Song of the Day: The Main Theme From The Mission by Ennio Morricone


Today’s song of the day is the main theme from the 1986 best picture nominee, The Mission.  As with all of the songs of the day that I’ve featured this month, this was composed by the great Ennio Morricone.

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)
  6. So Alone (What Have You Done To Solange?)

Music Video of the Day: All Fired Up by Drastic (2020, dir by ????)


Would you prove your love for me by jumping out of an airplane?

Well, fear not.  I would never ask you or anyone else to do so.  What I can also tell you is that there are absolutely no circumstances in which I would jump out of an airplane.  I wouldn’t do it prove my love.  I wouldn’t do it for a million dollars.  I certainly wouldn’t do it for just the experience.  I’ve been told that skydiving is an amazing feeling but, as we all know, I don’t do heights.  Seriously, I have a hard enough time standing at the top of my staircase at home.  (Of course, I should point out that it’s a very steep staircase.)

What would I do to prove my love?  I would stand up in the back of a moving pickup truck.  That may not sound like much but seriously, it is.  It’s at least as dangerous as sky diving.  When I was growing up, all of my aunts and all of my uncles told me stories about people who had made the mistake of standing up in the back of a moving pickup truck and it never seemed to end well for them.  In fact, it kind of left me with a phobia about pickup trucks in general.  Whenever I’m stuck behind one in traffic, I’m worried that someone’s going to suddenly stand up in the back of it and accidentally fall out and crash through my windshield or something.  That would suck.  New windshields are not cheap.

Anyway, enjoy!

Song of the Day: So Alone by Ennio Morricone


Today’s song of the day comes from the score of the haunting 1972 giallo film, What Have You Done to Solange?  From Ennio Morricone, it’s So Alone.

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)

Song of the Day: The Strength of the Righteous by Ennio Morricone


Since I reviewed The Untouchables yesterday, it only seems fit that it’s main title theme should be today’s song of the day.  From Ennio Morricone, it’s The Strength of the Righteous!

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)

Song of the Day: Il Grande Silenzio by Ennio Morricone


Today’s song of the day comes from Ennio Morricone’s score for the 1968 spaghetti western, The Great Silence.  Directed by Sergio Corbucci and featuring Jean-Louis Trintigant as a mute bounty hunter and Klaus Kinski as a savage outlaw, The Great Silence is one the darkest of the Italian westerns and Morricone’s elegiac score compliments the mood perfectly.

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)

Music Video of the Day: The Steps by HAIM (2020, dir by Paul Thomas Anderson)


I’m the youngest of four sisters and everyday, I’m thankful for that because I would seriously be so lost without them in my life.  I think that’s one reason why I like HAIM.  The Haim sisters remind me of my older sisters and that’s especially true in the video for The Steps.

The song, of course, is about a relationship that, if it hasn’t ended yet, is coming to an end.  The messiness of Haim’s morning routine perfectly mirrors the lyrics of the song, in which the narrator says that every time she tries to move forward, her lover gets mad at her for “making a mess.”  There’s something very liberating about HAIM’s messiness in this video.  It’s not just the fact that they’re throwing stuff all over the apartment and stumbling out of bed (which is the way I think most of us wake up but it’s something you rarely see in movies or music videos, where everyone wakes up refreshed and ready for a photo shoot) but it’s also the fact that there’s none of the fake glamour that you might expect to see in a music video like this.  It’s a song about freedom and being yourself and if that means making a mess then make a mess.  It’s a liberating song and a liberating video.  It’s not a video where HAIM tries to live up to some pop princess archetype.  This is a video that says, “This is who we are and fuck you if you can’t handle it.”

That said, I have to admit that I’m a compulsive cleaner and my natural instinct is to usually tidy up so my room has never looked as messy as my life.  I guess I should be happy about that because otherwise, I don’t think I’d ever be able to find anything.  And that’s okay.  It’s okay to be messy.  It’s okay to be neat.  What matters is that you’re being yourself and not allowing anyone to force you to try to be someone else.

This video, like most of HAIM’s recent videos, was directed by Paul Thomas Anderson.  The film critic Armond White has argued that Anderson’s work with HAIM is actually superior to most of his recent films and I think White might have a point.  (Before anyone starts yelling at me, I don’t care whether or not you like Armond White.  He’s a consistently interesting writer and someone has to be willing to be a contrarian.)  There’s a definitely naturalness to Anderson’s videos with HAIM, as if anything could happen at any moment.

Enjoy!

Song of the Day: Come Un Mardigale by Ennio Morricone


Today, we continue our tribute to Ennio Morricone with Come Un Madrigale, which he composed for Dario Arengto’s 1971 giallo, Four Flies on Grey Velvet!  Morricone scored Argento’s first three films and his atmospheric music was as important to their success as Goblin would be to the success of later Argento films like Suspiria and Deep Red.

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)