Late Night Retro Television Reviews: Highway to Heaven 1.5 “Song of the Wild West”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark go country!

Episode 1.5 “Song of the Wild West”

(Dir by Victor French, originally aired on October 17th, 1984)

This week’s episode of Highway to Heaven has a country music theme as Mark’s car ends up breaking down outside of a country-western bar.

I have to admit that I had mixed feelings about this theme.  Quite frankly, country music is not my type of music.  As I’ve explained in the past, my musical tastes run the gamut from EDM to more EDM.  Country music has just never really done much for me, though I’ve done a line dance or two.

That said, I grew up all over the Southwest.  I live in Texas.  I’m a city girl but I knw what it’s like to walk through the high grass on a humid day.  I know what it’s like to be woken up at sunrise by the sound of a rooster.  I’ve ridden horses.  I once milked a cow but I really didn’t enjoy it at all.  I know the country and I like the people who live out in the country and, though I’m meant to live in a city, I still feel a bit of nostalgia whenever I see a farmhouse or a muddy pickup truck.  This episode did have a legitimate country feel, which I appreciated.

Jonathan actually had a handful of missions in this episode.  First off, he had to help Trudy Swenson (Joan Kjar) win the bar back from Nick Claybourne (Clifton James), the blowhard who won the bar in a rigged poker game from Trudy’s husband.  Secondly, he had to help gas station owner Tim Higgins (Jerry Hardin) come to terms with the musical ambitions of his teenage daughter, Sara (Michele Greene).  And finally, he had to help Sara reunite with her mother, an alcoholic country music star named Pasty Maynard (Ronee Blakely).  And he had to do all this while also working as a bartender at the bar.  Not only did Jonathan have to solve everyone’s emotional problems but he had to convince the local drunk to drink a cup of coffee as opposed to ordering another shot.

Mark doesn’t do much this week and I assume that’s because Victor French also directed the episode.  As a result, everything pretty much falls on Jonathan and it almost feels as if he’s been given too much to do.  Throughout the episode, he’s rushing back and forth between Tim, Trudy, and Patsy.  Add to that the fact that the action stops for a minutes at a time so that Patsy and Sara can perform and you end up with an episode that feels a bit overstuffed.

This episode didn’t really work for me.  I could appreciate the fact that the episode did a good job capturing the country milieu but country music just doesn’t do much for me.  And this episode had a lot of country music.

Documentary Review: Ordinary Men (dir by Manfred Oldenburg and Oliver Halmburger)


In 1942, Hamburg’s Reserve Police Battalion 101 was sent to Poland.  This was not the first time that the battalion was sent to Poland and it would not be the last.  Under the command of Col. Wilhelm Trapp, Reserve Police Battalion 101 was made up of 500 men who were in their 30s and were considered to be too old to serve in the regular army.  Though they were officially assigned to the patrol the streets and keep order in the territories that had recently surrendered to Nazi Germany, their actual assignment was to round up Polish Jews and either send them to the concentration camps or to personally execute them via firing squad.

After the war ended and many (but not all) of the leaders and members of the battalion were put on trial for war crimes, it was noted that the majority of the men in the battalion were well-educated.  Before they had joined the battalion, many of them worked in office jobs and few of them had publicly expressed any anti-Semitic opinions.  Quite a few members of the battalion had families at home.  One of officers actually got married shortly before being sent back to Poland and he even brought his wife along with him so that they could have a working honeymoon.  Only a few members of the battalion were members of the Nazi Party and many had joined simply because being a part of the police meant that they wouldn’t have to go to the front lines.

Perhaps the most shocking thing that was discovered was that, before the first massacre was carried out by the battalion, Wilhelm Trapp called the men together and informed them of what their orders were.  Reportedly, he had tears streaming down his face as he told the men what they had been told to do.  He announced that any man who did not want to take part in the mass killing would not be force to nor would he be punished for refusing to do so.  Essentially, Trapp told the men that they could disobey the orders if they chose to do so and that the men who did follow the orders would essentially be volunteering to do so.  One man stepped to the side and, when another officer started to yell at him, Trapp ordered the officer to stop.  Eventually, 12 of the 500 members of the battalion would decline to take part.  The rest of the battalion, including Trapp, followed orders and gunned down 1,500 Jews from the Józefów ghetto.  The men who refused to take part were not punished, beyond the casual insults of the other members of the battalion.  That these men were allowed to continue to serve without being executed, demoted, or otherwise penalized exposed as a lie one of the major defenses offered up by Nazi war criminals, that they had no choice but to follow orders.  In the end, Reserve Police Battalion 101 is estimated to have been responsible for the death of 83,000 Jews.

Wilhelm Trapp and his superior, Otto Ohlendorf, were executed after the trial.  Trapp expressed remorse even during the war but he never refused to carry out his orders.  Ohlendorf never expressed a moment of sadness, saying that he had done everything for Germany.  Many of the other members of the battalion returned to their “normal” lives after the war, returning to the office or continuing to work as cops.  In 1964, several of them were put on trial for war crimes but only 5 were convicted and the longest sentence handed out was for eight years..

The German documentary, Ordinary Men, presents a sobering look at the men and the crimes of Reserve Police Battalion 101.  It asks a question for which there is no easy answer.  If 12 members of the battalion were willing to refuse to take part in the massacres, why couldn’t the rest of them?  The members of the battalion who took part in the firing squads reported suffering from nightmares and depression afterward, leading to the officers holding frequent parties in an attempt to keep everyone’s spirts up.  But if the killings were so traumatic to the men, why did they continue to participate in them even though they had the option to opt out?  Was it peer pressure?  Was it a misplaced sense of nationalism?  Was it a fanatical hatred of the Jews?  Or were some of the men just sociopaths looking for an excuse to kill?  Ordinary Men suggests that all of these things were factors, just as it also suggests that, for many of the men, the massacres just became a part of the job.  The documentary suggests that the battalion split into three groups.  There was the group that loved their work.  There was the group who followed orders but tried not to think about what they had done afterwards.  And then there were those who opted out and who, at worst, were given latrine duty as a result.  And yet even those who opted out did not chose to desert the battalion nor did they reportedly try to save anyone from being executed.  They refused to take part but they also didn’t do anything to stop it.

Narrated by Brian Cox and featuring interviews with historians and actual historical footage of the members of the battalion, Ordinary Men is a look at the nature of evil and also an important documentation of what human beings are capable of doing to each other.  It’s certainly more than relevant today.

Retro Television Review: Jennifer Slept Here 1.5 “Calendar Girl”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984.  The entire show is currently streaming on YouTube!

This week, we are reminded that Joey has the worst father in the world.

Episode 1.5 “Calendar Girl”

(Dir by John Bowab, originally aired on November 18th, 1983)

So far, the episodes of Jennifer Slept Her that I’ve watched have focused on Jennifer’s friendship with Joey, the teenager who is the only person who can see her.  Joey’s family has remained largely in the background, occasionally wondering why Joey is talking to himself.

This week’s episode serves to remind the viewer (and I’m going to use the singular for viewer here because I’m probably the only person in the world binging this show in 2023) that Joey’s father, George (played by Fiona Apple’s father, Brandon Maggart), is the worst person in the world.

George was Jennifer’s attorney when she was alive.  Apparently, even when Jennifer was living and paying his salary, George didn’t think much of her.  Starting with the very first episode, George has frequently described Jennifer as being a “tramp.”  In the second episode, George was happy to allow an exploitive biopic of Jennifer to be filmed in his house, which used to be Jennifer’s house.  Seriously, the fact that George hated Jennifer but then moved right into her mansion after she died tells us all we need to know about him.  The show keeps trying to portray George as just being a typical bumbling sitcom Dad but, just judging from his actions, George is the devil.

This week’s episode finds George in a foul mood because the IRS is demanding that Jennifer’s back taxes be paid off.  George decides to auction off a lot of Jennifer’s former possessions, including the stuff in the attic.  Jennifer doesn’t have any problem with George selling her movie memorabilia but, as she tells Joey, the stuff in the attic is “personal.”  Joey is torn because George has offered to give him a percentage of the auction’s profits if Joey finds stuff that they can sell.  Joey really wants to go to Cancun for Spring Break but he needs $600.

Joey does go up to the attic but he promises not to put anything up for auction without Jennifer’s permission.  When Joey finds a nude calendar featuring Jennifer amongst her possessions, Jennifer explains that it was something she did when she was a struggling actress and she would prefer the world not know about it.  Joey agrees not to give the calendar to his Dad but George stumbles across it anyway and immediately starts yelling about how much money he’s going to make off of it.

Again, George is the worst human being on the planet.

Joey tells his father that “maybe we shouldn’t sell it.”  George and Joey’s mother (played by Georgia Engel, who delivered her lines in such a soft voice that I could barely hear them) think that Joey just wants the poster for masturbatory purposes.  George explains that the nude picture of Jennifer is the most valuable thing that they have to sell.  George can’t wait to sell the calendar to a publisher.

Joey apologizes to Jennifer but says he can’t go against his father.  Jennifer thinks about what a wonderful career she had and how now, she’s just going to be remembered for “hanging in every muffler shop in America.”  Awwwww!  George, you suck!

Luckily, George is also incredibly stupid.  He gives Joey the responsibility of holding onto the calendar until the day of the auction.  At the auction, Joey substitutes a picture of Jennifer as a baby for the calendar.  Fortunately, the picture still sells for $22,000.

In the end, George says that he’s proud of Joey for standing up for what he believes in but we all know that George still sucks.

This is one of those episodes that really only worked because of the energetic performance of Ann Jillian, who was consistently better than the material that was given to her.  A lot of the jokes would have fallen very flat if not for Jillian’s delivery and comedic timing.  In the end, Jennifer kept her calendar and Joey presumably went to Cancun.  And George …. well, let’s hope he found a shred of human decency somewhere in the house.

Ryan Gosling is your Stuntman-for-Hire in The Fall Guy Trailer!


Back in the 1980s, nestled between shows like The A-Team, Miami Vice, Matt Houston and McGuyver, you had The Fall Guy. It starred Lee Majors (The Six Million Dollar Man) as a stunt man who worked part time as a bail bondsman to keep himself financially afloat. It was a great show growing up, and always showcased some wild stunt in the same fashion The Mission Impossible films have with a wild infiltration event.

So, imagine my surprise when I saw the trailer for a movie version of The Fall Guy, this time with Ryan Gosling and Emily Blunt. Directed by David Leitch (Deadpool 2), the movie changes the story a bit, with a major movie star (played by Bullet Train‘s Aaron Taylor-Johnson) going missing and Gosling searching for him. It already feels a bit like The Nice Guys, or perhaps I’m just hoping for too much. I’m really excited for this.

The film is due in theatres March of 2024.

Music Video of the Day: Estranged by Guns N’ Roses (1993, directed by Andy Morahan)


Estranged, which appeared on Appetite on Destruction, is Guns N’ Roses second-longest song overall.  Like November Rain and Don’t Cry, the song’s lyrics were inspired by a short story that was written by Del James.

The music video was originally planned to be continuation of the story started in the videos for November Rain and Don’t Cry but that plan was abandoned when Axl Rose and Stephanie Seymour broke up before shooting on the video began.  The storyline for the video was changed, though it still dealt with the same themes as the other two videos.  This time, instead of ending with Axl thinking about Stephanie Seymour, the story ended with Axl swimming with the dolphins.

Enjoy!