s gone
There’s no today, no tomorrow
I’m raised from the dead
The ritual failed

There at the gates
I’m left alone in this hour
Driven insane
I am left alone

And now I drown in deepest shadows
While the golden hall is sealed
I’m wishing
I’m fading
And I’m part of the machine

My eyes are the eyes of a dead man
And I feel the unholy stream
The source of my power
T-energy
I’m in control

I will live forever
All that really matters
Find the one
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
I’m coming home

I spread my wings
But keep on falling
I should have known
I can see it coming
The war is over
There’s whispering in the wind
Just let me out of here
There is no way
There’s no end
While all the suffering goes on
All that I know
Is that I’m not insane
It’s not over

Song of the Day: Song of the Dragonborn from Elder Scrolls V: Skyrim (by Jeremy Soule)


The latest “Song of the Day” comes from my latest obsession that should take up much free time I have when not blogging or working. It’s the main theme from the latest entry in the Elder Scrolls rpg franchise from Bethesda, Elder Scrolls V: Skyrim. The theme has been unofficially called “Song of the Dragonborn” and I’m more than fine with that unofficial title.

“Song of the Dragonborn” was written and composed by this franchise’s longtime music composer in Jeremy Soule. He has done the orchestral score in this series’ previous two titles and this latest one looks to continue the quality work he’s done in the past. The song is a combination of Wagnerian-style orchestral music with the martial chanting by the male chorus. The chorus itself is from the fictional language of the Nord (the Viking like race in the game) created just for this game.

All I can say is that this song has been on constant repeat since I started playing this game and it’s such a great backdrop to slaying people and things in the game with my Nord Warrior, Berek Thunderfist.

Song of the Dragonborn

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Huzrah nu, kul do od, wah aan bok lingrah vod,

Ahrk fin tey, boziik fun, do fin gein!

Wo lost fron wah ney dov, ahrk fin reyliik do jul,

Voth aan suleyk wah ronit faal krein!

Ahrk fin zul, rok drey kod, nau tol morokei frod,

Rul lot Taazokaan motaad voth kein!

Sahrot Thu’um, med aan tuz, vey zeim hokoron pah,

Ol fin Dovahkiin komeyt ok rein!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Ahrk fin Kel lost prodah, do ved viing ko fin krah,

Tol fod zeymah win kein meyz fundein!

Alduin, feyn do jun, kruziik vokun staadnau,

Voth aan bahlok wah diivon fin lein!

Nuz aan sul, fent alok, fod fin vul dovah nok,

Fen kos nahlot mahfaeraak ahrk ruz!

Paaz Keizaal fen kos stin nol bein Alduin jot,

Dovahkiin kos fin saviik do muz!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fodnust vok zin dro zaan,

Dovahkiin, fah hin kogaan mu draal!

*     *     *     *     *

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Hearken now, sons of snow, to an age, long ago,

And the tale, boldly told, of the one!

Who was kin to both wyrm, and the races of man,

With a power to rival the sun!

And the voice, he did wield, on that glorious field,

When great Tamriel shuddered with war!

Mighty Thu’um, like a blade, cut through enemies all,

As the Dragonborn issued his roar!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

And the Scrolls have foretold, of black wings in the cold,

That when brothers wage war come unfurled!

Alduin, Bane of Kings, ancient shadow unbound,

With a hunger to swallow the world!

But a day, shall arise, when the dark dragon’s lies,

Will be silenced forever and then!

Fair Skyrim will be free from foul Alduin’s maw,

Dragonborn be the savior of men!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Song of the Day: Lisa Says (by Lou Reed)


In honor of Lisa Day the latest “Song of the Day” definitely fits the Lisa-theme chosen for today.

“Lisa Says” was originally released in 1969 by the rock band Velvet Underground. The song got another release in 1972 as part of Lou Reed’s (who was part of Velvet Underground) solo debut album in 1972. The song definitely has a slow, bluesy sound which is barely above the level that would make it a ballad. Instead it ends up sounding like a Valentine card to all Lisa’s everywhere.

Without further ado…“Lisa Says”.

Lisa Says

Lisa says, on a night like this
it’d be so nice, if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says
Lisa says
Lisa says, oh, no
Lisa says

Lisa says, honey, you must think –
– I’m some kind of California fool
the way you treat me just like some kind of tool
Lisa says, hey baby, if you stick your tongue in my ear
then the scene around here will become very clear

Lisa says, oh no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Hey, if you’re looking for a good time Charlie
well, that’s not really what I am
You know, some good time Charlie
always out, having his fun

But if you’re looking for some good, good lovin’
then sit yourself right over here
You know that those good, those good times
they just seem to pass me by, just like pie in the sky

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, hey baby, for just one little smile
I’ll sing and play for you for the longest while
let me hear you now

Lisa says, oh, no, no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Why am I so shy
Why am I so shy, Gee, you know those
good good times, they just seem to pass me by
Why am I so shy

First time I saw you I was talking to myself
I said, hey, you got such pretty, pretty eyes
(that pretty eyes)

Now that you’re next to me I just get so upset
And Lisa, will you tell me, why am I so shy

Why am I so shy
Why am I so shy, well, you know that those
good, good times, they just seem to pass me by
Why am I so shy

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says, oh, no, now
Lisa says, hey don’t you be a little baby
Lisa says, oh, no
Lisa says