This video definitely has a decadent Halloween sort of feel to it. One gets the feeling that it’s actually about an ancient pagan priestess come back to life, to the appreciation of her adoring fans.
Enjoy!
This video definitely has a decadent Halloween sort of feel to it. One gets the feeling that it’s actually about an ancient pagan priestess come back to life, to the appreciation of her adoring fans.
Enjoy!
Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain. But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.
Enjoy!
“The beat, the beat, the beat, the beat!”
Enjoy!
This has a psycho ballet vibe to it that I dug. It’s like “Come alive …. AND KILL!”
Enjoy!
Today is the 100th birthday of the pioneering indie director, Edward D. Wood, Jr!
Today’s song of the day is the theme from Tim Burton’s 1994 biopic of the director. In my opinion, this remains Burton’s first film. Burton also directed the musical video below while the great Toni Basil choreographed. And, best of all, the dancer is named Lisa Marie!
Happy birthday, Ed, wherever you may be.
Listening to this song, I thought it sounded exactly like the type of music that I like and that I wish more bands were performing. Then I read the comments on YouTube, full of people praising the band and video for embracing a retro aesthetic and I realized that, today, retro means anything that I thought was cool in the years before I hit 20
Never before have I felt so old. I know it happens to everyone eventually but I still had no idea that it would be the YouTube commentariat who would plunge me to straight into a midlife crisis.
Enjoy!
This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th. For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope. I like Ghost Cop’s sound and I look forward to discovering more of their music.
Dack and Swope are not only Ghost Cop but they also directed this video.
Enjoy!
Because I’m getting old and I still don’t want to admit that the music I grew up with is now considered to be “classic” rock, this South Bay band is new to me but I like their sound and I like this video, which feels like a throwback to the days before music got boring and corporate.
I found an interview in which the lead singer (and director of the video) Meriel O’Connel had this to say about Poison:
The song is about society being subjected to constant overwhelming stimulus on our phones, devices, etc that creates this culture of comparison, disposability, and lack of fulfillment in our daily lives. There’s another component where these companies and corporations who push apps, social media, etc aren’t making these things just for fun, it’s all for profit. To keep us searching for more rather than being satisfied by ourselves and our immediate surroundings, and ultimately them knowing & tracking everything about us algorithmically.
It’s this lack of escapism that makes it more difficult for us to turn inwards & go into our own internal lives and spaces, and makes us place value on what we’re putting out externally rather than consider how we can be internally fulfilled, fill up our own cups.
That’s not bad!
Enjoy!
In The Shade Of The Shadows is the first single off of Rosalie Cunningham’s upcoming album, To Shoot Another Day. (The album is due to be released on November 1st.)
According to the video’s description on YouTube, this video is a 100% DIY creation, made with a phone and a good deal of creativity by Cunningham and Rosco Wilson. To quote Cunningham (again, from the video’s description on YouTube): It’s amazing what you can do with a phone, a torch, some free child labour, a tree surgeon and some SASS.
Enjoy!
In this song, Kerry King reveals that he reigns right where you would expect the lead guitarist for Slayer to reign. This song is off of King’s album, From Hell I Rise. Death Angel’s Mark Osegueda provides the vocals.
The music video keeps things simple and straight-forward, emphasizing performance over glitz. Director Jim Louvau previously directed the video for Jerry Cantrell’s Atone.
Enjoy!