Let’s Talk About Dead In The Water (dir by Sheldon Wilson)


One of the great things about October is that, along with Shark Week, it’s one of the few times during the year that the SyFy channel still shows original horror films.  Unfortunately, I ended up getting a little bit swamped with stuff this month so I didn’t get a chance to review this year’s collection of movies when they originally aired.  Hopefully, I’ll be able to make up for that today and tomorrow.

Dead In The Water, which aired on October 27th, is a nautical horror story that will probably remind you of a few other horror films.  (Of course, if you’ve watched enough SyFy films, you know that’s not necessarily a complaint.)  Like The Descent, it features an almost entirely female cast.  Like Ghost Ship, it takes place within the claustrophobic confines of a boat floating on the ocean and there’s literally no escape to escape to be found.  Like an Alien film, it’s essentially a siege film in which we watch the film’s cast attempts to survive an attack from a relentless enemy that keeps coming and coming.  And finally, much like John Carpenter’s The Thing, the enemy is an alien who jumps from victim to victim.  You’re never quite sure who might be real and who might be possessed.  It’s all about the paranoia.

Dead in the Water follows the crew of a boat that gets lost in a thick bank of fog.  When they come across a man floating in the ocean, they pull him out and start to examine him.  He’s still alive, though barely.  He implores them to kill him and then kill themselves.  He says that the only way to “end this.”  After they oblige the first half of his request, the crew members speculate that may have had a virus but a video on his phone reveals a far different story.  Apparently, the man was the last survivor of a group of scientists who came across an alien life form in the Arctic sea.  With an alien life form now running around the boat, the crew must attempt to survive while a terrible storms rages outside.

Both thematically and visually, Dead In The Water is one of those films where everything is really, really dark.  In fact, the film was so dark that it was sometimes difficult to see just what exactly was happening on the screen.  At times, this was effective.  After all, fear of the dark is one of the big phobias and the darkness made it easier for the alien to do its thing.  That said, I would someday like to see a horror film that takes place in an adequately lit room.  We’re so used to horror in the dark that I think horror in the daylight would probably be an interesting change of pace.

The best thing that Dead In The Water had going for it was its cast.  I liked the fact that not only did this horror film feature an all female cast but that they were all portrayed as being competent professionals.  No one was there just to scream and be a victim, which is something that I always appreciate.  Though the nature of the alien isn’t a huge shock, it’s still an effective little monster.  Director Sheldon Wilson does a good job of keeping the action moving and capturing the desperation of being stranded out in the middle of nowhere.  All in all, Dead In The Water was an effective October offering.

Adventures in Cleaning Out The DVR: Seeds of Yesterday (dir by Shawn Ku)


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For this past week, I’ve both been dealing with a sprained foot (and it’s doing much better, thank you very much) and I’ve been cleaning out my DVR.  As I woke up this morning, I realized that I only had four more movies left in the DVR that I needed to watch and review.  So, I decided to jump right into things and I finally watch Seeds of Yesterday.

Seeds of Yesterday serves as a sequel to Flowers in the Attic, Petals on the Wind, and If There Be Thorns.  Like those three previous films, Seeds of Yesterday is based on a novel by V.C. Andrews and premiered on the Lifetime network.  Seeds of Yesterday was originally broadcast on April 12th and, considering how much I enjoyed Flowers and Thorns, I’m not sure why I missed Seeds.  Maybe drugs were involved, who knows?

Anyway, Seeds of the Yesterday continues the story of the Dollangangers, the family that simply cannot stop literally and figuratively fucking each other.  As the film opens, 13 years have passed since the end of If There Be Thorns.  Bart (James Maslow) is now a 25 year-old religious fanatic.  Since learning, in Thorns, that his parents were actually brother-and-sister, Bart wants nothing to do with them.  He has even changed his last name to Foxworth, in honor of his evil great-grandfather, Malcolm.  Bart has rebuilt Foxworth Hall and, on the occasion of his birthday, he invites his estranged family to come visit him.

Jory (Anthony Konechy) is now a ballet star and is married to an emotionally fragile dancer named Melodie (Leah Gibson).  The parents, Chris (Jason Lewis) and Cathy (Rachel Carpani), have finally come to peace with the fact that they are also brother and sister.  And then there’s adopted daughter Cindy (Sammi Hanratty), who Bart considers to be sinful even while he lusts after her.  When all of these people arrive at Foxworth Hall, they are excited to learn that Melodie is pregnant.

Well, everyone’s excited except for Bart.  Bart not only lusts after his stepsister but also after his sister-in-law.  Bart does a lot of lusting in general.

For some reason, Bart has demanded that Jory and Melodie perform a dance from Samson and Delilah at his birthday party.  However, since Melodie is pregnant, she can’t dance.  (“You’re not even showing!” Bart snaps, angrily.)  Instead, Cindy says that she’ll be Bart’s dance partner and, on the night of the performance, a huge piece of scenery falls on Bart and severs his spine.  Bart will never dance, walk, or make love again…

So now, Melodie is depressed and can’t bring herself to even visit Jory in the hospital.  She discovers that Jory will never be able to have sex again so, instead, she and Bart start fucking.  Bart, however, is still lusting after Cindy and complaining that everyone around him is a sinner…

And it goes on like that for about 90 minutes and then the movie’s over.

On a strictly personal level, I enjoyed Seeds of Yesterday because it had a lot of sex, a lot of overacting, a lot of gorgeous clothes, some dancing, and a big mansion.  But, for the most part, Seeds of Yesterday is a total mess that never really makes much sense.  I have not read the original novel but just taking a quick look at its Wikipedia page reveals that a lot of plot and quite a few characters were left out of the adaptation.  Obviously, there’s only so much you can put into an 88 minute movie but, in the end, Seeds of Yesterday still fills rushed and overly busy.  All the characters are so busy scheming schemes and having melodramatic confrontations that you never really get any sort of emotional insight into them.  All in all, Seeds of Yesterday is a disappointing end to fairly entertaining series of films.

That said, we should give praise to James Maslow.  From the minute that Bart shows up, it’s obvious that he’s batshit insane and, for lack of a better term, Maslow “goes there.”  His performance is so enjoyably melodramatic (and, just so there’s no understanding, perfectly appropriate for the material that he’s been given to work with) that he elevates the entire film.

http://www.youtube.com/watch?v=tIL9Vujk9n4