20 Horror Films For The Weekend (10/3/25)


Welcome to Horrorthon!  Here’s 20 films to help get you into that October mood!

The Dreams of Jean Rollin

I have been a fan of the French director Jean Rollin ever since I first watched Night of the Hunted on one rainy night.  His dream-like film were often both frightening and, in their way, rather touching.  At heart, Rollin was a poet and a romantic, along with being a cinematic rebel.  This October is the perfect time to get caught up on Rollin.

The Nude Vampire (1970) opens at night, with a woman wearing an orange nightgown being chased down a street by three men wearing bird-like masks.  The woman runs into a man named Pierre.  Pierre watches as the woman is shot in the back and then carried into what appears to be a secret club.  Pierre follows and soon finds himself in the middle of a surreal world featuring cults, vampires, and one of Rollin’s trademark trips to the beach.  This was Rollin’s second film.  It’s surreal trip into an undergouns world and it owes more than a little to the serials that Rollin enjoyed as a young man.  The Nude Vampire can be viewed on Shudder.

The Shiver of the Vampires (1971) is Rollin’s tribute to the old Universal haunted house films.  A newlywed couple visits a castle that was owned by the wife’s cousins.  Upon arriving, they are told that the cousins are dead and the house is now occupied by two mysterious young women.  Over the course of the night, the couple discovers that the castle is also home to vampire named Isolde.  This atmospheric film is best-remembered the scene with Isolde emerges from a grandfather clock.  It was an image that Rollin liked so much that he reused it in several later films.  Shiver of the Vampires can be viewed on Tubi.

Requiem for a Vampire (1971) tells the story of two young girls who, having committed some sort of crime while wearing clown makeup, wander through the French countryside until they come across a castle that is occupied by a sickly vampire and his servants.  Atmospheric, dream-like, and sexually-charged, Requiem for a Vampire is a mix of horror, crime, and melodrama.  “Let’s go to the cemetery!”  Requiem for a Vampire is available on Shudder.

Lips of Blood (1975) mixes two of Rollin’s favorite themes: vampires and memory.  A man sees a picture of a ruined seaside castle and becomes convinced that he’s visited it in the past.  His search for castle leads not just to vampires but also a meditation on the act of remembering and how people are always trying to recapture an idealized moment of time.  A truly beautiful film, Lips of Blood can be found on Shudder.

The Living Dead Girl (1981) is one of Rollin’s best films.  A toxic spill brings a young woman back to life.  She has only vague memories of her past life but she also has an insatiable need for blood.  When her childhood friend discovers that the woman has come back to life, she tries to keep her fed.  It soon becomes clear that, even though the title character would rather be allowed to return to the peace of death, her friend is determined to keep her alive.  This film is a bloody, gory, and ultimately very moving examination of love and friendship.  How far would you go?  The Living Dead Girl can be found on Tubi.

Hacking Away At October

Graduation Day (1981) is one of my favorite of the early 80s slasher, an entertainingly lowbrow film about a killer who is seeking revenge on the high school track and field team.  Christopher George is the hard-pushing coach.  Michael Pataki is the ineffective principal.  Linnea Quigley, who was reportedly cast as the last minute after one of the actresses walked off the set, is the closest thing the film has to a likable character.  Vanna White is a high school student.  The music is incredible!  Felony performs a 10-minute version of Gangsters of Rock.  Graduation Day can be viewed on Tubi.

If you enjoyed Christopher George in Graduation Day, you’ll definitely want to follow up with Mortuary (1983), in which he plays the creepy owner of a funeral home.  When he’s not embalming, he’s yelling at his socially awkward son (Bill Paxton).  Someone is committing murder in the suburbs.  Could it have something to do with the weird cult that occasionally meets in the mortuary’s back room?  Christopher’s wife, Lynda Day George, plays the widow with a secret.  Be sure to yell, “We can see you breathing!” during the later embalming scenes.  Mortuary can be viewed on Tubi.

Christopher George and Lynda Day George also appear in Pieces (1982), one of the goriest slasher films ever made.  The film’s tag line was “You don’t have to go to Texas for a chainsaw massacre” and this film proves it by setting the action in Boston.  This film divides it’s time between genuinely disturbing gore and scenes that are so bizarre and misconceived that you can’t help but wonder if the director was trying to satirize the slasher genre.  The random kung fu fight is an obvious example, as is the scene where the killer casually steps into an elevator while carrying his chainsaw.  The film’s goriest scene is disturbing up until the moment that Lynda Day George starts screaming, “BASTARD!” at the sky.  Pieces can be viewed on Tubi.

Hell Night (1981) may not feature Christopher and Lynda Day George but it does feature Linda Blair, Vincent Van Patten, and the absolutely dreamy Peter Barton as part of a group of fraternity and sorority pledges who spend the night in a supposedly haunted house.  Uh-oh — it turns out the house really is haunted!  Though the plot features the usual slasher hijinks, Hell Night is a well-acted movie that makes good use of its location and which features a few moments of wit to go along with all the death and horror.  It can be viewed on Prime.

Even by the standards of director Jim Wynorski, Sorority House Massacre 2 (1990) is a trashy film.  Four sorority girls try to clean up their new house, which basically translates to taking showers, wearing lingerie, and playing with a Ouija board.  Their creepy neighbor, Orville, tries to warn them that they’ve moved into the old Hockstader Place but he just keeps getting stabbed for his trouble.  The film is pure exploitation but it’s also cheerfully self-aware.  It’s so shameless and the story plays out with so much energy that it becomes entertaining in its own very stupid way.  Gail Harris and Melissa Moore give surprisingly committed performances.  Peter Spellos is the neighbor who wants to help but keeps freaking everyone out.  The film’s ending is oddly effective.  It can be viewed on YouTube.  

Supernatural Creeps

Ulli Lommel’s The Boogeyman (1980) has an intriguing premise.  What if a mirror stored the evil that it once reflected?  It also has a lot of ominous country atmosphere and a good performance from Lommel’s then partner, Suzanna Love.  There’s a disturbing dream sequence that still freaks me out whenever I see it.  It’s also an often ludicrous film that doesn’t always make a lot of sense but it’s still the best of Lommel’s American films.  John Carradine shows up as a psychiatrist.  It can be viewed on Tubi.

Burial Ground: Nights of Terror (1981) is an Italian film about what happens when a bunch of decadent, sex-crazed rich people find themselves trapped in a villa by a bunch of zombie.  The zombie effects are surprisingly effective.  There’s a lot of gore and also a political subtext of sorts.  (The dead peasants rise from the dead and use the tools of their life — like scythes — to attack the rich.)  That said, most people remember this film for Peter Bark’s bizarre performance of Michael, who is supposed to be a young teenager and who has a taboo scene with his mother (played by Mariangela Giordano) that seems to come out of nowhere.  There’s some debate over whether or not Bark was an actual teenager or an elderly little person.  I still have to cover my eyes during the finale.  It can be viewed on Tubi.

Zombie 5: Killing Birds (1988) is another Italian zombie film.  Ignore the “Five” in the title, this film isn’t an actual sequel to anything.  A group of college students head to down to steamy bayous and find themselves besieged by the living dread.  Birds may or may not be involved.  Robert Vaughn hams it up as a blind man.  There’s a genuinely frightening nightmare sequence.  It can be viewed on Tubi.

Shock Waves (1977) also features zombies.  In this case, they’re living underwater, off the coast of Florida for some reason.  Shock Waves is a truly scary film.  The zombies are relentless and brutal and the scene where they emerge from the water is a 100 times more frightening than it has any right to be.  Brooke Adams plays the tourist who screams a lot.  Peter Cushing is a mad scientist.  John Carradine is a crusty old boat captain.  Shock Waves can be viewed on Tubi.

Count Dracula (1970) stars Christopher Lee in a version of the Dracula story that sticks closer to the original Bram Stoker novel than any of the Hammer films.  This version was directed by Jess Franco and features none other than Klaus Kinski as Renfield.  Lee’s refined, aristocratic Dracula is quite a contrast to the feral version of the character that he often played for Hammer.  Lee always cited this as the only Dracula film that he took pride in.  It can be viewed on Tubi.

They’re Coming To Get You

Chopping Mall (1986) features the latest in mall security.  Instead of security guards, the mall will now be patrolled by security robots.  It’s all good and well until the robots malfunction and start chasing down the hot young employees who foolishly decided to spend the night in their store.  Directed by Jim Wynorski and featuring Kelli Maroney, Russell Todd, Gerrit Graham, Barbara Crampton, and Dick Miller, Chopping Mall is a lot of fun.  I don’t know if Wynorski has ever topped the exploding head scene.  The film can be viewed on Tubi.

Hellmaster (1992) features John Saxon as a crazed and apparently immortal professor-turned-cult-leader who injects his followers with drugs that turn them into mindless zombies.  David Emge, who was in Dawn of the Dead, plays the reporter who is haunted by Saxon’s crimes.  Saxon is certainly intent on turning people into zombies but the film never really explains why.  Still, the film has an intensity to it that I appreciate.  John Saxon makes for a strong villain.  The film can be viewed on Tubi.

Something Weird (1967) tells the story of Mitch.  He gets electrocuted, which leaves him both psychic and disfigured.  While his best friend wants to Mitch’s psychic abilities to defeat the communists, Mitch instead accepts a deal with a witch.  She takes away his disfigurement and soon, Mitch is a celebrity.  However, the witch doesn’t do anything for free.  Eventually, Mitch takes LSD to try to strengthen his powers.  Director Herschell Gordon Lewis was better-known for his gore films but Something Weird lives up to its title.  With its mix of witches, ESP, and LSD, it’s a true horror time capsule.  The film can be viewed on Tubi.

Terror At London Bridge (1985) features Jack The Ripper time traveling to Arizona.  Can David Hasselhoff stop him!?  Watch the film on Tubi to find out.  The film will probably be best appreciated by David Hasselhoff fans but hey, who isn’t a fan of the Hoff?

Track of the Moon Beast (1976) is a film that is so much a product of the 70s that it deserves to be put in a museum.  Come for the story of an innocent man transformed into a monster by a moon rock and stay for the lengthy performance of California Lady.  Watch the film on YouTube!

Check out my previous week’s movies by clicking here!

Live Tweet Alert: Watch Track of the Moon Beast With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1976’s Track of the Moon Beast!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and YouTube!.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror on the Lens: Track of the Moon Beast (dir by Richard Ashe)


When it comes to bad movies from the 70s, you have to love a movie like 1976’s Track of the Moonbeast.  This film takes place in New Mexico and tells the story of Paul (Chase Cordel), a slow-talking mineralogist who gets a chunk of moon rock lodged into his brain.  As a result, he turns into a gigantic lizard and goes around killing people.  His only hope appears to be his old friend, the stoic Profession Johnny Longbow (Gregorio Sala), who knows all sorts of indian lore.  He also knows how to make stew and early on in the film, he gives a world-weary monologue about what ingredients he puts in his stew.  (Onions, mostly).  Anyway, this is an awful, awful film that’s full of bad acting, bad special effects, and dumb dialogue.  It’s also a lot of fun and it features the guy pictured below singing a song called California Lady that totally got stuck in my head.  I loved Track of the Moon Beast.

Enjoy!

Oh my God! 6 More Chilling Classics: The Cold, Dr. Tarr’s Torture Dungeon, The Legend of Big Foot, Oasis of the Zombies, Slashed Dreams, and Track of the Moon Beast


It’s a lonely Saturday here at the TSL Bunker.  Leonard Wilson is at a theater in the city, watching Chernobyl Diaries.  My sister, the Dazzling Erin, has abandoned me to go shopping for ingredients so she can make something later tonight for our family’s annual memorial day get together tomorrow and our cat, Doc, is too busy sleeping at the foot of my bed to pay much attention to me   Probably even as I sit here typing this, Leon the Duke is watching season 3 of Lost and how I envy him!  The Trash Film Guru has escaped to the grindhouse. Necromoonyeti is discovering new music, Pantsukudasai is undoubtedly meeting with his enigmatic anime connection, Semtex Skittle is playing Diablo Something-Or-Another, and SenorGeekus is off spreading the gospel of Jack Kirby.  Even Arleigh is off somewhere else, watching a war movie no doubt.

Yes, I’ve been left here alone in my section of the Bunker, which I’ve decorated by utilizing a combination of Catholic iconography, Hello Kitty, and pink wallpaper.  I should be working on getting caught up because I am running behind on meeting my quota for the month.  However, instead of writing about what’s currently playing in a theater near you, I find myself once again distracted by my continuing mission to watch and review every single film included in Mill Creek’s 50 Chilling Classics Boxset.  Fortunately, I’m happiest when I have a mission.  Here are reviews of 6 more of the Chilling Classics that I’ve sat through.

The Cold (dir by Bill Rebane)

First released in 1984, The Cold is yet another odd little morality tale from Wisconsin-based filmmaker Bill Rebane.  Three mysterious millionaires invite nine people (and just try to keep them all straight) to a secluded mansion that looks suspiciously like an EconoLodge.  The nine guests are informed that if  they spend a few nights at the “mansion” and face their greatest fears, they’ll win a million dollars.  Of course, everyone agrees to do that but how could they have imagined that their fears would include a giant spider that shows up in soup bowl, a shark that shows up in a swimming pool (Agck!  That would be my fear right there), rats, and people who wander around hallways while wearing white sheets.  Of course, it all ends with a twist that you’ve already guessed and then the film introduces another twist that you’ve already guessed.

This is the third Rebane film that I’ve come across in the Chilling Classic Boxset (the previous two being The Alpha Incident and The Demons of Ludlow).  Rebane is one of those odd directors whose uneven films are genuinely inept and yet occasionally show a flash of equally genuine imagination.  The Cold is a complete and total mess that features bad acting (after 5 minutes, I’d had enough of the slow-witted girl with the bad Southern accent), bad dialogue (“You can’t come in here.  I’m nude.” “Don’t worry, I’ve had a vasectomy”), and a truly incoherent style of editing.  Rebane punctuates the action by including random snatches of old timey music and boy did that get irritating fast.  And yet, once you start watching, it’s impossible to look away.  You simply have to watch to convince yourself that what you’re seeing isn’t just a dream.  Plus, the film includes not only an endless disco sequence but a narrator who admits that he can’t really follow the story either.

Dr. Tarr’s Torture Dungeon (dir by Juan Lopez Moctezuma)

This Mexican film from 1972 is based on an Edgar Allan Poe short story and, despite the poor picture quality that we’ve come to expect from anything put out by Mill Creek, it is one of the most visually interesting films to be found in the Chilling Classics boxset.  A newspaper reporter visits a sanitarium in order to investigate the revolutionary form of therapy practiced by Dr. Maillard (Claudio Brook).  As Maillard explains (and sh0ws), the inmates are essentially allowed to roam freely through the asylum and live under whatever delusions make them happiest.  However, it quickly becomes obvious that Dr. Maillard is insane himself and his asylum is part of a bigger plot to rule the world.  The plot makes little sense and it quickly becomes pretty clear that it’s not meant too.  Director Juan Louis Moctezuma was a collaborator of the famed surrealist Alejandro Jadorowsky and it quickly becomes obvious that he’s more interested in putting as many odd and surreal images on-screen as possible and, on that level, he succeeds.  For whatever the film’s narrative failings, it’s fascinating to just sit and look at some of the images that appear on-screen.  Claudio Brook gives a wonderfully over-the-top performance that perfectly compliments the film’s visuals.

The Legend of Big Foot (dir by Harry Winer)

In this documentary from 1976, a wildlife expert named Ivan Marx rambles on and on about Big Foot while unrelated stock footage plays out on-screen.  It’s just as exciting as it sounds.  Seriously, I try to make it a point to stick with any film I start watching, no matter how boring it may turn out to be, but the Legend of Big Foot severely tested my patience.  Some of the animals in the stock footage are cute, though.  Regardless of what he may be discussing at any particular moment during the film, Marx delivers his narration in the most dramatic way possible and that provides a few laughs as well.

Oasis of the Zombies (dir. by Jess Franco)

In this 1981 Eurocine film, a group of unlikable people come across a lost Nazi treasure in the middle of the African desert.  Unfortunately for them, the Nazis are still there, standing guard.  Of course, the Nazis have now all been transformed into zombies!  As far as Nazi zombie films are concerned, Oasis of the Zombies isn’t as scary as Shock Waves and it’s not as much fun as Zombie Lake.  What it is, however, is a Jess Franco film which means that the film features actors in tacky outfits, poorly dubbed dialogue, a zoom lens that just won’t quit, and a few oddly surreal (and occasionally nightmarish) visuals.  This is really a pretty shoddy film but it’s enjoyable if you’re a fan of Franco’s “unique” style of filmmaking.

Slashed Dreams (dir. by James Polaskof)

This film was originally released in 1974, under the title Sunburst.  It was obviously not meant to be a horror film (though it was clearly meant to appeal to the exploitation market) but instead, it was a painfully sincere, annoyingly naive, and, ultimately, rather offensive attempt to make an important statement about the need to drop out of society and “do your own thing.”  However, Robert Englund shows up for the film’s final 10 minutes so, at some point in the 80s, Sunburst was re-released, retitled, and resold as a horror film.

Anyway, this 74 minute film is about two perky and attractive college students (Peter Hooten and Katharine Baumann, both of whom give good performances) who decided to go visit their first Michael who has dropped out of society and is currently living in a cabin out in the middle of the woods.  The majority of the film is an endless montage of scenes of Hooten and Baumann hiking through the wilderness while a singer named Roberta Van Dere warbles away on the soundtrack, singing some of the most annoyingly 70s folk songs ever written.  I’m sad to say that I got one of them, Animals Are Clumsy Too, stuck in my head.  Once they finally reach the cabin, they discover that Michael is off wandering about.  They decide to wait around for Michael to show up which leads to them being spotted by two inbred hicks who proceed to rape Baumann before running off.  The next morning, Michael shows up and hey, he’s Robert Englund!  Michael hears what has happened and, instead of going to the police or, at the very least, getting Baumann to a hospital,  he tells her that she just needs to “push the demons out” and get on with living.  Which, by the way, is complete bullshit.  It’s one thing to discover strength you previously didn’t realize you had as the result of something terrible, it’s another thing to seriously expect a woman to shrug it off after a day or two or to consider rape to be a character-building exercise as this film seems to.  Say what you will about I Spit On Your Grave, at least that film understood that rape is an unforgivable violation and more than just a bad thing that might happen in the woods.  I swear, just when I think that I can’t hate the late 60s and early 70s anymore than I already do, I see a film like this.

Track of the Moon Beast (dir. by Dick Ashe)

When it comes to bad movies from the 70s, I prefer the likes of 1976’s Track of the Moonbeast to Sunburst/Slashed Dreams.  This films takes place in New Mexico and tells the story of Paul (Chase Cordel), a slow-talking mineralogist who gets a chunk of moon rock lodged into his brain.  As a result, he turns into a gigantic lizard and goes around killing people.  His only hope appears to be his old friend, the stoic Profession Johnny Longbow (Gregorio Sala) who knows all sorts of indian lore.  He also knows how to make stew and early on in the film, he gives a world-weary monologue about what ingredients he puts in his stew.  (Onions, mostly).  Anyway, this is an awful, awful film that’s full of bad acting, bad special effects, and dumb dialogue.  It’s also a lot of fun and it features the guy pictured below singing a song called California Lady that got stuck in my head almost as quickly as Animals Are Clumsy Too.  I loved Track of the Moon Beast.

So, out of these six, I would definitely recommend Track of the Moon Beast and Dr. Tarr’s Torture DungeonThe Cold and Oasis of the Zombies should be watched only by people who are already familiar with the work of Bill Rebane and Jess Franco.  Legend of Big Foot might be amusing if you’re intoxicated and Slashed Dreams is the one to definitely avoid.