Tedd Dillon | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Oscar will haunt your nightmares….

Episode 2.8 “Read My Lips”

(Dir by Francis Delia, originally aired on November 21st, 1988)

When you watch as much horror as I do, you automatically assume that anyone who is a ventriloquist is going to have an unhealthy relationship with their dummy. Sometimes, the dummy is alive. Sometimes, the dummy is possessed. Sometimes, the dummy is just a dummy but the ventriloquist has decided that it’s alive and urging him to kill. (For some reason, evil ventriloquists are always male.) I’ve seen a lot of creepy ventriloquist dummies but nothing quite compared me for Oscar….

AGCK! I mean …. LOOK AT THAT THING!

Oscar is at the center of this week’s episode of Friday the 13th. Oscar is wearing a boutonniere that once belonged to the noted ventriloquist, Adolf Hitler. The boutonniere not only brings Oscar to foul-mouthed life but it also inspires whoever owns Oscar to commit countless murders. When we first see Oscar, he is owned by Edgar Van Horne (played by a youngish Billy Drago). After Edgar attempts to break his bond with Oscar, Oscar drives Edgar crazy and then invites another ventriloquist, Travis Plunkett (John Byner), to be his owner. Things don’t turn out well for Travis either.

Sadly, Jack is not in this episode. With its emphasis on desperate nightclub performers and Oscar’s corny sense of humor, it’s hard not to feel that this storyline would have been right up Jack’s alley. Instead, it’s left to Micki and Ryan to deal with Oscar and the ventriloquists. Micki’s best friend from high school, Gabriella Montrose (Linda Griffiths), is planning on marrying Edgar but, needless to say, that all goes out the window once Edgar loses his mind and end up in a mental hospital. For the most part, Micki and Ryan are largely bystanders in this episode. All of the action revolves around Oscar and his unfortunate owners.

Billy Drago gives a wonderful performance as Edgar, making him both frightening and, in the end, surprisingly sympathetic. Edgar is desperate to escape the clutches of Oscar but, in the end, it turns out that he’s grown addicted to performing with Oscar and the attempt to quit cold turkey leads to him losing his mind. (Many episodes of Friday the 13th feature storylines that felt as if they were meant to be a metaphor for drug addiction and that’s certainly the case here.) John Byner plays his role a bit more broadly than Drago but still, it’s hard not to feel bad for Travis as he comes to realize that he’s in over his head with Oscar.

This was an effectively creepy episode, even if it did owe an obvious debt to the 1978 film Magic. Oscar makes for a memorable monster. Hopefully, he’ll never be seen again.

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

If you’ve ever watched T and T and thought, “I wish there was a lot less T in this show,” this week’s episode is for you!

Episode 2.18 “Thicker than Water”

(Dir by Harvey Frost, originally aired on May 8th, 1989)

This is a weird episode.

Ronnie (David Hewlett) and Steve (Gordon Michael Woolvett) are two brothers who have opened up a punk music venue in whatever part of Canada that T and T was filmed in. From the start, everyone is trying to shut them down. The other neighborhood business people claim that the club is bringing in a bad element. The police are unsympathetic whenever a fight breaks out. The fire department is always showing up with a list of regulations. The sinister person who loaned them the money to start the club wants the brothers to burn it down for the insurance money. Seriously, it’s not easy run a venue devoted to angry music that is best appreciated by people who like to fight. But, in the end, the brothers stick together and refuse to let Canada beat them down.

Yay! Take that, Trudeau!

(Yes, I know that Justin Trudeau was not in charge of Canada when this show was filmed but I’m too lazy to look up who was. Actually, T and T always pretended that it was set in the U.S. so I guess I should blame the first Bush. But seriously, everything about T and T screams Canada.)

So, why is this an episode of T and T? Well, Amy is their lawyer. (Sometimes, Amy practices criminal law and sometimes, she practices business law and sometimes, she just acts like a lobbyist. There’s nothing Amy can’t do!) Amy shows up at the club a few times. T.S. Turner also shows up once or twice and says, “Little brother, when you believe in something …. YOU FIGHT FOR IT!”

I’m going to guess that this was a backdoor pilot for a series that would have followed the brothers and their club. I have no idea if the pilot led to a series. It’s really hard for me to imagine what a potential series would have been like but I would say that I thought the club looked cool. I liked the rebellious attitude of the bands that performed there.

Like most backdoor pilots, this is a bit of a wasted episode. This is also the third episode in a row that hasn’t really featured Turner and Amy doing anything new. The previous two episodes were both clip shows and this episode isn’t even about them. These episodes are easy to review (yay!) but you do have to wonder what was going on behind the scenes during the latter half of the second season.