A Few Thoughts On The Walking Dead 7.3 “The Cell” (dir by Alrick Riley)


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I’ve been on twitter, reading everyone’s reactions to the latest episode of The Walking Dead, and I’ve noticed a definite pattern.

People who read the comic along with watching the TV show seemed to be pretty excited by tonight’s episode.  They were happy that Dwight (played by Austin Amelio) and his wife, Sherry (Christine Evangelista), were prominently featured.  I mean, make no mistake.  This episode may have technically been a Daryl episode but, for the most part, it was pretty much set up to highlight Dwight and Sherry.

Of course, it was also set up to give us some insight into the way that Negan runs things.  We got to see the Sanctuary, the home base of the Saviors, and it’s not really that surprising that it turned out to be the testosterone-fueled Hellhole of everyone’s nightmares.  On the plus side, the Sanctuary has power.  It has music.  It has a TV, though there doesn’t appear to be any good programming.  Is a world where the only available entertainment features Tony Danza a world worth saving?

And Negan — well, Negan’s still an asshole.  He’s still strutting around with Lucille, bullying everyone that he comes in contact with.  Obviously, we were meant to compare Negan’s leadership style to King Ezekiel’s.  Ezekiel rules through fantasy.  Negan rules through fear.  No wonder Gordon tried to leave.

(Gordon’s execution would have been far more powerful if we had more of an idea of who Gordon was meant to be.  Then again, that scene was more about Dwight than Gordon.)

Negan is also trying to brainwash Daryl and it’s obvious that Dwight is more than a little jealous.  I liked the fact that Dwight didn’t seem to know if he wanted to kill Daryl or beg Daryl to be his best friend.  Watching Negan and Daryl, I couldn’t help but think about Merle and the Governor.  Of course, that didn’t end well as far as the Dixon family is concerned…

As I said, those who read the comic appeared to enjoy tonight’s episode.  On the other hand, viewers who weren’t familiar with the comic seemed to be a bit disappointed.  On twitter, they complained that tonight’s episode was too slow and anti-climatic.  Interestingly enough, a lot of them said the same thing about last week’s episode with King Ezekiel.

Myself, I have to say that The Cell didn’t do much for me.  Last week’s episode may have been slow but, after all the shit that went down in the premiere, I was kind of thankful for a slow episode that featured at least a little humor.  But with The Cell, The Walking Dead essentially followed one slow episode with another slow episode, the difference being that this one didn’t really accomplish much.

As I watched day-to-day life in the Sanctuary, I couldn’t help but think about Lost.  You remember when Jack, Sawyer, and Kate ended up spending a handful of episodes living with The Others?  The society of the Others was genuinely interesting.  You could actually imagine watching an alternate version of Lost where the Others would have been the main characters and the Oceanic passengers would have been the rarely seen villains.

You really can’t say the same of The Saviors and life at Sanctuary.  The Saviors may be scary and menacing and dangerous but they’re also more than a little boring.  I’ve praised Jeffrey Dean Morgan’s performance in the past but, with tonight’s episode, I started to wonder if there was anything more to Morgan’s Negan than what we’ve already seen.  Yes, Negan’s a bully.  Yes, he’s an asshole.  Yes, I’d love to see him devoured by a walker.  But I could say the same about a lot of the characters on The Walking Dead.  What is it about the television version of Negan that sets him apart from every other wannabe dictator on this show?

To a certain extent, it reminded me of when Colin Hanks showed up as a serial killer on Dexter.  I watched him and I thought, “Yeah, he’s pretty fucked up but who isn’t on this show?”  At this point, just being fucked up isn’t enough.

What the show needs is one episode — just one — where Negan isn’t bellowing and threatening everyone that he sees.  We need one episode where we can see who Negan was before the zombie apocalypse and who he is now when he’s not hiding behind Lucille.  Jeffrey Dean Morgan is a seriously talented actor and he’s capable of a lot more than just playing a one-dimensional villain.

I hope that The Walking Dead eventually gives him a chance to show everyone how true that is.

I do want to end this review on a positive note so I will say two things:

  1. This episode was directed by Alrick Riley, who previously directed several episodes of an intriguing British spy show called MI5 (a.k.a. Spooks).
  2. That scene with the walker falling out of the sky totally freaked me out!

 

 

Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


Well, can you believe it?  Halloween is nearly over!  In just four more hours, it will be midnight on the West Coast and October will officially be ended and so will our annual horrorthon.  Thank you to everyone who contributed and read and commented this year!  Y’all make all the hard work more than worth it!

Well, here’s our final excursion into the world of televised horror.  Ready for it?  I’m getting a little teary-eyed.

This is a special episode of my favorite TV show of all, Degrassi!  Originally aired on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!

Happy Halloween and Enjoy!

Love you!

A Few Thoughts on …. The Walking Dead 7.2 “The Well” (dir by Greg Nicotero)


kel

Hmmm…

Well, what did everyone think of the 2nd episode of the 7th season of The Walking Dead?  After all the violence and darkness of the premiere, The Well felt like a different beast altogether.  In fact, there were times when I had a hard time believing that I was watching the same series, the tone of The Well was so entirely different from the previous episode.

Essentially, we got to find out what Carol and Morgan were doing while Abraham and Glenn were being killed by Negan.  They were discovering yet another settlement of survivors.  This settlement, known as The Kingdom, was ruled over by King Ezekiel and his pet tiger, Shiva.

Judging from twitter, it would appear that over a thousand people fell in love with King Ezekiel last night.  (Even more fell in love with Shiva.)  And I don’t blame them.  As played by Khary Payton, Ezekiel was a breath of fresh — if possibly insane — air.  He was exactly what the world of The Walking Dead needs.  He’s a leader who sincerely cares about his people but, unlike Negan, he’s not a sociopath.  At the same time, he’s also not totally ineffectual and, after what we saw with Rick last week, that was a welcome development.

When he was first introduced, Ezekiel seemed like a comical, buffoonish character.  After all, he frequently spoke like a bad Shakespearean actor.  He was given to broad pronouncements.  He sat on a throne.  He carried a sword, called himself a king, and often seemed like he was auditioning for a Renaissance Faire.  But as the episode progressed, we started to see that Ezekiel was far more intelligent than he first appeared.  As he told Carol, he knew he and his followers were living in a fantasy world but that fantasy was far more preferable than dwelling on the state of the world.  Over the course of an hour, Ezekiel went from being a joke to being a symbol of hope.

It was interesting to compare Ezekiel and his fantasy world to both Negan and Rick.  Though neither one of them would ever admit it, both Negan and Rick have also built up a fantasy world for themselves.  In Negan’s fantasy, his own sadism is justified by the state of the world.  Negan has created a world where being a sociopath is a heroic act.  Meanwhile, Rick continues to cling to the fantasy that, somehow, things can still go back to being the way that they were before the dead rose.  It’s no coincidence that, after seeing both Glenn and Abraham die, Rick immediately started to fantasize about a future where Glenn and Abraham were still alive and everyone was sitting down for a happy picnic.  In the end, Ezekiel is set apart by the fact that, of all the leaders, he is the only one willing to admit that he’s living in a fantasy.

As of right now, if I had to pledge allegiance to anyone in The Walking Dead, I would pledge it to King Ezekiel.  And it appears that Carol is about to do the same thing.  Either that or Carol’s going to decide to kill him just because she can.  It’s difficult to predict with Carol.

(Sidenote: While the episode was stolen by Khary Payton, Melissa McBride also contributed some of her strongest work yet.  Her amazement upon being initially confronted with Ezekiel’s Kingdom was brilliantly conveyed.)

Last week, a lot of people told me that, after spending an hour watching Negan torture Rick and kill Glenn and Abraham, they were done with The Walking Dead.  I’ll be curious to know if any of them watched last night’s episode and whether it changed their mind.  Much like Carol, the show must now make a choice.  Will its future resemble the first episode of the season or will it resemble The Well?

Now, I have to admit that, at times, I found The Well to be a little bit slow.  I liked it but I didn’t love it, at least not the way that some reviewers loved it.  (Over on the A.V. Club, both the reviewer and several of the commenters are practically rapturous in their praise.)  As fascinating as I found Ezekiel to be, I have to admit that I spent a bit of the episode wishing that I was discovering what was going on with Rick, Maggie, and all the rest.  On twitter, I compared it to how, whenever I wanted to know what was going on with Sawyer on Lost, it would be Hurley episode instead.

But, for the most part, I think The Well worked.  The Kingdom seems like a nice place to live but we probably shouldn’t get too comfortable with it.  Anytime Rick or Carol shows up at a new settlement, that means that death and destruction will soon follow.

We’ll just have to enjoy our time with Shiva while we can!

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Horror on TV: The Twilight Zone 3.24 “To Serve Man”


You know what?

I’ve spent this October irritated by the lack of episodes of the Twilight Zone on YouTube.  I mean, I understand the importance of copyright laws and everything but seriously, how can you take away the Twilight Zone in October!?

However, I finally managed to find one — and exactly one — episode of The Twilight Zone on YouTube.  And it’s a classic!  (And who knows how long it’ll be available so don’t hold off on watching it!)  Here is the classic “To Serve Man” episode of The Twilight Zone!

Enjoy and bon appetit!

 

Horror on TV: Thriller 2.26 “Kill My Love” (dir by Herschel Daugherty)


Tonight’s excursion into televised horror is Kill My Love, an episode of Thriller that originally aired on March 26th, 1962!

In this episode, Richard Carlson plays Guy Guthrie.  To the outside world, Guy looks like the perfect husband and father.  However, he’s actually a cruel sociopath.  When his mistress threatens to expose him, he murders her.  When his wife realizes what Guy has done, he murders her as well.

But then Guy’s beloved son (David Kent) starts to figure out what his father has done and Guy is forced to decide just how far he’s willing to go to hide his secrets…

This episode, of course, is introduced by the one and only Boris Karloff!

Enjoy!

Horror on TV: Thriller 2.17 “La Strega” (dir by Ida Lupino)


For tonight’s excursion into televised horror, we have an episode of Thriller!

This episode is called T and it deals with an artist (Alejandro Rey) who saves a young woman (Ursula Andress) from drowning.  It turns out that the local villagers believe that the woman is a witch.  The artist has no time for superstition and takes the woman back to his home.  She starts as his model and then becomes his lover.  She may not be a witch but her mother (Jeanette Nolan) definitely is…

And, of course, this episode is introduced by the one and only Boris Karloff!

The episode premiered on January 15th, 1962.

Horror on TV: Tales From the Crypt 7.10 “About Face” (dir by Thomas E. Sanders)


For tonight’s excursion, we have one final episodes from HBO’s Tales From The Crypt.

About Face is the 10th episode from the 7th and final season.  It deals with a Victorian-era minister who discovers that he has not one but two daughters.  And one of the daughters might be a little disturbed…

For the most part, the 7th season of Tales From the Crypt has a fairly bad reputation but About Face is better than the average 7th season episode.  Anthony Andrews does a good job as the hypocritical Anglican.

This episode first aired on June 28th, 1996.

Enjoy!

Horror on TV: Tales From the Crypt 7.2 “Last Respects” (dir by Freddie Francis)


Tonight’s excursion into televised horror is the 2nd episode of the 7th season of HBO’s Tales From The Crypt!  In Last Respects, three bickering sisters inherit not only a struggling store but also a monkey’s paw that grants wishes.  Of course, as with all wish-granting monkey paws, there’s a catch!

This episode was directed by veteran British cinematographer and horror director, Freddie Francis!

It originally aired on April 26th, 1996.

Enjoy!

Horror on TV: Tales From The Crypt 6.15 “You, Murderer” (dir by Robert Zemeckis)


To be honest, tonight’s episode of HBO’s Tales From The Crypt isn’t really a horror story.  Instead, it’s a somewhat satiric homage to film noir.  But I’m going to share it anyway. Halloween is about more than just ghouls and ghosts and goblins, right?

You, Murderer is an experiment that doesn’t quite work but is interesting all the same.  This episode is basically one long POV shot.  Whenever our protagonist sees his reflection, we see Humphrey Bogart staring back at us.  Actual footage of Bogart was used in the show.  Sometimes it work, sometimes it just looks strange.  But it’s always interesting!

This episode originally aired on January 25th, 1995.  Enjoy!

Horror on TV: Tales From The Crypt 6.1 “Let The Punishment Fit The Crime” (dir by Russell Mulcahy)


For tonight’s excursion into televised horror, we present you the premiere episode of the 6th season of HBO’s Tales From The Crypt!

In Let The Punishment Fit The Crime, attorney Geraldine Ferrett (Catherine O’Hara) is pulled over while driving through a small town in upstate New York.  It turns out that Geraldine didn’t have enough numbers on her licence plate.  (That’s because she has a vanity plate that reads, “Sue me.”)  It doesn’t sound like a huge crime but, as everyone at the courthouse keeps trying to warn her, she is in “a very strict town.”  Let The Punishment Fit The Crime is a satirical look at our overregulated and overlitigious society.

This episode originally aired on October 31st, 1994 — hey, this is a Halloween episode!

Enjoy!