Music Video of the Day: Misunderstanding by Genesis (1980, directed by Stuart Orme)


In today’s music video of the day, Genesis takes us on a tour of Los Angeles in 1980 and pays tribute to the Beach Boys.  Technically, the video is actually about Phil Collins wearing a Hawaiian shirt and driving around the city and searching for his girlfriend but mostly, that was just an excuse to show off Los Angeles.

This video was directed by Stuart Orme, who directed several videos for both Genesis as a group and Phil Collins as a solo act.

Enjoy!

Music Video of the Day: Don’t Get Me Wrong by The Pretenders (1986, directed by Stuart Orme)


Happy birthday to Chrissy Hynde!

Today’s music video of the day features Hynde filling in for Diana Rigg and searching for John Steed in a tribute to The Avengers.  Patrick Macnee makes an appearance as Steed, courtesy of archival footage from The Avengers.

Television director Stuart Orme has also done videos for Level 42, Bonnie Tyler, Whitney Houston, Sade, Genesis, and Frida.

Enjoy!

Music Video of the Day: This Corrosion by The Sisters of Mercy (1987, directed by Stuart Orme)


“It’s about the idiots, full of sound and fury, who stampede around this world signifying nothing. It’s about people who sing about the revolution while selling it short, about people who sing about the corrosion of things while they themselves are falling apart. People who miss the point… It’s also stupidly over-the-top bombastic, but rightly so.”

— Andrew Eldritch, on This Corrosion

Even more specifically, This Corrosion was written as a “take that” to two former members of the Sisters of Mercy who left the band in 1985 to form The Mission.  Eldritch’s feeling was that The Mission was just a corrosive version of Sisters of Mercy.

Director Stuart Orme was one of the directors who worked with literally everyone.  His video here is properly goth in the style of 1987.

Enjoy!

Music Video of the Day: Don’t Get Me Wrong by The Pretenders (1986, directed by Stuart Orme)


Happy birthday to Chrissy Hynde!

Today’s music video of the day features Hynde filling in for Diana Rigg and searching for John Steed in a tribute to The Avengers.  Patrick Macnee makes an appearance as Steed, courtesy of archival footage from The Avengers.

Television director Stuart Orme has also done videos for Level 42, Bonnie Tyler, Whitney Houston, Sade, Genesis, and Frida.

Enjoy!

Music Video of the Day: Misunderstanding by Genesis (1980, directed by Stuart Orme)


In today’s music video of the day, Genesis takes ua on a tour of Los Angeles in 1980.  Technically, the video is actually about Phil Collins driving around the city and searching for his girlfriend but mostly, that was just an excuse to show off Los Angeles and to perhaps announce that the new, post-Peter Gabriel Genesis was ready to conquer Hollywood.

According to Tony Banks, this song was meant to serve as an homage to the Beach Boys.  That probably explains Phil’s Hawaiian shirt.

This video was directed by Stuart Orme, who directed several videos for both Genesis as a group and Phil Collins as a solo act.

Enjoy!

Music Video of the Day: I Don’t Care Anymore by Phil Collins (1983, directed by Stuart Orme)


Phil Collins takes a lot of abuse.  Remember Noel Gallagher telling voters to vote Labour in 2005 because Phil Collins was threatening to return to the UK if the Tories got in?  Admittedly, Phil brings some of that abuse on himself by being notoriously thin-skinned and quick to take offense.  (I’ve always gotten the impression that one reasons why the Gallagher brothers always picked on Phil was because they knew he’d never have sense enough to just ignore them and would always reply.)  But Phil Collins deserves better than he’s often given.

Not only does his music epitomize an era but he’s also one of the better drummers around.  Collins famously started out as a Genesis’s drummer, only becoming their ubiquitous lead singer after Peter Gabriel left the band.  (Going from Gabriel to Collins was just as extreme as you might think, which is why Peter Gabriel’s Genesis is often considered to be a totally different band from Phil Collins’s Genesis.)  In I Don’t Care Anymore, Collins shows off his skills as a drummer and regardless of what you might think about Collins’s overall career, the song definitely rocks.

Like most of Collins’s better songs, I Don’t Care Anymore is a dark and angry song that exists a universe away from the Disney soundtrack material that Collins produced in the 90s.  He wrote this song while he was going through his first divorce, a process that left him emotionally exhausted and feeling as if he didn’t care anymore.

The video, which is largely a performance clip, was directed by Stuart Orme, who directed several videos in the 80s.  He also did the video for Collins’s In The Air Tonight, a song that’s even darker than this one.

Enjoy!

 

Music Video of the Day: In The Air Tonight by Phil Collins (1981, directed by Stuart Orme)


“I don’t know what this song is about. When I was writing this I was going through a divorce. And the only thing I can say about it is that it’s obviously in anger. It’s the angry side, or the bitter side of a separation. So what makes it even more comical is when I hear these stories which started many years ago, particularly in America, of someone come up to me and say, “Did you really see someone drowning?” I said, “No, wrong”. And then every time I go back to America the story gets Chinese whispers, it gets more and more elaborate. It’s so frustrating, ’cause this is one song out of all the songs probably that I’ve ever written that I really don’t know what it’s about, you know?”

— Phil Collins, on In The Air Tonight

I was thinking about Phil Collins last week.

I was visiting some members of my family in London and, on Thursday night, I was watching as the results of the general election came in.  After spending the past few days worrying that Jeremy Corbyn might actually somehow weasel his way into power, I was very happy to see the results of the exit poll, which indicated that Corbyn’s Labour Party was going to lose in a landslide.  As I watched the results come in and as Labour lost seat after seat, I found myself thinking about Phil Collins.

Phil Collins has a reputation for being a supporter of the Tories, though he’s often said that he’s not.  This is because he let the UK after Tony Blair was initially elected.  Collins said that he was living in Switzerland because that’s where his girlfriend lived but many others accused him of being a tax exile.  During the 2005 election, Oasis’s Liam Gallagher famously quipped that everyone should vote Labour because, otherwise, Phil Collins might return home.  Everyone had a good laugh, except for Phil who is notoriously thin-skinned about such things.  Last Thursday, as I watched Boris Johnson give his victory speech with Elmo, Count Binface, and Lord Buckethead standing behind him, I asked myself, “Can Phil Collins come home now?”

(Which was a stupid think to ask since it’s been nearly ten years since the UK last had a Labour government and I’m fairly certain that Phil Collins has already come home.  Chalk it up to the emotion of the moment.  After spending a week being yelled at by angry Corbynites, watching them go down in defeat was a moment of such personal gratification that I was perhaps allowed to ask myself one silly question.)

Phil Collins may be thin-skinned but perhaps he’s earned the right to be.  For all the ridicule that has been directed his way over the years, Phil Collins’s songs have, for better or worse, defined an era and many of them hold up far better than is usually acknowledged.  Take, for instance, In The Air Tonight.  Today’s music video of the day is not only one of the ultimate songs of the 80s but it’s also a song that has been sampled by a countless number of other artists.

It’s also a song that’s been the subject of many rumors.  The most popular one is that Phil Collins wrote it after witnessing a man drowning.  The legend goes that Collins was too far away to save the man but that someone else was close by but declined to help.  Collins wrote the song to call out the callousness of the person who declined to help and, so the story goes, used to reveal the person’s name during his concerts.  Much like the idea of Phil Collins hiding out in Switzerland because he didn’t want to pay his taxes, it’s a good story but it’s also not true.  Collins has said that he has no idea what the song is about, beyond that he was in a dark place emotionally when he wrote it.

The song’s rapid progress up the charts was undoubtedly helped by the music video above.  During the early days of MTV, this video was part of the regular rotation.  Director Stuart Orme went on to direct several other videos for both Collins and Genesis, though In The Air Tonight remains his best work.

Enjoy!