The TSL’s Horror Grindhouse: Rasputin, The Mad Monk (dir by Don Sharp)


In turn of the century Russia, there lived a man named Grigori Rasputin.

He was a monk, though some considered him to be more a servant of the devil than of God.  Legend has it that he was a man who rarely bathed and who made it a point to live in the wild, a part of nature.  His hair was long and unkempt and he was known for his wild eyes.  Depending on who is telling the story, Rasputin’s stare is described as either being seductive or frightening.  Rasputin had a reputation for being a great healer, as well as a great seducer.  (It is said that Rasputin offered up as his defense that it was necessary to sin so that he could be forgiven by God.)

Despite being a controversial figure (and, in the eyes of same, an instrument of the devil), the charismatic Rasputin became well-known in Russian social circles.  In fact, the stories of his powers as a healer eventually reached the household the Tsar.  The Tsar’s son suffered from hemophilia and was frequently ill.  Rasputin was brought into the royal palace to cure him and, according to contemporary accounts, he was somehow able to do just that.  It was said that only Rasputin could stop the boy’s bleeding.

It was also said that Rasputin grow to have a good deal of influence over the Tsarina.  In fact, he was seen as having so much influence that certain members of the royal court started to view him as being a threat to their own power.  On December 30th, 1916, Rasputin was murdered.  There are many stories about how Rasputin was murdered but it’s generally agreed that the conspirators first tried to poison him, just to discover that Rasputin was apparently immune to cyanide!  Eventually, Rasputin was shot twice and then dumped in the Malaya Nevka River.  Stories about how difficult it had been to kill Rasputin only added to his legend.

After his death (and the subsequent communist revolution that led to the murders of the Tsar and his family), Rasputin became a legendary figure.  Because of his connection to the occult, it’s perhaps not surprising that he’s also been the subject of a number of biopics.  Everyone from Klaus Kinski to Lionel Barrymore to Alan Rickman has played the mad monk.  (Apparently, Leonardo DiCaprio has been attached to an up coming film about Rasputin.)

And then there’s Christopher Lee.  Christopher Lee played Rasputin in the 1966 Hammer Film, Rasputin, The Mad Monk.  It’s probably one of Lee’s best performances, as well as one of his most lively.  Lee plays Rasputin as being a cunning charlatan, one who may act like a madman but who always know exactly what he’s doing.  The film makes perfect use of Lee’s imposing physical presence and, when Rasputin uses his powers of hypnotism, Lee stares with such intensity that you never doubt that he’s a man who knows how to get exactly what he wants.  Lee makes you believe that, through sheer willpower, Grigori Rasputin very well could have become one of the most important men in Russia.

As for the film itself, it’s a briskly paced retelling of Rasputin’s final years, hitting all of the expected points without ever digging too far beneath the surface.  Rasputin cures the sick and seduces their mothers, wives, and sisters and uses his powers of hypnotism to hold most of St. Petersburg under his control.  Many of the usual Hammer performers (including Barbara Shelley, as the Tsarina’s servant and Joss Ackland as a bishop) make an appearance and the fact that no one makes the least bit of effort to sound Russian just adds to the film’s charm.  It’s an entertaining look at a fascinating historical story and, most importantly, it features Christopher Lee at his chilling best.

The Fabulous Forties #26: The Way Ahead (dir by Carol Reed)


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The 26th film in Mill Creek’s Fabulous Forties box set was the 1944 British film, The Way Ahead (or, as it was retitled when it was released in America, The Immortal Battalion).

Directed by Carol Reed (who was five years away from directing the great The Third Man), The Way Ahead is a British propaganda film that was made to boost the morale of both a weary British public and the army during the final days of World War II.  Usually, when we call something propaganda, it’s meant as a term of disparagement but The Way Ahead is propaganda in the best possible way.

The film follows a group of British soldiers, from the moment that they are conscripted through their training to their first battle.  (In many ways, it’s like a more refined — which is another way of saying “more British” — version of Gung Ho!)  As usually happens in films like this, the newly conscripted soldiers come from all sections of society.  Some of them are poor.  Some of them are rich.  Some of them are married.  Some of them are single.  In fact, when the film first begins, the only thing that they all have in common is that they don’t want to be in the army.

As they begin their training, they resent their tough sergeant, Fletcher (William Hartnell), and are upset that Lt. Jim Perry (David Niven, giving a very likable performance) always seems to take Fletcher’s side in any dispute.  However, as time passes by, the soldiers start to realize that Fletcher is looking out for them and molding them into a cohesive unit.  Under his training, they go from being a group of disorganized and somewhat resentful individuals to being a tough and well-organized battalion.

Though they’re originally skeptical that they’ll ever see combat, the battalion is eventually sent to North Africa.  However, their ship is torpedoed and, in a scene that remains genuinely impressive even when viewed today, the men are forced to abandon ship while explosions and flames light up the night sky.  By the time that they do finally reach North Africa, they are more than ready to fight…

The Way Ahead plays out in a semi-documentary fashion (it even features a narrator who, at the end of the film, exhorts the audience to stay firm in their commitment) and it’s a fairly predictable film.  If you’ve ever seen a war film, you’ll probably be able to predict everything that happens in The Way Ahead.  That said, The Way Ahead is a remarkable well-made and well-acted film.  The cast is well-selected (and features a lot of familiar British characters actors, some making their film debut) and David Niven is the perfect choice for the mild-mannered but firm Lt. Perry.  Even though I’m not a huge fan of war films in general, I was still impressed with The Way Ahead.

And you can watch it below!