Police Academy 4: Citizens on Patrol (1987, directed by Jim Drake)


Long before the end credits of 22 Jump Street imagined Jonah Hill and Channing Tatum going to culinary school, the flight academy, and into outer space, the Police Academy films bravely tested just how far one already thin premise could already be stretched.

In Police Academy 4, Commandant Eric Lassard (George Gaynes) comes up with another plan to make the city safer.  (Since Lassard has been coming up with plans for three years without any success, it may be time to let the old man retire peacefully.)  This time, he wants to institute Citizens on Patrol, which would mean training citizens to act like cops.  It sounds like the type of terrible idea that could get a city sued into bankruptcy but considering that this is a city where a human sound effects machine and the former head of the 16 precinct’s biggest gang can become decorated police officers, I guess it’s as good an idea as any.

As usual, Carey Mahoney (Steve Guttenberg) and the gang are ready to help Lassard.  Bruce Mahler’s Fackler is no longer a part of the ensemble but Bubba Smith, Bobcat Goldthwait, Michael Winslow, David Graf, Tim Kazurinsky, Marion Ramsey, and Brian Toschi are all back.  Also returning, after skipping out on the first two sequels, is Capt. Harris (G.W. Bailey).  Harris wants to see Lassard fail so that he can take over the police academy.  It’s the same thing as the first three films.  As in previous Police Academy films, there’s a visit to the Blue Oyster leather bar and a last minute crime wave to give the Citizens on Patrol a chance to prove they belong in the program.  The Citizens on Patrol include Billie Bird, Brian Backer, David Spade, wrestler Tab Thacker, and Corrine Bohrer as a love interest for Bobcat Goldthwait.  Sharon Stone also makes an appearance, playing a journalist and improbably falling for Steve Guttenberg.  Watching the film, it is obvious that the idea was that, in future Police Academy films, the Citizens on Patrol could replace any of the regular cast members who wanted too much money to return.  As a result, almost every veteran of the cast has a doppelganger in the Citizens on Patrol.  Brian Backer could replace Steve Guttenberg.  Tab Thacker is there to put Bubba Smith on notice that no one is irreplaceable.  Is Bobcat Goldthwait being difficult?  Just remind him that David Spade can play a crazy eccentric too.

Police Academy 4 is the most crowded of the Police Academy films and, even by the franchise’s undemanding standards, most of the jokes fall flat.  Jim Drake took over as director after the director of the previous two films, Jerry Paris, died of a brain tumor and Drake struggles to balance low comedy with police action.  Guttenberg and company don’t have the same energy in this installment as they had in the previous three and the new cast members all feel as if they’re out place sharing scenes with the veterans, like a group of underclassmen who have been invited on the senior trip.

This would be the final Police Academy film for Steve Guttenberg.  Would the franchise be able to survive without him?  Check here tomorrow to find out with my review of Police Academy 5!

Police Academy 3: Back in Training (1986, directed by Jerry Paris)


Police Academy 3 opens with a state in the middle of a fiscal crisis.  Money has to be saved somewhere and the governor (Ed Nelson) has decided that it’s not necessary for the state to have two police academies.  I am not sure why the governor would be the one to make that determination since the previous two Police Academy films established that the academies are run by the city but I guess I should remember that I’m watching a Police Academy film and not ask too many questions.

Which academy is going to be closed down?  Will it be the academy run by Commandant Lassard (George Gaynes) or the one run by Commandant Mauser (Art Metrano, returning from the second film)?  Mauser is willing to use any dirty, under-handed trick to keep his academy open.  Meanwhile, Lassard has his most recent graduating class returning to instruct his latest batch of recruits.  Can Mahoney (Steve Guttenberg) and Michael Winslow’s human sound effects machine save the academy?

When I watched Police Academy 3 this weekend, I was surprised to discover that it wasn’t as bad as I remembered.  Maybe it’s because I watched it immediately after the first two films and my senses were dulled but Police Academy 3 turned out to be an amiable and enjoyably stupid comedy. It helped that two of the new recruits were played by Tim Kazurinsky and Bobcat Goldthwait.  Returning to the roles that they first played in the second movie, Kazurinsky and Goldthwait make for a good comedic team.  As for the rest of the Police Academy regulars, they all do their usual comedy bits like pros and without any fuss.  It’s predictable and sometimes, funny.

Police Academy 3 was the first Police Academy film to have a PG-rating and, as a result, the jokes were still as juvenile and crude as the first two movies but, at the same time, Police Academy 3 seems to have made peace with the fact that it’s target audience was a bunch of adolescent boys dropped off at the theater by their mothers.  Mauser is still regularly humiliated but no one gets a blow job while standing in front of a podium.  This is a Police Academy for the entire family, assuming that your family is easily amused and not too demanding.

Police Academy 3 is a dumb movie and the recurring joke about policemen accidentally entering the Blue Oyster Bar is even less funny the third time that it’s used.  There’s also a Japanese recruit who only seems to be included because, back in the 80s, American films were obsessed with making fun of Japan.  Despite all that, Police Academy 3 is still not as bad as the usual Police Academy sequel.

But what about Police Academy 4?  Check in tomorrow to find out if it’s also better than I initially remembered.

(It’s not.)