Black Cadillac (2003, directed by John Murlowski)


On a snowy night, Scott (Shane Johnson), CJ (Josh Hammond), and Robbie (Jason Dohring) cross into Wisconsin so that they can have a good time at a notorious roadhouse.  After CJ starts a fight that gets them kicked out, the three of them start to drive back to Minnesota.  They stop to pick up a deputy sheriff, Charlie (Randy Quaid), whose squad car has broken down.  Charlie assures the young men that he’s off-duty and asks them a lot of questions about what they’ve been doing during the night.  When a mysterious 1957 black Cadillac pulls up and challenges the Scott to a drag race, Charlie tells Scott to “go for it!”

It turns out that the Cadillac is interested in more than just a race.  It tries to force Scott into crashing his car and, even after Scott seems to escape from the car, it keeps showing up wherever the friends are driving.  Why is the other driver after them and how is Charlie involved?

Not a bad film.  The black Cadillac and its driver are great villains that seems to be able to transport anywhere.  No matter what the three young men do, they can’t escape from or even slow down the Cadillac’s pursuit.  The three friends are all likable, even if the movie does get bogged down with all of their secrets.  Randy Quaid shows  why, before he apparently lost his mind and started talking about star whackers, he was one of the busiest character actors around.  Black Cadillac is a good mix of horror and car chases.

Alarmed (2014, directed by Matt Lofgren)


Samantha stands trial, accused of killing her father, mother, and two of her sisters.  She is acquitted.  Five years later, she’s trapped on the family yacht, stranded at sea with the ship’s onboard computer ordering her to remove her limbs and slash her face.  Every morning, she wakes up and it’s as if nothing happened.  But during the evening, she goes through the entire ritual again.  Samantha feels that she is being punished for murdering her family, except that Samantha did not murder her family.  While being tortured on the boat, she thinks back and tries to figure out who the guilty party actually was.

It’s an interesting idea but a dumb movie.  You’re stuck on a boat, far from civilization and medical help.  The only other person on the boat is your husband, who can’t help you because the boat’s onboard computer has locked him out of control room.  Are you going to chop off your finger just because a computer tells you to?  Are you going to saw off your hand, just because the computer says so?  The boat is also haunted by ghosts and I wish the movie had just focused on them instead of bringing in the computer and the time loop element.

The movie just doesn’t work.  The plot is overstuffed and the acting is terrible.  Try not to laugh when you hear the dialogue between the judges and the lawyers in the courtroom scene.  The yacht is a good location but a few long shots make it obvious that the yacht is not as far away from civilization as Samantha and her husband seem to think.

All in all, a misfire.

Flight of the Living Dead: Outbreak On A Plane (2007, directed by Scott Thomas)


Bad news!  There’s a zombie outbreak on a 747 jumbo jet!  That’s what you get for trying to transport a scientist who has been infected with a “super warrior” virus on a commercial flight.  It’s fine as long as she’s in her container but it just takes a little turbulence for her to get free and start infecting everyone.

This movie was advertised as being the first movie about a zombie outbreak on a plane and yes, it came out the same time as Snakes on a PlaneFlight of the Living Dead makes good use of its limited setting.  Not only do the handful of uninfected passengers have to maneuver around the undead in a tight space but they have to figure out how to get off the plane before it either runs out of fuel or gets blown up by the fighter jets that are following it.  The plane setting also reveals a new way to dispose of zombies, though it also means disposing of many of the living as well.

Flight of the Living Dead was better than I expected.  The characters are all cardboard but the action is fast and furious and that it was all happening the air did bring a new element of suspense to the familiar story.  Zombie movies are dime a dozen but this one’s not bad.  The next time I have to fly anywhere, I’m going to make sure I’m seated as far to the back of the plane as possible.

Music Video of the Day: Whisper by voyeur (2024, directed by Kahyl Cooper)


Listening to this song, I thought it sounded exactly like the type of music that I like and that I wish more bands were performing.  Then I read the comments on YouTube, full of people praising the band and video for embracing a retro aesthetic and I realized that, today, retro means anything that I thought was cool in the years before I hit 20

Never before have I felt so old.  I know it happens to everyone eventually but I still had no idea that it would be the YouTube commentariat who would plunge me to straight into a midlife crisis.

Enjoy!

Hider In The House (1989, directed by Matthew Patrick)


After spending years in a mental hospital for murdering his abusive parents, Tom Dreyer (Gary Busey) is released and told to find somewhere else to live.  He ends up secretly living in the crawl space of the new home Julie (Mimi Rogers) and Phil Dreyer (Michael McKean).  Obsessed with Julie, he’ll do anything to be with her, including breaking up her marriage to Phil and killing anyone who comes to close to discovering him in the crawlspace, whether it’s the family dog, an exterminator, or Julie’s best friend.

Due to the distributor having financial issues, Hider In The House never got a theatrical release but it used to show up on HBO frequently in the late 80s and 90s.  I can also remember that our local video store had the film’s poster hanging on the wall near the cash register, creating the impression that Gary Busy was not only staring at Mimi Rogers but also judging whatever you decided to rent for the weekend.  Hider In The House was very popular amongst those of us who had a crush on Mimi Rogers, which was basically every guy on the planet back in the day.

It’s not a bad movie, even if it is predictable.  Both Mimi Rogers and a pre-motorcycle accident Gary Busey give good performance and it’s interesting to see Michael McKean playing a dramatic role for once.  The main problem with the movie is that it’s impossible to believe that big and hulking Busey could possibly live in someone’s attic and move around between the walls without everyone immediately noticing.  A Clydesdale would have more luck going unnoticed than Gary Busey.

Shortly after he completed filming on Hider In The House, Gary Busey was in a motorcycle accident that nearly killed him.  He fractured his skull and suffered permanent brain damage.  It’s always interesting to compare the Gary Busey of the 70s and 80s with the Gary Busey of today.  People are so used to the Busey who yells and speaks in riddles that it’s easy to forget that he was once a very good actor, even when he was appearing in something like Hider In The House.

Music Video of the Day: Trouble by Ghost Cop (2024, directed by Sean Dack and Lucy Swope)


This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th.  For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope.  I like Ghost Cop’s sound and I look forward to discovering more of their music.

Dack and Swope are not only Ghost Cop but they also directed this video.

Enjoy!

Dark Flower (2011, directed by Gloria G. Ruiz)


In Dark Flower, found footage foolishness abounds when the crew of a paranormal television show go to the woods to investigate a series of disappearances and instead end up being chased by the usual supernatural ghostlies and ghoulies.  Hell, they’re probably being chased by the Blair Witch too.  This movie isn’t shy about announcing what it’s copying.  The camera shakes so we know it’s supposed to be authentic found footage and also to keep us from focusing on how bad the acting is and how low-rent the scares are.  The television crew even like to film themselves when they’re just hanging out at home or selling drugs on the ranch.  There’s not a compelling character to be found and the story is impossible to follow.

This movie does not appear to be listed on the imdb, though it’s on all the other movie sites.  Maybe it really did happen!  Nah.

Music Video of the Day: Poison by Slaughterhouse (2023, directed by Meriel O’Connel and Anna Tse)


Because I’m getting old and I still don’t want to admit that the music I grew up with is now considered to be “classic” rock, this South Bay band is new to me but I like their sound and I like this video, which feels like a throwback to the days before music got boring and corporate.

I found an interview in which the lead singer (and director of the video) Meriel O’Connel had this to say about Poison:

The song is about society being subjected to constant overwhelming stimulus on our phones, devices, etc that creates this culture of comparison, disposability, and lack of fulfillment in our daily lives. There’s another component where these companies and corporations who push apps, social media, etc aren’t making these things just for fun, it’s all for profit. To keep us searching for more rather than being satisfied by ourselves and our immediate surroundings, and ultimately them knowing & tracking everything about us algorithmically.

It’s this lack of escapism that makes it more difficult for us to turn inwards & go into our own internal lives and spaces, and makes us place value on what we’re putting out externally rather than consider how we can be internally fulfilled, fill up our own cups.

That’s not bad!

Enjoy!

Party Line (1988, directed by William Webb)


“Hot singles are waiting to speak to you!”

Remember those party line commercials that used to air late at night in the 90s?  For just a few dollars a minute, you could call and talk to someone claiming to be a hot woman in your area of town.  (The commercials always featured women because everyone understood that only men would be dumb enough to call the number.)  Even when I was a teenager, I knew that there was no way that a young, hot woman was sitting at home alone and waiting for a stranger to call her.  But obviously, some people thought they were true because those party lines commercials aired for a long time and really only went away once everything moved online.

In Party Line, Greta Blackburn and Leif Garrett plays homicidal siblings who have money to burn so they spend all of their time on the party line, enticing men to sneak away from their wives and come to their mansion so that they can be murdered.  Detectives Richard Hatch and Shawn Weatherly are assigned to find out why so many married men are turning up dead.  The chief of police is played by Richard Roundtree, who is so smooth that his main purpose in the movie is to remind us that not everyone has to use a party line to pick up women.  It’s a standard 80s thriller that has some moments of unexpected humor, largely due to the contrast between the beautiful and rich killers and the people that they target.  Richard Hatch is wooden in the role of the detective but Shawn Weatherly is attractive and likable as his partner,  Greta Blackburn makes for an excellent femme fatale while Leif Garrett is twitchy but convincing as a killer who likes to wear a bridal gown.

Party Line was made when the idea of adult phone lines was still a new one.  Apparently, when those lines first started to advertise, the part about it costing money wasn’t actually mentioned and could only be discovered by reading the small print at the bottom of a television screen.  Since the small print was not only very small but also usually accompanied by a picture of a blonde in lingerie, no one ever bothered to read it.  I was not one of them but I do know more than a few 90s kids who came home from school to discover a parent waiting to talk to them about the phone bill.  The world was a different place back then.  Today, everyone should know that most hot singles have something better to do than to talk to you and if they don’t, they’re probably killers like people in Party Line.  It’s not worth a dollar for each additional minute.

 

Music Video of the Day: In The Shade of The Shadows by Rosalie Cunningham (2024, directed by Rosalie Cunningham and Rosco Wilson)


In The Shade Of The Shadows is the first single off of Rosalie Cunningham’s upcoming album, To Shoot Another Day.  (The album is due to be released on November 1st.)

According to the video’s description on YouTube, this video is a 100% DIY creation, made with a phone and a good deal of creativity by Cunningham and Rosco Wilson.  To quote Cunningham (again, from the video’s description on YouTube): It’s amazing what you can do with a phone, a torch, some free child labour, a tree surgeon and some SASS. 

Enjoy!