Music Video of the Day: Busy Child by The Crystal Method (1997, dir by ????)


“I guess I didn’t know…”

The song is a classic with the famous “I guess I didn’t know” sampled by Eric B & Rakim’s Know the Ledge and the “Get busy, child!” created with the help of DJ Pierre’s track, Summertime (Is Get Busy Time).  The song first appeared on Vegas, which is why the video itself opens with footage of Nevada’s best known city.  (Sorry, Carson City!)

There were two versions of this video.  One version was directed by Lance Bangs and Eli Bonerz.  The second version, which was released to capitalize on Busy Child‘s use on the soundtrack of 1998’s Lost In Space, was directed by Clark Eddy.  To be absolutely honest, I’m not sure which version this is.  I suspect that it’s the first one, if just because of the lack of clips from Lost In Space.

If you haven’t danced to this song, you haven’t danced.

Enjoy!

Eurocomics Spotlight : “Lovecraft : The Myth Of Cthulhu”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

On the one hand, this is an extremely easy book to review — and on the other, it’s an extremely difficult one.

Chances are, you see, that most readers going into Spanish comics master Esteban Maroto’s IDW-published hardback Lovecraft : The Myth Of Cthulhu are going to be well familiar with the three H.P. Lovecraft adaptations collected herein — “The Nameless City,” “The Festival,” and “The Call Of Cthulhu” are, after all, the first three entries in the legendary “Cthulhu Cycle,” and have been translated into the comics medium a good number of times already (despite the rather curious claim made in Jose Villarrubia’s otherwise-fine introduction to this volume that Lovecraftian works are rarely adapted for comics) — and therefore what’s of primary interest here is not so much what’s being presented as how it’s being presented. The usual plot recaps and the like that accompany most self-respecting reviews are…

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4 Shots From 4 Marilyn Monroe Films: All About Eve, Don’t Bother To Knock, Bus Stop, The Misfits


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

If only she hadn’t been destroyed by the Kennedys, Marilyn Monroe would be 92 years old today.  Though Marilyn died in 1962, her performances will live forever.  This is…

4 Shots From 4 Marilyn Monroe Films

All About Eve (1950, dir by Joseph L. Mankiewicz)

Don’t Bother To Knock (1952, dir by Roy Ward Baker)

Bus Stop (1956, dir by Joshua Logan)

The Misfits (1961, dir by John Huston)

Book Review: ORSON WELLES’S LAST MOVIE by Josh Karp (St. Martin’s Press 2015)


gary loggins's avatarcracked rear viewer

There’s a lot of buzz around the film community about THE OTHER SIDE OF THE WIND, Orson Welles’s unfinished film begun in 1970 that he worked on for almost a decade. Welles used different film stocks (8, 16, & 35 MM) and varied his styles to create a film-within-a-film focusing on the early 70’s clash between the Old Hollywood of the studio system and the New Hollywood auteurs (Welles, the ultimate auteur himself, disdained the term).  Netflix has announced the film has finally been restored and completed with the help of an Indiegogo campaign, and will be available for viewing sometime in 2018 (When, Netflix, when???). In the meantime, you can read author Josh Karp’s fascinating 2015 book ORSON WELLES’S LAST MOVIE: THE MAKING OF THE OTHER SIDE OF THE WIND.

Karp gives us a fast-paced look behind the scenes of a genius at work, creating art on…

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Music Video of the Day: Crystallize by Lindsey Stirling (2013, dir by Ray Tintori)


Welcome to the month of June!  Can you believe that we’re nearly halfway through 2018?

Now, I have to say that the month of May was not an easy one for me.  I spent the entire month having problems with my sinuses, my allergies, and my asthma.  I spent two weeks sick in bed and, even as I sit here typing this, I’ve been dealing with a sinus headache.  With the temperature projected to get up to 105 this weekend, I doubt I’ll be getting better any time soon.

So, as a result of all that crap, there was a lot that I wanted to do in May that I didn’t get a chance to do.  And I know that I have to put my health first and that it’s not the end of the world but still, I feel terrible about it.  I’m very thankful to all the contributors here at the Shattered Lens who picked up the slack while I spent last month ill.

So, this month, I’m going to get caught up.  I have a big To-Do list with about 250 items on it and I will get them all done before we officially start the second half of the year!  That is the promise that I am making to our readers today.  I love telling you about the movies and the books and the television shows that I’ve watched.  If I can help other people to discover a good movie then I feel like I’ve accomplished something.

What does all that have to do with today’s music video of the day?  Lindsey Stirling is one of my favorite performers and, whenever I listen to her, I’m reminded of just how exciting, wonderful, and worthwhile life can be.  That’s why I’m picking Lindsey’s video for Crystallize for today’s music video of the day.  It may be hot and miserable outside.  The news may not always be happy.  But goddammit, life is worth the trouble and let’s never forget it!

Enjoy!

Crime Does Not Pay: Stanley Kubrick’s THE KILLING (United Artists 1956)


gary loggins's avatarcracked rear viewer

Before Stanley Kubrick became Stanley Kubrick, he made a pair of low-budget crime dramas in the mid-50’s that are standouts in the film noir canon. The second of these, THE KILLING, is a perfect movie in every way imaginable, showing flashes of the director’s genius behind the camera, featuring just about the toughest cast you’re likely to find in a film noir, and the toughest dialog as well, courtesy of hard-boiled author Jim Thompson.

THE KILLING is done semi-documentary style (with narration by Art Gilmore), and follows the planning, execution, and aftermath of a two million dollar racetrack heist. Sterling Hayden plays the mastermind behind the bold robbery, a career criminal looking for one last score. He’s aided and abetted by a moneyman (Jay C. Flippen ), a track bartender (Joe Sawyer ), a teller (Elisha Cook Jr. ), and a crooked cop (Ted de Corsia ). He…

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Film Review: This Island Earth (dir by Joseph M. Newman and Jack Arnold)


Oh, those poor aliens!

Ever since the 1950s, intergalactic diplomats, soldiers, and explorers have come to Earth looking for help.  Some of them have come from planets that orbit dying stars.  Some represent civilizations that have been destroyed by war or pollution.  Some of them have come here looking to inspire us to be more peaceful and less destructive.  Others were just looking for something to eat.

What they all have in common is that they all came to Earth and things really didn’t work out that well.  Occasionally, they ran into humans who, due to cynicism and skepticism, simply weren’t willing to help.  Often, the aliens arrived just to discover that the humans had no interest in being conquered.  Remember what Eros yelled at the Plan 9 From Outer Space?  “Your stupid, stupid minds!”  Oh yeah?  Well, our menfolk kicked your ass and blew up your flying saucer.  So there.

Consider the sad case of Exeter (Jeff Morrow), the alien at the center of 1955’s This Island Earth.  Exeter has come to Earth with his associates and disguised himself as a human.  Despite the fact that they all have remarkably high foreheads and a total inability to relate to actual humans, no one seems to suspect that Exeter and his friends are from outer space.  Even when he starts recruiting leading scientists to come hang out at his isolated headquarters, it doesn’t seem to occur to anyone that they should be too concerned.  Exeter’s just a little bit weird.  Why worry?

Well, Dr. Carl Meacham (Rex Reason) is worried!  He’s a pilot and a scientist and he’s got a square jaw and one of those deep, 1950s American male voices.  Everything that Dr. Meacham says sounds authoritative.  When you hear that confident, take-no-prisoners voice, you have no doubt that Eisenhower’s in the White House and everything’s going to be alright.  Carl doesn’t trust Exeter and he suspicions are proven correct when he and Dr. Ruth Adams (Faith Domergue) are taken to Exeter’s war-ravaged planet.  Not only is the planet on the verge of blowing up but the whole place is crawling with mutants!

Unfortunately, it takes a while for Carl, Ruth, and Exeter to reach the planet.  This Island Earth is an oddly structured film.  The first third of the film deals with Carl and his squirmy associate, Joe (Robert Nichols), building something called an interocitor.  Once Carl has shown that he can follow the alien instruction booklet, Carl is allowed to meet Exeter.  (For some reason Joe is left behind.)  Once Carl arrives at Exeter HQ, it’s another lengthy wait before he, Ruth, and Exeter are launched into space.

Still, on the plus side, one of the scientists gets to drive this really cool car:

(Unfortunately, the car doesn’t make it to the end of the movie.)

The movie gets a lot better once the action moves to Exeter’s home planet.  The planet was a gloriously realized world, a pop art masterpiece:

And then there were the mutants!  Look at this thing:

Anyway, despite the slow start, This Island Earth is a classic of 1950s science fiction, one that manages to maintain a perfect balance between the sublime and the ludicrous.  Rex Reason and Faith Domergue are inoffensively bland as Carl and Ruth but Jeff Morrow brings a weary and even tragic dignity to the role of Exeter.  If nothing else, it lives up to its title by suggesting that Earth actually is just one insignificant island in the vast ocean of the universe and that both humans and aliens are mere slaves to fate.  For all of his deep-voiced authority, Carl really doesn’t accomplish much over the course of the film.  By that same token, for all of his efforts and his integrity, there’s little that Exeter can do to alter the destiny of his planet.  At times, This Island Earth is almost existential in its portrayal of both human and extraterrestrial inability to alter the whims of fate.  Of course, it’s also a frequently silly film that will be a lot of fun for anyone who appreciates a good B-movie.

On Saturday night, I watched This Island Earth with my friends in the Late Night Movie Gang.  After last week’s experience with Disco Beaver From Outer Space, I decided to play it safe this week.  We had a lot of fun with This Island Earth.  In case you want to learn how to make an interocitor of your very own, the film is available on YouTube.

Music Video of the Day: Otvechai Za Slova (Keep Your Word) by Kedr Livanskiy (2016, dir by Konstantin Bushmanov and Yana Kedrina)


As Kedr Livanskiy videos tend to do for me, this one brings back a lot of memories.  The only thing better than being young  and feeling like you can do anything is surviving to talk about it later.

My best friend Evelyn and I absolutely love Kedr Livanskiy, though we always seem to disagree about what the videos are about.  She thinks this video is just about having a good time in Russia.  I think it’s about vampires.  Of course, I assume that almost every video that I see is about vampires.  Still, there are moments where this video has an undeniable Jean Rollin feel to it.

Anyway, regardless of whether you think it’s about vampires or not, enjoy!