October Positivity: Love On The Rock (dir by Matt Shapira)


2021’s Love On The Rock definitely has something going for it.  It was filmed on the island of Malta.

Malta is a beautiful island nation, sitting between Sicily and North Africa.  I spent the summer after I graduated high school in Europe and Malta was one of the many beautiful places that I visited.  Along with its gorgeous architecture and the beaches, Malta is also known for being the island where St. Paul and St. Luke were shipwrecked for three months.  Paul, it’s said, healed every sick person on the island.

Love On The Rock may be a comedic action film with a religious subtext but, far more importantly, it’s a bit of a travelogue as well.  David A.R. White plays Colton Riggs, a former Chicago cop who moved to Malta after the death of his wife.  He has his own boat and he makes his living giving tours.  (He even has a pre-recorded narration that he plays while navigating the boat.)  This allows for several scenes that give us a chance to take in the stunning beauty of the island.  Colton also has a friend named Rev. Yearwood (Jeff Fahey), who oversees a church that overlooks the ocean.  Again, the view is lovely.

As for the plot, it has to do with the search for a serum that can, in theory, cure any and all diseases.  International criminal Claudio Fairbanks (Steven Bauer, who appears to have been dubbed by someone else) wants control of the serum so he sends his associates to raid the Maltese laboratory where it’s being developed.  One technician gets away, carrying a vial of the serum with him.  Wounded during his escape, the dying man secretly hides the vial on Colton’s boat.

Claudio sends his people, led by Halston Hallstrom (Matthew Marsden), to find the serum.  Meanwhile, the head of the CIA (Jon Lovitz …. wait, Jon Lovitz?) sends Josie (Lauriane Gillieron) to Malta to seduce Colton and discover if he knows where the serum is.  Of course, Josie actually does fall in love with Colton and eventually, Colton does find the serum and it all ends with a surprisingly laid back confrontation between the bad guy and the good guys.

The film is also a comedy and it’s got a religious message as well.  (Josie is offended when Colton acts surprised that a spy would also be religious.)  Surprisingly enough, it’s actually pretty adroit when it comes to juggling all of its different genres.  David A.R. White and Laurianne Gillieron make for a cute couple and both of them turn out to have good comedic timing.  For that matter, I also liked the performance of Nathalie Rapti Gomez, who played a trigger-happy mercenary named Plaza and who gave an entertainingly unhinged performance.  In the end, even that stuff that shouldn’t have worked — like casting Jon Lovitz as a spymaster — actually did work.  Maybe Lovitz should be the next James Bond.

Love On The Rock is an entertaining and unpretentious action spoof.  If nothing else, it’s worth seeing for the beauty of Malta.

October Positivity: Nothing Is Impossible (dir by Matt Shapira)


With apologies to Brad Crain, I’ve never been a basketball fan.

I’m not really a team sports fan in general but basketball truly gets on my nerves.  My main issue, of course, is that all the squeaky shoes make it difficult for me to watch a game.  The constant squeaking is headache-inducing.  My other problem with basketball is that people who like basketball tend to really, really, really like it, to the extent that they can’t handle the fact that some of us don’t really care.  Finally, I get tired of being expected to pay attention to whatever it is the coaches say after the game.  How many times have I come online to see breathless stories about a basketball coach giving his thoughts on current events?  Like seriously, who cares?  Why would I care what a coach thinks about tariffs?  Why are we even asking basketball coaches for their opinions?  Aren’t basketball coaches just supposed to yell at people until they get kicked out of the game?  I’ve seen Hoosiers, which I will acknowledge is a very good movie despite my feelings about the game.  Gene Hackman was constantly getting kicked off the court and everyone loved him for it.  Temper tantrums, that’s what we need from basketball coaches.  We don’t need to know your thoughts on the cost of bread.

What’s the point of all this?  Before I talk about 2022’s Nothing Is Impossible, I thought you deserved to know my own bias against the game.  Nothing is Impossible is a movie that loves basketball.

Nothing is impossible?  Try telling that to former basketball-star-turned-high-school-janitor Scott Beck (David A.R. White).  Scott, we’re told, could have been a star in the NBA but it didn’t pan out.  Instead, Scott works as a janitor and volunteers as an assistant high school coach.  While NBA players and their coaches are answering questions about who they voted for in the last election, Scott is looking after his alcoholic father and regretting the fact that he left Ryan Aikins (Nadja Bjorlin) at the altar.

Ryan is now the owner of a basketball team and, when the team announces that it will be holding live tryouts for anyone who wants to try to make the team, Scott finds himself tempted to try to achieve his dream of playing in the NBA.  Can Scott do it?  Can he still compete at a competitive level?  Actually, could he ever compete at a competitive level?  Listen, I know this is a PureFlix film and David A.R. White can probably appear in any one of their films that he wants to because he’s one of the founders of the company but White is never particularly convincing as someone who could make a professional basketball team.  He’s not particularly tall.  He doesn’t come across as being particularly athletic.  He’s middle-aged.  Nothing is impossible the title tells us but the idea of an unathletic, middle-aged, 5’10 white guy dunking on a bunch of NBA superstars truly tests that claim.

The important thing, of course, is that Scott and Ryan discover that they’re still in love and White and Bjorlin manage to generate enough romantic chemistry to make a believable couple.  The other important thing is that Steven Bauer shows up as a heartless executive.  It’s always nice to see Bauer destroying dreams.  Otherwise, the film did not change my opinion about basketball.

Seriously, those shoes are just too damn squeaky….

The Film’s of 2024: God’s Not Dead: In God We Trust (dir by Vance Null)


It can be easy to forget just what a big splash God’s Not Dead made when it was released back in 2014.  Today, it’s taken for granted that every year, at least one faith-based movie will be released to terrible reviews and then “shock” everyone by opening up strong at the box office.  However, in 2014, God’s Not Dead was the film that started the whole trend, along with sparking the ongoing debate about whether or not Hollywood has the slightest idea what most Americans want to see.

That’s not to say, of course, that God’s Not Dead was a good film.  It’s not.  It’s a ludicrously simplistic and smug film that, over the course of its overly long run time, promotes the idea that the only reason atheists exist is because they’re either bitter, evil, or both.  (For the record, if a professor truly threatened to fail a paying student solely because of his religious beliefs, the end result would probably be a lawsuit.)  The idea that someone could sincerely disagree with the film’s heroes or even believe differently than them without having an ulterior motive is not one that is entertained in the God’s Not Dead universe.  Indeed, perhaps the most interesting thing about the God’s Not Dead films is that they are just as heavy-handed and often just as condescending as the secular films being churned out by the major studios.

God’s Not Dead has, to date, spawned four sequels.  The second was enjoyably campy and featured an earnest performance from Melissa Joan Hart.  The third, which is the the closest that the franchise has gotten to actually making a good film, was surprisingly even-handed, or at least as even-handed as a film in this franchise can be.  The fourth was way too talky but, because it came out during the COVID lockdowns, its condemnation of government overreach reflected the way that a lot of people were feeling at the time.  Somewhat inevitably, the fifth film finds Reverend David Hill (David A.R. White) running for Congress again the villain from the second film, dastardly atheist Peter Kane (Ray Wise).

The film opens with the death of an incumbent congressman.  His opponent, Peter Kane, tells the press that the congressman was a good man and then proceeds to gloat about his death in private.  Kane is an ultra-liberal atheist.  Usually, the villains in the God’s Not Dead universe have a dead relative to help explain why they’ve lost their faith but Kane is just evil.  (In God’s Not Dead 2, Kane specifically put Melissa Joan Hart on trial for expressing her Christian beliefs and then chortles, “We are going to prove God is dead!”)  With Kane on the verge of being elected to Congress by default, Rep. Daryl Smith (Isaiah Washington) suggests that David Hill, who went viral for denouncing Congress in the fourth film, should be the party’s new nominee.

After some hesitation, Hill agrees.  However, he drives his campaign manager, Lottie Joy (Samaire Armstrong), crazy by basing his campaign on his religious beliefs.  Of course, if you didn’t want a candidate to talk about his religious beliefs in a campaign, why would you nominate a pastor whose fame is totally based on those beliefs?  Add to that, Hill is running for a Congressional seat in Arkansas.  I have family in Arkansas.  Growing up, I occasionally lived in Arkansas.  Sure, there are liberals in Arkansas and there are atheists in Arkansas.  But none of them are going to get elected to Congress anytime soon.  Arkansas is probably one of the few states where Hill’s faith-based campaign wouldn’t be considered controversial.

(That Mike Huckabee has a cameo as himself should be all the reminder that viewers need that Arkansas is not at all hesitant about electing pastors to higher office.)

It’s heavy-handed and cartoonish, which is probably to be expected.  Unfortunately, it’s also rather boring, with not even Ray Wise’s villainy providing much entertainment value.  Outside of arguing that atheists are evil and that separation of church and state is just a catch phrase, the film argues that money is a divisive force in politics and that politicians shouldn’t be bought.  Wow, really!?  It’s a film about politics that has little fresh insight to offer.  David Hill goes from being a media-savvy pastor to being an innocent naïf who is shocked to discover that politics is a dirty business.  God’s Not Dead: In God We Trust makes Billy Jack Goes To Washington seem like a hard-hitting portrayal of American politics.

I will give this franchise some credit for maintaining a surprising sense of continuity.  As I mentioned earlier, Ray Wise returns as the character that he played in the second film.  Paul Kwo is back as Hill’s associate pastor.  Dean Cain returns as the amoral businessman from the first film.  You have to imagine that Kevin Sorbo is kicking himself for allowing his smug professor character to die in the first film.  What’s funny is that the college student who kicked off the franchise by refusing to sign a piece of paper declaring God to be dead has pretty much vanished from the films.  Whatever happened to that kid?

In the end, we all know where this is going.  The next film will undoubtedly feature David Hill running for president.  2028 is right around the corner.