Artwork of the Day: Too Much Woman (Artist Unknown)


Artist Unknown

The book was first published in 1961.  The cover artist is unknown and I couldn’t find any information on Elliott Gilbert either.

Joan Manready’s name appears to be appropriate as she’s ready for any man.  I guess the title means that she had too much passion for just one man, like her husband, to satisfy.  Her husband is cold, which means that Joan has to seduce (or, as the cover puts it, conquer) the pool boy.  Not surprisingly, the pool boy is not putting up much resistance.  Speaking for myself, I like the broad shoulders and the abs but the unibrow is a definite turn off.

Artwork of the Day: The Arrival


By Erin Nicole

I called this picture The Arrival, though I guess it could just as easily be called Erin Playing With Photoshop.  Though the editing is obvious, I still like the way the image turned out.  Though it may be a cliché, I like the flash of pink streaking across an otherwise colorless picture.  The building is an apartment complex located near the Shops at Legacy in Plano.  I, of course, added the sepia tone, the sunburst, and the pink lightning bolt afterwards.  I don’t know what’s arriving at the end of that lightening bolt.  It could be aliens or poltergeist or maybe an angel.  This picture is from a period I went through where I was always trying to add the possibility of an angel to every photograph I took.

Artwork of the Day: Backwater Woman (by Rudy Nappi)


by Rudy Nappi

The message of this cover appears to be that, if you’re going to live in the backwaters, you’re going to have to bare your midriff and show a little leg if you want to survive.  The arched eyebrow suggests that she thinks she had the situation under control but sticking your bare feet into yellow swamp water is not recommended, unless you want to risk attracting leeches and crocodiles.

This book was first published in 1957.  The cover is by Rudy Nappi, whose work I’ve frequently shared in the past and I’ll probably share even more of it in the future.

Artwork of the Day: Woman Chaser (by Jack Thurston)


by Jack Thurston

Woman Chaser was originally published in 1962.  It was authored by Robert Turner, who wrote several pulp novels.  In 1948, he also wrote a how-to book for writers who were interesting breaking into the pulp market.  I found a review of it over at Rough Edges.

The cover art was done by Jack Thurston, who I profiled on this site back in 2017.  Like a lot of pulp covers from the era, this cover suggests more than it shows.  We see a middle aged man necking with a dark-haired woman but we don’t know if the woman is Fay or Angie or maybe even Myrna, Monica, or Juanita.  I guess she could be any woman from Angie to Zelda.  This is a cover that says buy the book and start reading to find out what happens when that white shirt and black pants and blue negligee are all on the floor.

I also like the way that the blurb plays into moral panic.  It’s not a book about Jack’s inability to stay faithful.  Instead, it’s “a novel about threat of today’s other women!”

Artwork of the Day: Invaders Of Earth (by Morton Roberts)


Cover by Morton Roberts

The original hardback edition of Invaders of Earth was published in 1952 and it featured 22 short stories about alien invasion, all of which had been written between 1907 and 1952.  When Pocket Books published a paperback edition in 1955, seven stories were cut for space.  The cover above is for the paperback edition and was done by Morton Roberts.  I think the three humans featured on the cover are meant to be imprisoned, though it looks like it would be an easy prison from which to escape.  The red sky that always seemed to accompany any alien invasion in the 50s is present in the background.

Invaders of Earth was just one of the 40 science fiction anthologies that Groff Conklin edited.  Along with writing sci-fi himself, Conklin was also a poet and an author of home improvement books.

Artwork of the Day: Cockpit (Artist Unknown)


Artist Unknown

Cockpit was published in 1953.  In Britain, it was published under the title Image in the Dust.  In the U.S., it was called Cockpit.  Considering the book’s cover blurb — An Auto Racer …. A Drug Adddict … And The Woman They Shared — I think it’s possible that the title might have had a double meaning.

The book was written by a British writer named Elleston Trevor.  Warick Scott was one of the many pseudonyms that Trevor used.  Cockpit was the first of three books which Trevor wrote as Scott.  The other were called The Doomsday Story and The Naked Canvas.

The identity of the artist who did this cover is not known.  The woman they shared bears a strong resemblance to Marilyn Monroe while the two men in her life look like generic pulp cover men.  I’m worried that one of them appears to be standing in the middle of the track.  That’s probably the drug addict.

Artwork of the Day: Sea Nymph (by Paul Rader)


Cover by Paul Rader

Sea Nymph was published in 1963 by Midwood Books.  Peggy Swenson was one of the many pseudonyms used by the writer Richard E. Geis.  Gies wrote 15 books as Swenson.  According to the cover, Sea Nymph is about a woman who “wanted to learn skin diving but she learned a warmer sport.”  Water polo, maybe?

The cover is by Paul Rader.  This site has featured a lot of Rader’s work and it will probably feature even more before the year ends.  As usual for paperback covers of the era, the cover hints at more than it shows.   I assume that the hairy arm with the huge hand attached belong to her diving instructor.  The violet tattoo is an interesting choice.

Artwork of the Day: Lover Boy (Artist Unknown)


Artist Unknown

This book was first published in 1959 but the cover is from a 1961 reprinting.  The cover artist is unknown.  Like many pulp covers of the era, it equates bare shoulders with sex.  I like the contrast between the mansion and the sailboat in the background and the woman and the man in the foreground.  The cover blurb may read “The unashamed story of lonely women in a New England town … and the man who wove a net of passion around them all,” but unashamed is not the feeling that I’m picking up from the facial expressions on this cover.  Getting down that hill barefoot is not going to practical so I hope she remembers what she did with her shoes.

Artwork of the Day: Only The Bed (Artist Unknown)


Artist Unknown

This book was published in 1959.  Don Holliday was a name that was used by several writers who were represented by literary agent Scott Meredith.  Pseudonyms like Don Holliday were used to protect both the reputations of Meredith and the writers who churned out a book-a-month for publishers like Midwood.  Among the writers who were wrote under the name Don Holliday: Hal Dresner, Robert Silverberg, Donald Westlake, and Lawrence Block.  While I was doing some research on Midwood and Don Holliday, I came across a post at Vintage Sleaze Paperbacks that attempted to determine which of the Don Hollidays actually wrote Only The Bed.

The cover artist is unknown.  I like the way that the bars of the resemble the beds of the prison, suggesting that the couple on the cover as prisoners of their own lust.

Artwork of the Day: Wild and Wicked (by David Hatfield)


by David Hatfield

Wild and Wicked was first published in 1965, by Midwood Books.  Laura DuChamp was a pen name for Sally Hastings, who wrote several soft-core books for Midwod.  She also wrote under the name March Hastings.  The artist responsible for this cover is unknown.  When I saw it, my first thought was “Church group gone wild.”

8/1/21 UPDATE: David Hatfield has contacted us to let us know that he’s the artist responsible for this wonderful cover.  His signature can be seen on the right side of the cover, next to the shoulder of the boy in the striped shirt.  Thank you, David, for letting us know so that we could properly credit you for this cover!