You have 30 seconds to decide who is the werewolf.  Is it the professor?  Is it the wife of the big game hunter?  Is it the long-haired hippie who has a history of cannibalism?  Is it the concert pianist?  Is it the diplomat?  Make your guess and then….

This is the challenge that is presented to the viewers of the 1974 film, The Beast Must Die.  The Beast Must Die is a werewolf film.  Calvin Lockhart stars as millionaire big game hunter Tom Newcliffe.  Tom has invited a group of people to his English mansion because, according to him, one of them is a werewolf and he plans to hunt down whoever it is.  It’s not a terrible premise and I imagine that, in 1974, it was probably quite revolutionary to cast a black actor as a millionaire with a large British estate.  (In America, the film was marketed as being a blaxploitation film under the title Black Werewolf.)

That said, The Beast Must Die is still best-known for its “Werewolf Breaks.”  At certain points in the film, a stopwatch appears on the screen and a narrator asks us if we’ve figured out who the werewolf is yet.  The viewer is given 30 seconds to make a guess before the film continues.  The “Werewolf Breaks” were apparently added to the film after production was completed and director Paul Annett was not happy about them.  The Beast Must Die is, in many ways, a pretty grim film or, at least, it would be if not for the campy narrator telling us that it’s up to us to solve the mystery.

But you know what?  I like the Werewolf Breaks.  They’re fun and, without them, The Beast Must Die would come across as being a film that takes itself way too seriously.  Calvin Lockhart, who was so good in Melinda, overacts to a tremendous degree as Tom Newcliffe and, as the film progresses, he goes from being merely eccentric to actually coming across as being rather unhinged in his attempts to discover who is the werewolf.  It’s never really clear how he settled on his suspects.  (All of them are described as being in the area of several unexplained deaths but it seems like the same could be said of probably hundreds of other people as well.)  But once he has them at the mansion, he’s determined to keep them there until he figures out which is infected with lycanthropy.  (In this film, the werewolf curse is described as basically being a virus.)

Fortunately, the suspects are played by an interesting gallery of British and American character actors.  Charles Gray plays the shady diplomat.  Malene Clark is Tom’s wife.  Michael Gambon is the pianist while Ciaran Madden plays his wife.  Tom Chadbon plays the hippie cannibal while Anton Diffring shows up as the head of security for the mansion.  Best of all, Peter Cushing plays the professor who is an expert on werewolves.  It’s always a joy to see Peter Cushing in any film.  He’s particularly good here, handling his often overwritten dialogue like the pro that he was.

The Beast Must Die is an uneven film.  The opening sequence, which features Tom testing the mansion’s security systems, seems to go on forever and the plot is full of twists that fall apart if you give them too much thought,  But the Werewolf Breaks made me smile and the supporting cast is a delight.  It’s a fun film to watch during the Halloween season.