4 Shots From Horror History: The 1900s


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we look at the 1900s.

4 Shots From 4 Films

Bluebeard (1901, dir by Georges Méliès)

Bluebeard (1901, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

Satan At Play (1907, dir by Segundo de Chomón)

Satan At Play (1907, dir by Segundo de Chomón)

The Sealed Room (1909, dir by D.W. Griffith)

The Sealed Room (1909, dir by D.W. Griffith)

A Blast From The Horror Past: Georges Méliès’s The Monster


For today’s blast from the past, we have a film that has often been described as being France’s first horror film.

The Monster is 2-minute silent film from 1903.  Directed by the pioneering French filmmaker, Georges Méliès, The Monster tells the story of an Egyptian prince who brings the dead body of his wife to a sorcerer who apparently likes to hang out in front of The Sphinx.  The sorcerer attempts to bring her back to life and, as so often happens in any film directed by Georges Méliès, things don’t quite go as planned.

In my opinion, this is one of the most charming of Georges Méliès’s surviving films.  From the simple but crudely effective camera trickery to the nicely surreal Sphinx in the background, The Monster is a chaotic delight.

Horror Scenes That I Love: Georges Méliès’s The Monster


Much like yesterday’s horror scene that I love, today’s scene is not so much a scene as it’s an entire movie!

The Monster is 2-minute silent film from 1903.  Directed by the pioneering French filmmaker, Georges Méliès, The Monster tells the story of an Egyptian prince who brings the dead body of his wife to a sorcerer who apparently likes to hang out in front of The Sphinx.  The sorcerer attempts to bring her back to life and, as so often happens in any film directed by Georges Méliès, things don’t quite go as planned.

In my opinion, this is one of the most charming of Georges Méliès’s surviving films.  From the simple but crudely effective camera trickery to the nicely surreal Sphinx in the background, The Monster is a chaotic delight.

4 Shots From Horror History: Bluebeard, The Monster, Satan At Play, The Sealed Room


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we look at the 1900s.

4 Shots From 4 Films

Bluebeard (1901, dir by Georges Méliès)

Bluebeard (1901, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

Satan At Play (1907, dir by Segundo de Chomón)

Satan At Play (1907, dir by Segundo de Chomón)

The Sealed Room (1909, dir by D.W. Griffith)

The Sealed Room (1909, dir by D.W. Griffith)