Horror on the Lens: The Creeping Terror (dir by Vic Savage)


Watching The Creeping Terror is an October tradition here at the Shattered Lens.  How could anyone resist a film about a killer carpet, especially one that features a random dance party?

Read my review here.

Read Patrick’s review here.

And enjoy the film!

Two Sentence Horror Stories, Series Review By Case Wright (Dir/Created by Vera Miao) – The New Coke of Horror


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Happy Horrorthon! Being lectured to by Two Sentence Horror Stories is as fun as going to an office meeting, at 4 pm, on Friday, December 24th, there are 102 slides, and you have to pee.  In short, I watched this so you don’t have to.  It’s really been awhile since I watched something so mediocre that it only excelled at being hamfisted trash. 

I’ve written many times that horror and science fiction can be great at making political points and raising awareness: Twilight Zone wove great stories with salient issues to America’s living rooms, Night of the Living Dead looked civil rights right in the eye, and Friday the 13th exposed how hockey goalies had taken over the Summer Camp industry.

What do all of the above have in common that Two Sentence Horror Stories does not? They were entertaining and good stories first.  I get that some people are angry, but that is no excuse for making terrible television.  You have an opportunity to use great stories and subtlety to express yourself and CHANGE people’s minds, but if all you have is a political statement and a boring story- you devolve into lecture and people tune out. The point of using political messages in Horror is BECAUSE your goal is to get through to the other half of the country who disagrees with you.

The greatest example of horror with a message is Night of the Living Dead.  Wes Craven discussed Night of The Living Dead and “At the end you realized [George Romero] made a political statement.”  AT….THE….END!!!

People have their views.  People have views that are different. People have views that are straight up wrong. Now, we are totally and openly polarized so getting people to see your point of view takes the MOST care and effort.  It is not the time for hamfisted mediocrity.  It’s the time for brilliance!

Two Sentence Horror Stories starts with the social evil right out of the gate and hammers us endlessly with their point of view.  Every single episode has the worst mixture of terrible dialogue, confusing plot points, and amateurish camera shots.  In essence, it is a failure and shouldn’t even be watched on the elliptical.

Two Sentence Horror Stories- begins with the first sentence of a horror cliche’.  Then, you see someone beleaguered by a social evil.  No one supports them until it’s almost too late.  Then, the social evil is easily smacked in the face.  The second sentence of the horror cliche’ appears.  Lastly, we get a take home assignment and have to watch Ken Burns’ lesser known works.

The show puts the dilemma right in your face without nuance. I agree with the social message, but it’s as subtle as a brick to the face and the messages in this show aren’t even ground breaking.

They build the story around the message instead of the message around the story. You need to entertain first, get the audience to identify with your protagonist, and then get us to think. This is never done. Lastly, the messages they’re spoon-feeding us aren’t even new ideas and everyone is on board with these ideas. Therefore, the show fails to even break new ground when it’s haranguing us. It’s like they’re shouting at the Mayo Clinic to stop using leeches.

In summary, this show is boring, not scary, and preachy about issues that no one is disputing! Maybe, next week’s episode will be on how we all have to start drinking water and stop drinking bleach.

Weekly Reading Round-Up : 09/29/2019 – 10/05/2019


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

And we’re back! After taking a month (-ish) off to finish some other writing projects (including my first-ever comic book story!) while still keeping my “regular” review schedule on track, the Round-Up is ready to get off the mat, dust itself off, and step back into the ring! As is Michel Fiffe, so let’s get to that first —

Copra (Vol. 2) #1 is the 32nd issue of the formerly-self-published series, as the cover signature makes clear, but what could be a lot more clear is just what the fuck is happening — for new readers, at any rate. And there should be plenty of those given that new publisher Image Comics has a much greater “reach” than a Brooklyn cartoonist toiling away on his own. Which isn’t to say that there’s not a nice recap of all that’s come before on offer in this 36-page debut issue (a real…

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The Rap On “Kap Trap”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

In the spirit of fairness from the outset, Mat Brinkman’s recently-reissued Kap Trap is a fascinating, if curiously uneven, beast — but here’s the more significant part of the deal : as a historical artifact, it’s absolutely invaluable.

Nearly 30 years old now, this early-days effort from a future founding member of the legendary Forth Thunder collective shows a cartoonist in fairly full possession of all his artistic faculties right out of the gate, even if it’s a little more tentative in terms of its execution than later efforts such as Teratoid Heights or Multiforce.  The  line from the one to the others is fairly clear, however — and I defy you to find  another cartoonist who had this clear and singular a vision of what they were looking to accomplish at age 18. Or at least another one not named Tillie Walden, who likewise arrived on “the…

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Music Video of the Day: Come To Daddy by Aphex Twin (1997, dir by Chris Cunningham)


If this video doesn’t give you nightmares, nothing will.

When the video starts, it seems like it’s a simple lesson in dog ownership.  If you’re going to walk your dog, don’t lead him around a post-apocalyptic hellsite and don’t allow him to urinate on an old TV.  Because, if you do, the TV will apparently come to life and start yelling at you.

But then the kids show up and …. oh my God.  I mean, children are creepy to begin with but when they all show up with an adult’s face — AGCK!

Anyway, stay away from those deserted warehouses, people.  They may be aesthetically pleasing but something bad always seem to happen to people who wander too close.

Enjoy!