Horror Film Review: Firestarter (dir by Mark L. Lester)


Adapted from Stephen King novel, 1984’s Firestarter is a film about a girl with a very special power.

Back in the day, a bunch of college students needed weed money so they took part in a government experiment.  Half of them were told that they were being given a placebo.  The other half were told that we would be given a low-grade hallucinogen.

Surprise!  The government lied!  It turns out that everyone was given the experimental drug!  Some of the students ended up going crazy.  One unfortunate hippie clawed his eyes out.  Meanwhile, Vicky (Heather Locklear) gained the ability to read minds.  She also fell in love with Andy McGee (David Keith), a goofy fellow who gained the ability to mentally control people’s actions.  They married and had a daughter named Charlie (played by a very young Drew Barrymore).  Charlie, it turns out, can set things on fire!  She’s a firestarter!

Well, of course, the government can’t just leave the McGees out there, controlling minds and setting things on fire.  Soon, the McGees are being pursued by the standard collection of men in dark suits.  Vicky is killed off-screen, leaving Charlie and Andy to try to find some place where they’ll be safe.

Good luck with that!  This is the government that we’re talking about.  The thing with films like this is that the government can do practically anything but it never occurs to them to not all dress in dark suits.  I mean, it just seems like it would be easier for all of these secret agents to operate if they weren’t automatically identifiable as being secret agents.  Anyway, Andy and Charlie are eventually captured and taken to The Farm, a really nice country estate where Andy and Charlie are kept separate from each other and everyone keeps talking about national security.

Running the Farm is Capt. Hollister and we know that he’s a bad guy because he wears a suit and he’s played by Martin Sheen.  Working with Hollister is John Rainbird (George C. Scott), a CIA assassin who kills people with a karate chop across the nose.  When Charlie refuses to show off her firemaking abilities unless she’s allowed to talk to her father, Rainbird disguises himself as a custodial engineer and proceeds to befriend Charlie.  Of course, Rainbird’s plan is to kill Charlie once she’s displayed the extent of her powers….

Stephen King has written that he considers this film to be one of the worst adaptations of one of his novels but, to be honest, I think the movie is actually a bit of an improvement on the source material.  Firestarter is probably the least interesting of Stephen King’s early novels.  Supposedly, Charlie was based on King’s youngest daughter and, reading the book, it’s obvious that everyone’s fear of Charlie is mostly a metaphor for a father trying to figure out how to raise a daughter.  Unfortunately, instead of concentrating on those primal fears, the book gets bogged down in boomer paranoia about MK-ULTRA experiments.

The movie, however, is just silly enough to be kind of charming.  For example, consider the way that Andy grabs his forehead and bugs out his eyes whenever he uses his powers.  Andy’s powers may be slowly killing him but he just looks so goofy whenever he uses them that you just can’t help but be entertained.  And then you’ve got Drew Barrymore sobbing while setting people on fire and George C. Scott growling through all of his dialogue and even Martin Sheen gets a scene where he gets excited and starts jumping up and down.  (And don’t even get me started on Art Carney and Louise Fletcher as the salt-of-the-Earth farmers who try to protect Andy and Charlie….)  Some of the special effects are a bit hokey, as you might expect from a film made in 1984 but occasionally, there’s a good shot of something (or someone) burning up.  It’s all so over-the-top and relentlessly dumb that you can’t help but be entertained.  You can even forgive the fact that basically nothing happens between the first 10 and the last 15 minutes of the movie.

Firestarter‘s silly but I liked it.

Horror on the Lens: Dr. Jekyll and Mr. Hyde (dir by John S. Robertson)


394px-Dr_Jekyll_and_Mr_Hyde_1920_poster

Ever since the birth of film, Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde has been a popular subject for adaptation.  Not only does the classic story of a good doctor who unleashes his evil instinct via potion serve as a potent metaphor for everything from sexual repression to drug addiction, but the dual role of Dr. Jekyll and Mr. Hyde has provides an excellent opportunity for an actor to show off.

The first film adaptation of Dr. Jekyll and Mr. Hyde is believed to have been made in 1908.  Two more version followed in 1912 and 1913 and then, suddenly, 1920 saw three different film versions.

The best known of the 1920 version is our film for today.  This version is best remembered for John Barrymore’s powerful performance in the title role but it also holds up remarkably well as a work of cinematic horror.

A Josh Bayer Two-Fer : “Black Star”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

The task facing Josh Bayer’s new Tinto Press comic, Black Star, is both twofold and daunting : to add depth, texture, and significance to the “main work” it refers back to and, in a very real sense, occurs within — that being the just-reviewed Theth : Tomorrow Forever  — and to justify its own existence as an individual, self-contained work.

Which, for the record, it isn’t — but that needn’t necessarily prevent it from functioning as one. If you’re confused by this review right about now, that’s okay — if you’re confused by the comic itself, considerably less so.

Adapted from the classic Dick Briefer Frankenstein story “The Faceless Monster,” this richly-drawn (and even more richly-colored) book is also a “book-within-a-book,” a meta-textual narrative sprung from the mind of Theth “himself” metaphorically, his creator literally — and one that calls into question to an even greater degree the separation…

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Music Video Of the Day: Creatures by Motionless in White (2011, dir by Stephen Penta)


AGCK!

Today’s music video of the day is this wonderfully creepy video from Motionless in White.  Seriously, there’s always something disturbing about a maniacal grin in a music video.

With the exception of the chorus, this song was composed of lyrics that were sent by fans of the band.  Here’s what the fans came up with:

I fall
This is the end of you
This is the end of you
Whispers are their weakness
Their weakness
Everyday I must practice
To fake this smile on my face
It’s all the rain that’s putting me to sleep
It’s all the rain that’s putting me to sleep
I’ll let the blood tell the truth tonight, this is my life’s work
11 tracks is not enough, to tell you how I’ve died inside
And love is lost like words
11 tracks is not enough
In spiders eyes a man becomes a fly
In prolonged silence, we all stand defiled
We fall in line with the atrophy of life
The calm before the storm is a defeating silence
I’ve given my all, to this valley of despair
We are the damned, the cursed and the broken
There’s so much more inside us
We are the lost, the sick and unspoken
There’s so much more inside us
I’m drowning in an ocean of the tears that I’ve cried
I tried to drown my sorrows
Instead they’re all drowning me
I tried to drown my sorrows
Instead they’re all drowning me

Enjoy!