If there’s one filmmaker alive today who probably deserves the label of genius it’s probably Mexican-born filmmaker Guillermo Del Toro. Yes, that’s probably hyperbolic high praise, but then with each new film he releases he shows audiences and critics something rarely seen before that gradually knocks down any doubts as to why he deserves the praise.

In 2006, Del Toro released the Spanish-language dark fantasy film Pan’s Labyrinth and people who had only known him as the guy who directed Blade II and Hellboy finally understood why critics both high and low were having such a major crush on the man’s work and talent. My favorite scene from this film was a major example why Guillermo Del Toro is such a genius. I’m talking about the scene with the “Pale Man” and Ofelia’s encounter with it during her second task given to her by the The Faun.

This sequence showed Del Toro not just juggling the dark fantasy aspect of the film, but also his talent for world-building and horror. This scene was the one which probably sold those still on the fence about the film as they watched it. It’s a scene which showed Del Toro’s love for monsters and he created one which has left an indelible mark on the film-going audience that still resonates to this day.