by Lee Teeter
Artwork of the Day: Reflections
Yearly Archives: 2017
Weekly Reading Round-Up : 11/05/2017 – 11/11/2017
A varied and disparate selection of books came my way this week, some easy enough to find, others decidedly less so —
And on the “decidedly less so” front, we’ve got legendary auto-didact Mark Beyer’s Ne’er-Do-Wellers, a limited-as-hell (as in 200 signed and numbered copies) new publication that comes to us by way of Trapset Zines and was issued in conjunction with the opening of a new gallery show of Beyer’s work. Not so much a “comic” per se as a series of illustrations accompanying reports of particularly strange and sometimes brutal crimes that took place in recent years in Beyer’s hometown of Albuquerque, N.M., this is as stark a distillation of absurdity, deadpan humor, and pessimism for humanity as a whole as you’re probably expecting, and certainly Beyer’s unique-unto-himself style of illustration is every bit as much a dark joy for the eyes as it’s always been, but…
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Cleaning Out The DVR: Secrets In Suburbia (dir by Damian Romay)
(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 205 things recorded! I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only two months to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded Secrets in Suburbia off of Lifetime on April 15th!)
Welcome to the Hell that is Lifetime suburbia!
Seriously, whenever you come across a Lifetime movie that has the word “suburbia” in the title, you know exactly what you’re getting: nice houses, nice clothes, beautiful people, adulterous affairs, and usually a little bit of murder. Secrets in Suburbia features all of that and it’s an enjoyably over the top little movie.
We open with a nice house in a nice neighborhood on a nice night. A party’s being thrown. It’s a divorce party! (Divorce parties, by the way, are super fun! I’ve been encouraging all of my married friends to get divorced, just so we can all get together for the party afterward.) The recently divorced wife gives a long and sarcastic speech. Suddenly, her ex-husband shows up. He’s waving a gun and rambling incoherently. Then he shoots himself, which totally ruins the party.
(Choice dialogue: “I don’t need a dead body in my house!”)
We return to the party four more times over the course of the film, each time from the perspective of a different character and each time, we learn a little bit more about what happened on that night. It’s a nicely done technique, one that forces us to pay close attention to the action unfolding on screen. It certainly adds a layer of narrative complexity that one might not usually expect to find in a Lifetime film.
The majority of the film deals with Gloria (Brianna Brown) and her husband, Phil (Joe Williamson). Gloria has a nice house, nice children, and a nice dog. Phil has a lot of charm and a massive chip on his shoulder about the fact that, unlike most of his friends and neighbors, he wasn’t born rich. Phil, it quickly turns out, has more than a little trouble being a faithful husband. No need to be shocked by that. It’s Lifetime and it’s suburbia.
One day, Gloria comes home to discover that her dog has been poisoned. While she rushes the dog to the vet, she gets into a serious car accident. It’s hard not to notice that, underneath all of his charm, Phil doesn’t seem to be that concerned about his wife. Maybe it’s the fact that he keeps ignoring the doctor’s advice. Maybe it’s the fact that he doesn’t seem to care about the dead dog. Or maybe it has something to do with the antifreeze that he keeps putting in her drinks…
This is a movie that’s all about revenge, especially after Gloria learns that Phil has been cheating with her friends. To be honest, the plot doesn’t make a whole lot of sense. Things get pretty crazy towards the end of the film. That’s not a complaint, of course. In general, the more melodramatic and crazy a movie like this gets, the better. Secrets in Suburbia goes totally batshit crazy, which is exactly what it needed to do. It’s all terrifically entertaining and in the end, that’s all that really matters.
Howling With “Coyotes”
In my never-ending quest to find something new worth following on a month-to-month basis, I’ve taken a flier on a few recent Image first issues in the last couple of weeks, and in between the ones I decided to throw the towel in on immediately (No. 1 With A Bullet) and those I’ve decided to stick with on a tentative basis (Port Of Earth), there was one definite standout that hooked me from the outset and didn’t let go and/or up : writer Sean Lewis and standout newcomer artist Caitlin Yarsky’s Coyotes.
So, yeah, that’s the “plot” of this review given away right out of the gate, I suppose, but what the hell, let’s talk about why I felt this was $3.99 well-spent and why I think you should sink your hard-earned cash into it, as well, shall we? I think we shall.
Yarsky’s stunning…
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Music Video of the Day: The Test by The Chemical Brothers feat. Richard Ashcroft (2002, dir by Dom & Nic)
Today’s music video of the day is a personal favorite of mine. Then again, just about anything that involves The Chemical Brothers is a favorite of mine.
What is the video for The Test about? That’s a question that I’ve heard asked by several and I’ve read many different interpretations. Some people are convinced that the video is meant to be a recreation of an acid trip, which is certainly a valid if rather simplistic interpretation. Myself, I like to think that this video means whatever you, as an individual viewer, choose to believe it means. Any didactic interpretation, I think, misses the point.
Myself, I will say that the start of the video remind me of Irene Miracle’s iconic dive into the flooded basement in Dario Argento’s Inferno. (To a lesser extent, it also reminds me of the scene in which Asia Argento falls into a painting in The Stendhal Syndrome.) Once the action moves to the beach, the video puts me in the mind of one of Jean Rollin’s cinematic dreams.
However you interpret this video, enjoy!
A Movie A Day #305: Go Tell The Spartans (1978, directed by Ted Post)
One of the best films ever made about Vietnam is also one of the least known.
Go Tell The Spartans takes place in 1964, during the early days of the Vietnam War. Though the Americans at home may not know just how hopeless the situation is in South Vietnam, Major Barker (Burt Lancaster, in one of his best performances) does. Barker is a career military man. He served in World War II and Korea and now he’s ending his career in Vietnam, taking orders from younger superiors who have no idea what they are talking about. Barker has been ordered to occupy a deserted village, Muc Wa. Barker knows that occupying Muc Wa will not make any difference but he is in the army and he follows orders.
Barker sends a small group to Muc Wa. Led by the incompetent Lt. Hamilton (Joe Unger), the group also includes a drug-addicted medic (Dennis Howard), a sadistic South Vietnamese interrogator (Evan C. Kim) who claims that every civilian that the men meet is actually VC, a sergeant (Jonathan Goldsmith) who is so burned out that he would rather commit suicide than take command, and Cpl. Courcey (Craig Wasson). Courcey is a college-educated idealist, who joined the army to do the right thing and is now about to discover how complicated that can be in South Vietnam. At Muc Wa, the soldiers find a cemetery containing the graves of French soldiers who died defending the hamlet during the First Indochina War. The inscription as the cemetery reads, “Go tell the Spartans, stranger passing by, that here, obedient to their laws, we lie.”
Because the film strives for realism over easy drama, Go Tell The Spartans has never gotten the same attention as some other Vietnam films. Unlike The Deer Hunter, Platoon, Coming Home, and Born on the 4th of July, Go Tell The Spartans received no Oscar nominations. It is still a brilliantly acted and powerful anti-war (but never anti-soldier) film. It starts out as deceptively low-key but the tension quickly builds as the soldier arrive at Muc Wa and discover that their orders are both futile and impossible to carry out. Vastly outnumbered, the Americans also find themselves dealing with a land and a culture that is so unlike their own that they are often not even sure who they are fighting. Military discipline, as represented by Lt. Hamilton, is no match for the guerilla tactics of the VC. By the film’s end, Vietnam is revealed to be a war that not even Burt Lancaster can win.
Artwork of the Day: The Last Match
by William George
Late To The Party : “Blade Runner 2049”
I know, I know — at this point there’s pretty much nothing about director Denis Villeneuve’s Blade Runner 2049 that hasn’t already been said, but here I am anyway, chiming in with my two cents’ worth long after whatever admittedly slight amount of relevance my opinion might have to prospective viewers has long since left the building. Still, I wanna talk about it anyway, and there’s a good reason for that :
I was, you see, a skeptic when it came to this flick. I was less impressed with Arrival than I was apparently meant to be, I saw no actual need for this sequel, and unlike its celluloid progenitor it’s not based on anything Philip K. Dick actually wrote, so — at most, I was figuring it would be alright. Hopefully it wouldn’t detract from the legacy of the original. But no way did I figure it would prove…
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Music Video of the Day: My Window by Jake Epstein (2008, dir by ????)
Hi there! Lisa here, recovering from my birthday and bringing you today’s music video of the day!
Today’s music video of the day comes from a Canadian show that is very close to my heart … no, not Saved By The Bell: The New Class. That show wasn’t Canadian. I’m talking about Degrassi!
Starting with the second season, Jake Epstein was a regular on Degrassi. Epstein played Craig Manning, the bipolar photographer-turned-musician who, over the course of his time on the show, did everything from impregnating Manny to beating up Joey Jeremiah to eventually breaking the hearts of both Ellie Nash and Ashley Kerwin. He even befriended Kevin Smith!
In the middle of the fifth season, Epstein left the show and Craig left Toronto. However, even though he was no longer a regular character, Craig would occasionally return to Degrassi. For instance, during season 6, he came back to play a show and, as a result of snorting too much cocaine before taking the stage, ended up having a massive nose bleed in the middle of his performance. Agck!
Fortunately, Craig went to rehab and was able to return during the season 7 episode, Bust a Move. Playing a surprise show at a Canadian college and reconnecting with two of his exes, Craig also found time to perform My Window, a song that, in real life, was written by Jake Epstein.
The video above was released around the same time that Bust a Move premiered in the States. It’s an official video, even if it is mostly made up of clips taken from previous episodes of Degrassi. Unfortunately, most of those scenes were lifted from his season 6 return. I would have liked to have seen more scenes between Craig and Ellie. (I used to think that Ellie was totally me but, while recently rewatching the show, I realized that I actually had more in common with Ashley.)
Anyway, I can hear the eyes rolling already but cut me some slack. I love Degrassi! Add to that, this is actually a pretty good song. I love Jake Epstein’s voice. Along with appearing on Degrassi and countless Lifetime films, Epstein is also a respected musical theater actor. Among his credits: American Idiot, Beautiful: The Carole King Musical, and Spider-Man: Turn Off the Dark.
Enjoy!
Through the Shattered Lens 