As today is Erik Estrada’s birthday, it’s obvious what today’s song of the day has to be.
No matter what you may think of the show, this theme has one of the greatest bass lines of all time. If you’re not dancing, you might want to call 911.
As today is Erik Estrada’s birthday, it’s obvious what today’s song of the day has to be.
No matter what you may think of the show, this theme has one of the greatest bass lines of all time. If you’re not dancing, you might want to call 911.
Today, the Shattered Lens wishes a happy birthday to the one and only Erik Estrada!
Here he is in 1990’s Guns, blowing stuff up with style.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens celebrates Italian director Bernardo Bertolucci! It’s time for….
4 Shots From 4 Bernardo Bertolucci Films
I’m not a huge country music fan but I still feel represented by this video.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!
This week, corporate sends a visitor to Cobb’s for reasons that are never exactly clear.
Episode 3.10 “Shrink From Sendrax”
(Dir by Jayne Schipper, originally aired on November 15th, 1987)
I’m just going to do a mini-review of this episode because I’m busy working on our big St. Patrick’s Day extravaganza here at the Shattered Lens!
Gordon Clapp and Aaron Schwartz were great but, overall, this was pretty dumb episode.
This what yet another week where I didn’t really watch any television, beyond the shows that I review for this site and also the weekly episode of Dark that I watch with Case Writes. I’ve been busy getting ready for Monday, which is both St. Patrick’s Day and Kurt Russell’s birthday. But I have to admit that, even since my Dad passed away last year, watching silly reality shows hasn’t really appealed to me the way that it used to. I don’t how to explain it. I guess tastes change!
Anyway, maybe I’ll get caught up on Abbott Elementary, Survivor, and all the rest next week! I guess I’ll have to or else this weekly post is going to start to feel a bit superfluous!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.
Horshack makes a decision about his future.
Episode 4.20 “Oo-Oo I Do! Part One”
(Dir by Norman Abbott, originally aired on May 25th, 1979)
Horshack is shocked to suddenly realize that he has a girlfriend. To be honest, I think everyone’s a little shocked. Horshack doesn’t exactly come across like someone that anyone would want to have a romantic relationship with. He’s not particularly handsome, he’s got that terrible voice, he’s got those weird personal habits, and he’s like 50 years old and still in high school.
Still, when Horshack learns that he’s going to be transferred to another school because his mother married a blackjack dealer in Atlantic City, Horshack asks Mary Johnson to marry him. And Mary says yes.
NO, MARY! RUN, MARY, RUN!
So, let’s just consider this. One reason why Gabe Kaplan refused to appear in much of season four is because the show’s producers refused to consider his suggestions that the Sweathogs should graduate high school and move on to City College. But the producers were totally willing to have Horshack get married while in high school. Sure, that makes sense. Admittedly, people do get married in high school but few of them would marry Arnold Horshack. Plus, most high school marriages — at least in my experience — involve an unexpected pregnancy and it’s hard to view Horshack as being anything other than asexual. He’s just too weird a character for a episode dealing with real things, like love and marriage. I could buy Epstein getting married. I could buy Washington getting married. Beau …. sure, I could buy that. What would have been really cool would have been if one of Travolta’s episodes had featured him getting married. Even better would have been an episode where Gabe and Julie got divorced. Seriously, it would have made more sense than someone voluntarily saying, “I want to spend the rest of my life with the school weirdo.”
This is the first part of a two-part episode. If I’m not saying much about this episode it’s because this episode was 75% Horshack and Horshack annoys the heck out of me. When the show began, he was weird but he wasn’t quite as cartoonish as he became in the third and fourth seasons. This whole marriage two-parter was apparently a backdoor pilot for a show about Horshack adjusting to married life. Seriously, out of all the Sweathog, that’s the one they wanted to spin-off?
(What’s annoying is that occasionally –– like in this episode where Horshack was drinking — Ron Palillo would get a chance to show that he actually wasn’t a terrible actor but the show’s writers usually did him absolutely no favors.)
This episode really showed how far the show had fallen. Horshack is getting transferred to a new school and Gabe is nowhere to be seen. Horshack is getting married and again, Gabe is nowhere to be seen. It’s Welcome Back, Horshack now and the Sweathogs are truly doomed.
Since today is the Ides of March, it only makes sense that today’s song of the day should have the feel of the ancient Roman world. From the soundtrack of 1963’s Cleopatra (stop it, it’s a fun movie!), here is Cleopatra Enters Rome, composed by Alex North!
Beware the Ides of March!
The scene below is from the 1953 film, Julius Caesar. This Oscar-nominated Shakespearean adaptation had a cast that was full of distinguished actors. James Mason played Brutus. The great John Gielgud played Cassius. Louis Calhern was Caesar while other roles were filled by Deborah Kerr, Greer Garson, Edmond O’Brien, George Macready, John Hoyt, Edmund Purdom. and a host of other distinguished thespians. And yet, the best performance in the film came from an actor who, at the time, no one considered to be a Shakespearean. Marlon Brando brought his method intensity to the role of Mark Antony and the result was a performance that is still electrifying today.
On YouTube, someone referred to this as being “the world’s greatest speech delivered by the world’s greatest actor.” Sounds good to me!
Here is Marlon Brando in Julius Caesar: