Music Video of the Day: Whisper by voyeur (2024, directed by Kahyl Cooper)


Listening to this song, I thought it sounded exactly like the type of music that I like and that I wish more bands were performing.  Then I read the comments on YouTube, full of people praising the band and video for embracing a retro aesthetic and I realized that, today, retro means anything that I thought was cool in the years before I hit 20

Never before have I felt so old.  I know it happens to everyone eventually but I still had no idea that it would be the YouTube commentariat who would plunge me to straight into a midlife crisis.

Enjoy!

Hider In The House (1989, directed by Matthew Patrick)


After spending years in a mental hospital for murdering his abusive parents, Tom Dreyer (Gary Busey) is released and told to find somewhere else to live.  He ends up secretly living in the crawl space of the new home Julie (Mimi Rogers) and Phil Dreyer (Michael McKean).  Obsessed with Julie, he’ll do anything to be with her, including breaking up her marriage to Phil and killing anyone who comes to close to discovering him in the crawlspace, whether it’s the family dog, an exterminator, or Julie’s best friend.

Due to the distributor having financial issues, Hider In The House never got a theatrical release but it used to show up on HBO frequently in the late 80s and 90s.  I can also remember that our local video store had the film’s poster hanging on the wall near the cash register, creating the impression that Gary Busy was not only staring at Mimi Rogers but also judging whatever you decided to rent for the weekend.  Hider In The House was very popular amongst those of us who had a crush on Mimi Rogers, which was basically every guy on the planet back in the day.

It’s not a bad movie, even if it is predictable.  Both Mimi Rogers and a pre-motorcycle accident Gary Busey give good performance and it’s interesting to see Michael McKean playing a dramatic role for once.  The main problem with the movie is that it’s impossible to believe that big and hulking Busey could possibly live in someone’s attic and move around between the walls without everyone immediately noticing.  A Clydesdale would have more luck going unnoticed than Gary Busey.

Shortly after he completed filming on Hider In The House, Gary Busey was in a motorcycle accident that nearly killed him.  He fractured his skull and suffered permanent brain damage.  It’s always interesting to compare the Gary Busey of the 70s and 80s with the Gary Busey of today.  People are so used to the Busey who yells and speaks in riddles that it’s easy to forget that he was once a very good actor, even when he was appearing in something like Hider In The House.

Music Video of the Day: Trouble by Ghost Cop (2024, directed by Sean Dack and Lucy Swope)


This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th.  For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope.  I like Ghost Cop’s sound and I look forward to discovering more of their music.

Dack and Swope are not only Ghost Cop but they also directed this video.

Enjoy!

Dark Flower (2011, directed by Gloria G. Ruiz)


In Dark Flower, found footage foolishness abounds when the crew of a paranormal television show go to the woods to investigate a series of disappearances and instead end up being chased by the usual supernatural ghostlies and ghoulies.  Hell, they’re probably being chased by the Blair Witch too.  This movie isn’t shy about announcing what it’s copying.  The camera shakes so we know it’s supposed to be authentic found footage and also to keep us from focusing on how bad the acting is and how low-rent the scares are.  The television crew even like to film themselves when they’re just hanging out at home or selling drugs on the ranch.  There’s not a compelling character to be found and the story is impossible to follow.

This movie does not appear to be listed on the imdb, though it’s on all the other movie sites.  Maybe it really did happen!  Nah.

Music Video of the Day: Poison by Slaughterhouse (2023, directed by Meriel O’Connel and Anna Tse)


Because I’m getting old and I still don’t want to admit that the music I grew up with is now considered to be “classic” rock, this South Bay band is new to me but I like their sound and I like this video, which feels like a throwback to the days before music got boring and corporate.

I found an interview in which the lead singer (and director of the video) Meriel O’Connel had this to say about Poison:

The song is about society being subjected to constant overwhelming stimulus on our phones, devices, etc that creates this culture of comparison, disposability, and lack of fulfillment in our daily lives. There’s another component where these companies and corporations who push apps, social media, etc aren’t making these things just for fun, it’s all for profit. To keep us searching for more rather than being satisfied by ourselves and our immediate surroundings, and ultimately them knowing & tracking everything about us algorithmically.

It’s this lack of escapism that makes it more difficult for us to turn inwards & go into our own internal lives and spaces, and makes us place value on what we’re putting out externally rather than consider how we can be internally fulfilled, fill up our own cups.

That’s not bad!

Enjoy!

Party Line (1988, directed by William Webb)


“Hot singles are waiting to speak to you!”

Remember those party line commercials that used to air late at night in the 90s?  For just a few dollars a minute, you could call and talk to someone claiming to be a hot woman in your area of town.  (The commercials always featured women because everyone understood that only men would be dumb enough to call the number.)  Even when I was a teenager, I knew that there was no way that a young, hot woman was sitting at home alone and waiting for a stranger to call her.  But obviously, some people thought they were true because those party lines commercials aired for a long time and really only went away once everything moved online.

In Party Line, Greta Blackburn and Leif Garrett plays homicidal siblings who have money to burn so they spend all of their time on the party line, enticing men to sneak away from their wives and come to their mansion so that they can be murdered.  Detectives Richard Hatch and Shawn Weatherly are assigned to find out why so many married men are turning up dead.  The chief of police is played by Richard Roundtree, who is so smooth that his main purpose in the movie is to remind us that not everyone has to use a party line to pick up women.  It’s a standard 80s thriller that has some moments of unexpected humor, largely due to the contrast between the beautiful and rich killers and the people that they target.  Richard Hatch is wooden in the role of the detective but Shawn Weatherly is attractive and likable as his partner,  Greta Blackburn makes for an excellent femme fatale while Leif Garrett is twitchy but convincing as a killer who likes to wear a bridal gown.

Party Line was made when the idea of adult phone lines was still a new one.  Apparently, when those lines first started to advertise, the part about it costing money wasn’t actually mentioned and could only be discovered by reading the small print at the bottom of a television screen.  Since the small print was not only very small but also usually accompanied by a picture of a blonde in lingerie, no one ever bothered to read it.  I was not one of them but I do know more than a few 90s kids who came home from school to discover a parent waiting to talk to them about the phone bill.  The world was a different place back then.  Today, everyone should know that most hot singles have something better to do than to talk to you and if they don’t, they’re probably killers like people in Party Line.  It’s not worth a dollar for each additional minute.

 

Music Video of the Day: In The Shade of The Shadows by Rosalie Cunningham (2024, directed by Rosalie Cunningham and Rosco Wilson)


In The Shade Of The Shadows is the first single off of Rosalie Cunningham’s upcoming album, To Shoot Another Day.  (The album is due to be released on November 1st.)

According to the video’s description on YouTube, this video is a 100% DIY creation, made with a phone and a good deal of creativity by Cunningham and Rosco Wilson.  To quote Cunningham (again, from the video’s description on YouTube): It’s amazing what you can do with a phone, a torch, some free child labour, a tree surgeon and some SASS. 

Enjoy!

Playing With Fire (1985, directed by Ivan Nagy)


David Phillips (Gary Coleman) is a teenager who sets fires when he gets upset.  He has many reasons to be upset.  His parents (Ron O’Neal and Cicely Tyson) are getting divorced and are constantly fighting.  His teachers at school are always getting on his back.  He has to take care of his younger siblings and his dog.  He can’t even get the bigger kids in school to let him play basketball with them.  At first, David just plays with his lighter but, after he accidentally sets his mother’s coat on fire, David discovers that he likes to watch things burn.  David and his mother both claim it’s just coincidence that David is always nearby whenever a fire breaks out but Fire Chief Walker (Yaphet Kotto) knows what’s really going on.  After David nearly burns down his house, Walker tries to reach him before it’s too late.

This isn’t really meant to be a horror film  but it’s shot like one, with plenty of scenes of Gary Coleman staring at a burning fire with a possessed-look in his eyes.  The movie tries to make David sympathetic but the scene where he threatens his own dog with a lighter suggests that David has more problems than just his parents splitting up.  This was Gary Coleman’s first dramatic role.  I think it may have also been his only dramatic role.  It’s not that he’s not convincing as a really angry kid.  It’s just that he’s Gary Coleman so, no matter how much the movie tries, it still comes across as being a special episode of Diff’rent Strokes where Arnold becomes a pyromaniac.  Coleman tries to play up the drama of the situation but it’s hard not to laugh whenever he looks shocked at one of the fires that he has just started.  Every scene seems like it should end with Conrad Bain showing up with the cops.

For years, this movie was next to impossible to find but finally, someone found an old VHS tape in their garage and uploaded the movie to both YouTube and the Internet Archive, ensuring the world will never forget the time that Gary Coleman played with fire.

One final note: the director is better known for eventually becoming business partners with notorious Hollywood madam, Heidi Fleiss.

Music Video of the Day: Where I Reign by Kerry King (2024, directed by Jim Louvau)


In this song, Kerry King reveals that he reigns right where you would expect the lead guitarist for Slayer to reign.  This song is off of King’s album, From Hell I Rise.  Death Angel’s Mark Osegueda provides the vocals.

The music video keeps things simple and straight-forward, emphasizing performance over glitz.  Director Jim Louvau previously directed the video for Jerry Cantrell’s Atone.

Enjoy!

Storm Warning (2007, directed by Jamie Blanks)


A lawyer named Rob (Robert Taylor) and his French wife, Pia (Nadia Fares), get lost while on a boating trip and land on an island during the middle of a storm.  French Island is home to a family of rednecks, Poppy (John Brumpton) and his two inbred sons, Jimmy (David Lyons) and Brett (Matthew Wilkinson).  When the rednecks catch Rob and Pia seeking shelter in their home, they sexually harass Pia (which is not cool) and they give Rob a ton of crap for driving a Volvo (justified).  “You’re a frog on French island,” one of the rednecks tells Pia.  After having their wet suits stolen and being forced to kill a wallaby, Pia and Rob remember the end of Straw Dogs and violently turn against the rednecks.

This was a pointless movie.  Don’t go on sailing trips if you don’t know who or what is on any of the islands.  Don’t break into people’s houses, no matter how bad the storm is.  Always make sure to grab the keys before trying to steal a truck.  Never trust a Rottweiler.  These are lessons that are understood by everyone except for characters in dumb movies like this one.

There’s an unrated version of this is you want an extra four minutes of blood and insults.