The Stranger From Ponca City (1947, directed by Derwin Abrahams)


After spending the past few years cleaning up the west, Steve Leary (Charles Starrett) rides into the town of Red Mound and says that he is ready to buy a ranch and settle down.  What Steve finds is an unfriendly town that is divided between law-abiding citizens on one side and cattle rustlers on the other.  The cattle rustlers want to prevent Steve from purchasing the old Atkins ranch and they’ll do anything to keep the deed from being signed over.  It’s a good thing that Steve also happens to be the legendary Durango Kid.

This is a standard entry in the Durango Kid series.  To me, it’s interesting to see that, even though Steve seems like he wants to settle down and live a peaceful, ranching life, he still can’t bring himself to give up his secret identity.  It is also interesting that Steve cannot escape Smiley Burnette.  This time, Smiley is the owner of Red Mound’s restaurant and he’s accompanied by Texas Jim Lewis and the Lone Star Cowboys.  It seems like Smiley sings even more than usual in this entry.

I liked the opening of The Stranger From Ponca City, in which Steve rides into town and all of the townspeople demand to know which side of Red Mound he supports.  Smiley even explains that food made on one side of the town cannot be taken to the other without it leading to violence.  After the opening sequence, The Stranger From Ponca City focuses on all of the usual horse chases and gunfights that showed up in all of the Durango Kid films.  Most of the Durango Kid stock company shows up as well.  Keep an eye out for Jock Mahoney, playing a bad guy with Kermit Maynard.

Director Derwin Abrahams keeps things moving, even if his direction is not up the level of the work of Durango’s usual directors, Ray Navarro and Fred F. Sears.  This isn’t the best of the Durango Kid films but fans of the genre should enjoy it.

Woman They Almost Lynched (1953, directed by Allan Dwan)


At the height of the Civil War, the small town of Border City, Missouri has declared itself to be neutral ground.  Mayor Delilah Courtney (Nina Varela) announces that anyone who enters her town looking to recruit for either the Union or the Confederacy will be arrested and will face the possibility of being hung from the noose in the middle of Main Street.

That doesn’t stop Charles Quantrill (Brian Donlevy) from coming to town.  Quantrill is a former Confederate officer who now terrorizes the Arkansas/Missouri border with his gang of thieves.  Accompanying Quantrill is his wife, Kate (Audrey Totter), who once lived in Border City and who still enjoys singing a song at the saloon.

Another new arrival is Sally Maris (Joan Leslie), who comes down from Michigan to help her no-account account, Bitterroot Bill (Reed Hadley), run his saloon.  Sally attempts to bring some order to the rowdy saloon, which makes an enemy out of Kate.  When Bill is killed in a gunfight, Sally takes over the saloon and soon, she is being challenged first to a fight and then to an actual duel by Kate.  With the disapproving Mayor Courtney watching all of the action from her office, it is obvious that one of the women is eventually going to be taken to the noose in the middle of the street but which one?

This is one of the best of the many B-westerns that Allan Dwan directed in the 1950s.  Though much of the emphasis is on the usual western action — Quantrill wants to take over a mine, there’s a Confederate spy in town, and both Frank and Jesse James appear as supporting characters — the film is really about the rivalry and eventual partnership between a group of strong-willed woman who aren’t going to let anyone tell them how to live their lives.  As tough as Kate is, Sally proves to be stronger than she looks and, in the end, they realize that they are stronger working together for a common goal than trying to tear each other down.  Audrey Totter and Joan Leslie both give sexy and tough performances as Kate and Sally.  They’re equally believable hanging out in a saloon, flirting with a cowboy, or drawing guns on each other in the middle of the street.

Along with taking a strong stand against vigilante justice, Woman They Almost Lynched features an exciting stage coach robbery, an intriguing story, and two very interesting lead characters.  It’s a western that deserves to be better known.