Red flags, girls! You need to know how and when to spot them!
Photographer Ariel (Sofia Masson) is the victim of a violent home invasion and her sex buddy Derek (Stephen Huszar) just happens to show up a minute later? Red flag!
The only photograph from Ariel’s exhibit that sells is an erotic selife called “No Daddy Issues” and then Derek suddenly wants to be called “daddy” while in the bedroom? Guess what? That’s a red flag!
Derek invites Ariel to his estate for the summer without telling her that he’s a widower and that he has a stepdaughter named Chloe (Jasmine Vaga)? You better believe that’s a red flag!
Chloe is the same age as Ariel and physically resembles Ariel and calls her stepfather “daddy?” Red flag, red flag, red flag!
I watched this movie because it was about a photographer and there really aren’t that many non-documentaries about photographers. I didn’t think that the selfie that Ariel sold was that impressive but some of her other photographs showed a hint of talent. But a photographer has to be aware of the world around her and she has to be able to see the things that other people miss. That’s what distinguishes a photographer from someone who just has a camera. How could any photographer miss all the red flags and all the strange atmosphere inside of Derek’s estate?
(I did like that Ariel had somehow developed a system to allow her to develop film and make prints within seconds. I’d love to know how she did that.)
Fatal Exposure requires a big suspension of disbelief. If you can do it, then the film itself is enjoyably trashy. Derek’s gothic mansion is a great location and the acting wasn’t bad at all. But you just have to be willing to accept that someone could miss all of those red flags. Derek was too obviously evil from the start but he did give Ariel a nice studio to work in. Maybe he wasn’t all bad.


