Late Night Retro Television Review: Highway to Heaven 1.21 “The Brightest Star”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

Jonathan and Mark are once again in Hollywood, bringing yet another family together.

Episode 1.21 “The Brightest Star”

(Dir by Victor French, originally aired on March 6th, 1985)

Despite the fact that Mark was hoping to finally have a vacation from work, the Boss has other ideas.  Jonathan and Mark end up picking up a hitchhiking little girl who claims that she’s escaped from an abusive orphanage.  It doesn’t take long for Jonathan and Mark to figure out that she’s lying.  She’s actually Laurie Parks (Carrie Wells), one of the most in-demand child actresses working in Hollywood.

Hired to do some carpentry at the Parks home, Jonathan and Mark soon start offering advice to the family and indeed, this family needs a lot of help.  The family is totally dependent on Laurie’s salary and Laurie deals with the pressure of being the main provider by acting like a monstrous brat.  Her alcoholic father (Gerald S. O’Loughlin) wants to return to his previous life of driving a cab.  Her mother (Trish Van Devere) spends all of her time watching out for Carrie’s career.  The daughter (Laura Jacoby) of the family’s loyal maid (Mary Armstrong) is the selfless angel that Laurie is not and, with Jonathan’s help, she begins her own acting career.  Unfortunately, her success comes at Laurie’s expense.

As I watched this episode, I was struck by how familiar it felt.  Eventually, I realized that it was reminding me of an earlier episode from season 1, in which a father was the one who neglected his family until his son was cast opposite of him in a movie that was he was shooting.  Both of these episodes present Hollywood as being a shallow place, where family is often put second and people are corrupted by the pressures of stardom.  Both episodes were critical of Hollywood but ultimately ended with the classic Hollywood story of a new star being discovered from out of nowhere.  One gets the feeling that Michael Landon, as the show’s guiding force, was dealing with his own issues of trying balance his career with his family.  Highway to Heaven both loves and criticizes the entertainment industry with equal abandon.

As for the episode itself, it wasn’t particularly memorable and it struggled to balance moments of sentimental drama with moments of comedy.  One could understand the father’s unhappiness with his situation without necessarily thinking that the solution would be for him to move out of the house and start driving a cab again.  In the end, Laurie was such a monster that it was difficult to care about what happened to her one way or the other.

Next week, Jonathan and Mark go up against another heartless corporation!

Retro Television Reviews: Lookwell 1.1 “The Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Lookwell, which aired on NBC in 1991.  The entire show is currently streaming on YouTube!

Adam West is an actor who solves crimes …. kind of.

Episode 1.1 “Lookwell”

(Dir by E.W. Swackhamer, originally aired on July 28th, 1991)

Ty Lookwell (Adam West) was once the biggest star in Hollywood.

Well, maybe not the biggest star.  But, in the 70s, he did have his own cop show.  It was called …. BanacekMannix?  No, that’s not it.  Oh …. BRANNIGAN!  Ty Lookwell starred on a show called Brannigan and he was even given his own honorary police badge in 1972.  It was presented to him at a ceremony in Television City.

However, nearly 20 years later, things have changed.  Brannigan is no longer on the air and Ty Lookwell has been reduced to wearing a wig and a leather jacket in an attempt to get a role in a revival of Happy Days.  (He not only doesn’t get the role but he doesn’t even get to audition.)  When he returns to his home, he is informed that his favorite hairspray has been discontinued (“Those fools!”) and that all the messages on his machine are for his nephew.  Kevin Costner calls looking for Lookwell’s nephew.  Francis Ford Coppola calls for Lookwell’s nephew and leaves a message in which he promises to call back.  No one calls for Ty Lookwell.

Lookwell, however, still has a steady gig teaching an acting class and his students not only look up to him  but also help him out whenever he decides that there’s a crime he has to solve.  This apparently happens frequently as Lookwell takes his honorary badge very seriously.

“Remember how we talked about how you don’t have to come around here?” Detective Kennery (Ron Frazier) asks Lookwell at one point.

The pilot follows Lookwell as he investigates a series of car thefts.  Helping him out is his favorite student, Jason (played by future director Todd Field).  Lookwell’s investigative techniques are not particularly complicated.  He puts on a disguise and attempts to go undercover.  It never quite works, largely because everyone that Lookwell meets is smarter than Lookwell.  Lookwell’s attempt to disguise himself as a Grand Prix racer fails because the security guard takes one look at him and sees that he’s obviously not a Grand Prix racer.  His attempt to conduct a stakeout on a fancy diner is nearly thwarted by his bizarre decision to disguise himself as a hobo.  His attempt to go undercover at a garage is thwarted by the other mechanics misunderstanding his leading questions.

(“Who beat you up, Mr. Lookwell?” his students ask at the start of class.)

As the investigation continues, Jason wonders if they’re just wasting time.

“You do not waste time,” Lookwell corrects him, “Time wastes you.”

Lookwell was written by Conan O’Brian and Robert Smigel, long before either one of them became famous, and the humor is definitely the humor of a generation who grew up watching network television, especially the cop shows of the 70s and the 80s.  While the dialogue is clever and definitely funny, it’s really Adam West who makes the pilot work.  West delivers all of his line with such conviction and confidence that it doesn’t matter that he only plays a peripheral role in solving the case and, in fact, usually makes things worse for everyone involved.  As played by West, Lookwell is so confident in his abilities and so blithely unaware of his limitations that it’s hard not to admire his spirit.

Unfortunately, the spirit was not admired by NBC and Lookwell only aired once.  But it has since developed a cult following.  Adam West described it as being his favorite of the various shows that he did.  I enjoyed the pilot, though I do think the premise was perhaps a bit too thin to support an actual series.  (It would have made a great recurring SNL bit, though.)  Thanks to YouTube, everyone can now watch what NBC passed up.

The Sting trailer brings the creepy crawly Nightmare Fuel!


Spiders.

If there’s one creature on the planet that gets a bad rap, it’s the spider. They have too many legs, too many eyes (save for Tarantulas), and they were designed with faces perfect for making people shudder. Without them, however, we’d be overrun with insects. I don’t even to look at this trailer to know this is pure Nightmare Fuel. One rapidly growing alien spider running loose in an apartment complex? There’s so much Nope in this, I don’t even know where to start.

At least the hero’s named Charlotte. That’s pretty cool. In Sting, we have an apartment complex and an alien spider that seems to be growing both in size and in appetite.

Sting will be out in theatres this April.

Music Video of the Day: When I’m Gone by Katy Perry, feat. Alesso (2022, dir by Hannah Lux Davis)


This is a fun video and I think we need more fun in the world.

The robot in the video was provided by Boston Dynamics and was nicknamed “Nugget” by Perry.  (The robot’s actual name was Spot.  If I ever get a robot, I’m naming it Fritz after director Fritz Lang.)  The video itself premiered on ESPN because …. well, why not?  Where else was it going to premiere?  Rob Dyrdek’s not in the video so it’s not like it could have premiered on MTV or any of its affiliated stations.  This was the first music video to ever premiere live on ESPN and, as far as I can tell, it might also be the only one.  There’s nothing wrong with being unique.

Enjoy!