I like this video. It’s a little bit long, or at least it is for me. (You should keep in mind that I have an 88-second attention span.) But it’s a lovely song and there’s a haunting strain of melancholy running through this entire video. Hopefully, she returned to shore.
I’ve always loved Kelly Clarkson’s voice and this video has a good message about embracing and celebrating individuality. If nothing else, by the time she made this video, Kelly had certainly improved as an actress since From Justin to Kelly.
Though this is one of David Bowie’s most popular videos and also features one of the best performances of his often underrated acting career, the story behind it is a sad one. Bowie wrote the song from the point of view of Terry Burns, his schizophrenic half-brother who once attempted suicide by jumping out of a window. Though that attempt failed, a few years later, Terry did succeed in escaping from the mental institution where he was being held. After escaping, Terry was hit by a train and killed. Much like Bowie’s previous song, All the Madmen, Jump They Say was inspired by Terry’s life and Bowie’s own attempts to understand the source of his brother’s mental illness.
This makes the video all the more poignant as Bowie plays a businessman who comes to suspect that his colleagues are plotting against him and, in order to escape from them, ends up throwing himself from the roof of an office building. Mark Romanek directs in such a way that it’s never clear whether Bowie’s character is correct to be paranoid or if it’s all in his mind. Romanek throws in visual references to other films that dealt with the themes of paranoia and conformity, including A Clockwork Orange, Alphaville, and The Trial. Romanek has subsequently gone from being an in-demand music video director to directing films such as One Hour Photo and Never Let Me Go.
When this video was released, Bowie was going through something of a career slump. Jump They Say was a bit of a comeback for him, reaching number 9 on the UK charts.
This video appears to be a nicely twisted take on Sleeping Beauty. Admittedly, I do seem to ascribe a supernatural theme to every Kedr Livanskiy film that I see. Usually, I’m assume that the videos are about vampires, just because Kedr Livanskiy’s surreal music often puts me in the mood for a Jean Rollin film. This time, however, I’m pretty sure that there aren’t any vampires in this video. Instead, there’s just a lot of sleeping, dreaming, and running.
This classic song from the early 1980s was inspired by a great deal of emotional trauma.
At the start of 1982, The Pretenders consisted of vocalist and rhythm guitarist Chrissie Hynde, lead guitarist and vocalist James Honeyman-Scott, bassist and vocalist Pete Farndon, and drummer and vocalist Martin Chambers. On June 14th, 1982, Farndon was fired from the band as a result of his drug problems. Two days later, Honeyman-Scott would die of a cocaine-induced heart attack while at his girlfriend’s apartment.
At the time of Honeyman-Scott’s death, he and Hynde were working on the song that would eventually become Back on the Chain Gang. At the time, the song was envisioned as being about Hynde’s turbulent relationship with Ray Davies of the Kinks. After Honeyman-Scott’s death, the song took on a different meaning and, instead, became about Hynde’s struggle to keep the band going even after losing two of her best friends. (Farndon, himself, would die of a drug overdose in 1983.) Hynde, who was three months pregnant when the song was first recorded, dedicated Back on the Chain Gang to Honeyman-Scott’s memory. Back on the Chain Gang went on to become The Pretenders’s biggest hit in the United States, where it was adapted as an anthem by people who probably did not know the emotional story behind the song’s composition.
The video, which was put into heavy rotation during the early days of MTV, features the two surviving original members of The Pretenders. Chrisse Hynde sings while Martin Chambers plays one of many office workers who, upon arriving at work, are briefly transformed into slaves using pickaxes to excavate ruins in the desert.
I like this video. It has kind of a desolate feel to it but there’s also a very snarky sense of humor lurking underneath all of the loneliness. This video reminds me of when I would visit my cousins in Arkansas over the summer and we’d inevitably end up hanging out around an abandoned house. There’s a surprisingly large amount of abandoned houses in Arkansas, for some reason.
(Seriously, if you’re not even thinking about shooting your amateur horror film in Arkansas, you’re missing out on some very creepy scenery!)
I don’t have a lot to say about this video. I just like it. It’s a good video. Stewart Moncure shared it during Saturday’s #ILikeToWatch live tweet and I was reminded of how much I’ve always liked this song and this video. Watching it, I’m reminded of when I briefly wanted to be a teacher. I wouldn’t have taught music, though. I can’t carry a tune to save my life. Instead, I would have taught …. well, Drama is kind of the obvious choice but if I could teach anything, I’d probably teach history. I mean, we could solve so many of our problems today if people actually knew more about history than what they see on twitter or read on Wikipedia. Oh well.