Zardoz (1974, directed by John Boorman)


Welcome to the year 2293.  Savages known as the Brutals live in a wasteland and worship a giant stone head named Zardoz, who comes out of the sky, tells them to shoot guns and not have sex, and then dumps hundreds of firearms on them.  One Brutal, Zed (Sean Connery, wearing what appears to be a big red diaper) jumps into Zardoz’s mouth and discovers that Zardoz is actually a spaceship that is piloted by Arthur Frayn (Niall Buggy).  Zed shoots Arthur and then flies with Zardoz to the Vortex, where a bunch of overdressed and overaffected Immortals are having a perpetual garden party.

The Immortals, who can live forever because they’ve mentally learned how to slow the aging process, take an immediate interest in Zed.  They want to know where Arthur is.  Zed wants to explore the Vortex and learn what’s going on.  The Immortals assign Zed to do menial tasks.  Consuela (Charlotte Rampling) falls in love with Zed but keeps trying to kill him.  If you could live forever, the film asks, wouldn’t you eventually want to die?  I would not.

John Boorman, you nut!  Boorman is one of the greatest directors ever, responsible for Point Blank, Deliverance, and ExcaliburZardoz shows what happens when a great filmmaker falls so in love with his vision that no one can tell him that it’s not working.  Zardoz is pure Boorman, obsessed with nature, curious about paganism, and cynical about religion.  Boorman had something that he wanted to say about nature and humanity and he deserves a lot of credit for that.  He had just directed Deliverance and could have had his pick of projects in 1974.  He could have directed an action spectacular or he could have just gone home to Europe and counted his money.  Instead, Boorman decided to go with a dream project that he had been trying to put together for years.

Did it work?  No, it did not.  A few stunning images (that stone head!) aside, the movie itself is slow and talky and Sean Connery, with his deep brogue, is miscast as Zed.  (As Lisa said last night, “I’m glad to see Scotland survived the apocalypse.”)  With his pony tail and his handle-bar mustache, Connery seemed like he was doing a dry run for his Highlander character.  Charlotte Rampling is beautiful as Consuela and some viewers — mostly men — will appreciate her costumes, but the society of the Immortals is never as interesting as Boorman seems to think it is.

Zardoz is bad but still compelling because Boorman was so dedicated to whatever it was he thought the message of the movie was.  Watch it with a bud and try to figure it out,

Live Tweet Alert: Join #FridayNightFlix for Zardoz!


Zardoz (1974, dir by John Boorman, DP: Geoffrey Unsworth)

As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Zardoz, starring Sean Connery, Charlotte Rampling, and a big ugly head!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Zardoz is available on Prime!

See you there!

8 Shots From 8 Films: Special John Boorman Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 92nd birthday to British director John Boorman.

Boorman is one of those great director who sometimes doesn’t seem to get as much credit as he deserves.  An undeniably idiosyncratic director, Boorman easily moved from genre to genre and who brought his own individual style to each of his films.  Sometimes, critics and audiences responded to that vision and sometimes, they didn’t.  And yet even Boorman’s so-called failures have come to be appreciated over the years.  Zardoz is a cult classic.  Even The Exorcist II: The Heretic is not quite the disaster that some insist.  If nothing else, it’s one of the strangest studio productions to ever be released.

At his best, Boorman is one of the most influential directors of all time.  How many neo-noirs have ripped off the look and the feel of Point Blank?  The ending of Deliverance has been imitated by a countless number of horror films and, indeed, every backwoods thriller owes a debt to Boorman’s film about four businessmen spending a weekend canoeing.  Excalibur is one of the most elegiac of all the Arthurian films while Hope and Glory retains its power to make audiences both laugh and cry with its portrayal of life on the British homefront during World War II.  Meanwhile, films like The General and The Emerald Forest gave underrated characters actors like Powers Boothe and Brendan Gleeson a chance to shine.

So today, in honor of the career and the legacy of John Boorman, here are….

8 Shots from 8 John Boorman Films

Point Blank (1967, directed by John Boorman, DP: Philip H. Lathrop)

Deliverance (1972, directed by John Boorman, DP: Vilmos Zsigmond)

Zardoz (1974, directed by John Boorman, DP: Geoffrey Unsworth)

The Exorcist II: The Heretic (1977, dir by John Boorman, DP: William A. Fraker)

Excalibur (1981, dir by John Boorman, DP: Alex Thomson)

The Emerald Forest (1985, dir by John Boorman. DP: Philippe Rousselot)

Hope and Glory (1987, dir by John Boorman, DP: Philippe Rousselot)

The General (1998, dir by John Boorman, DP: Seamus Deasy)

Scenes That I Love: The Opening of John Boorman’s Zardoz


Zardoz (1974, dir by John Boorman, DP: Geoffrey Unsworth)

Today, the Shattered Lens wishes a happy 90th birthday to the great British filmmaker, John Boorman!  Here is a scene that we love, the opening of Boorman’s 1974 film, Zardoz!  Fresh from directing and receiving an Oscar nomination for Deliverance, Boorman turned down a chance to direct the original Exorcist so he could bring Zardoz to cinematic life.

(Of course, Boorman would direct the first sequel to The Exorcist.)

Directed by John Boorman and featuring Sean Connery, here is the opening of Zardoz!

8 Shots From 8 Films: Special John Boorman Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy 88th birthday to British director John Boorman.

Boorman is one of those great director who sometimes doesn’t seem to get as much credit as he deserves.  An undeniably idiosyncratic director, Boorman easily moved from genre to genre and who brought his own individual style to each of his films.  Sometimes, critics and audiences responded to that vision and sometimes, they didn’t.  And yet even Boorman’s so-called failures have come to be appreciated over the years.  Zardoz is a cult classic.  Even The Exorcist II: The Heretic is not quite the disaster that some insist.  If nothing else, it’s one of the strangest studio productions to ever be released.

At his best, Boorman is one of the most influential directors of all time.  How many neo-noirs have ripped off the look and the feel of Point Blank?  The ending of Deliverance has been imitated by a countless number of horror films and, indeed, every backwoods thriller owes a debt to Boorman’s film about four businessmen spending a weekend canoeing.  Excalibur is one of the most elegiac of all the Arthurian films while Hope and Glory retains its power to make audiences both laugh and cry with its portrayal of life on the British homefront during World War II.  Meanwhile, films like The General and The Emerald Forest gave underrated characters actors like Powers Boothe and Brendan Gleeson a chance to shine.

So today, in honor of the career and the legacy of John Boorman, here are….

8 Shots from 8 John Boorman Films

Point Blank (1967, dir by John Boorman, DP: Philip H. Lathrop)

Deliverance (1972,dir by John Boorman, DP: Vilmos Zsigmond)

Zardoz (1974, dir by John Boorman, DP: Geoffrey Unsworth)

The Exorcist II: The Heretic (1977, dir by John Boorman, DP: William A. Fraker)

Excalibur (1981, dir by John Boorman, DP: Alex Thomson)

The Emerald Forest (1985, dir by John Boorman. DP: Philippe Rousselot)

Hope and Glory (1987, dir by John Boorman, DP: Philippe Rousselot)

The General (1998, dir by John Boorman, DP: Seamus Deasy)

 

4 Shots From 4 Films: From Russia With Love, Zardoz, Highlander, First Knight


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This edition of 4 Shots From 4 Films is dedicated to Sean Connery, on the occasion of his 85th birthday!

4 Shots From 4 Films

From Russia With Love (1963, directed by Terrence Young)

From Russia With Love (1963, directed by Terrence Young)

Zardoz (1974, directed by John Boorman)

Zardoz (1974, directed by John Boorman)

Highlander (1986, directed by Russell Mulcahy)

Highlander (1986, directed by Russell Mulcahy)

 First Knight (1995, directed by Jerry Zucker)

First Knight (1995, directed by Jerry Zucker)

Big Floating Heads, Rampaging Norsemen, and Sister Street Fighters: It’s Time for 6 More Trailers.


I am happy to say that it’s a beautiful day today.  After dealing with a record number of 100 degree days that slowly plodded along without so much as a breeze or a cloud in the sky, I am happy to say that, as I type this, the temperature outside is 84 degrees, the sky is gray with storm clouds, and, here at Le manoir d’Bowman, we’ve got the windows open and we’re loving the breeze.  To me, it seems like a perfect time for 6 more of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.

1) Zardoz (1974)

From acclaimed director John Boorman comes … whatever this is.  For the longest time, I assumed that this film starred Sean Connery as someone named Zardoz but having watched the trailer, I now see that Connery played Zed.  That makes sense.  With that pony tail and red diaper, Connery looks more like a Zed than a Zardoz here.  I like the flying head, just because I keep imagining that after the head dropped off all those guns, Connery shouted, “Give me more, Head!”

2) The Norseman (1978)

Now, this is a trailer that could have used a big floating head.  The Norseman appears to be yet another oddly ambitious, very low-budget film from the John Boorman of Texarkana, Charles B. Pierce.

3) The Evictors (1979)

Pierce was also responsible for The Evictors.  “It’s happening again…”  Much as the trailer for the Norseman featured the co-star of Eaten Alive, Mel Ferrer, the trailer features the star of Suspiria, Jessica Harper.

4) Tick…Tick…Tick (1970)

Grindhouse and exploitation films loved to exploit Yankee paranoia, which helps to explain films like Tick…Tick…Tick.  (It also helps to explain — but throughly fails to justify — the latest remake of Straw Dogs.)

5) The Flesh and Blood Show (1974)

This film is from one of the few British directors to actually be worth the trouble, the criminally underappreciated Pete Walker.

6) Sister Street Fighter (1974)

This film co-stars the legendary Sonny Chiba.  I can’t watch this trailer too many times because I know it’ll inspire me to show off my karate moves.  Last time I did that, I ended up with a sprained ankle.