Late Night Retro Television Review: CHiPs 3.14 “Wheeling”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

Things get weird in California.

Episode 3.14 “Wheeling”

(Dir by Barry Crane, originally aired on December 8th, 1979)

This is one of those weird episodes where Ponch and Jon just keep running into the same people over and over again.

Artie (Paul Gale), Don (Ray Vittie), and Alan (Ron Lombard) are all in wheelchairs but they’re not going to let that stop them from enjoying life and, far more dangerously, playing tag while driving on the highway.  Artie’s van taps Alan’s car.  Alan taps Don’s car.  Don tries to tap Artie’s van.  It’s dangerous and Ponch and Jon, when they see it, promptly pull the three men over.  Ponch is impressed with Artie’s joie d’vivre.  As usual, Baker is less impresses and is like, “You — of all people! — should understand the danger!”  (I swear, poor Larry Wilcox.  While Erik Estrada got to smile through each episode, it always fell on Wilcox to be the killjoy.)

That said, both Jon and Ponch came to admire Artie and his determination to make sure that all of his wheelchair-bound friends get the most out of life.  They even help Artie present a fancy new wheelchair to Brent (David Gilliam), a surfer who has not been able to bring himself to leave the hospital ever since he learned that he will never walk again.

Artie and the gang help out Jon and Ponch as well.  Jon and Ponch are searching for a blue car that was involved in a street race that left one teenager with a broken leg.  The teenager’s father, Harry (Taylor Lacher), has been speeding up and down the freeway, searching for the car.  Harry even made a citizens arrest, though Delgado (Fil Formicola) had an alibi for the time that Harry’s son was injured.  While Delgado makes plans to sue Harry for false arrest. Artie happens to spot the blue car that Jon and Ponch are looking for.  Way to go, Artie!

But then, after all of this, Artie and his friends decide to race on Harry’s street.  Harry goes crazy.  He jumps in his car and takes off after Artie’s van, not realizing that Artie was the one who helped the police catch the guy who hit Harry’s son.  It leads to a huge accident at a construction site.  The van flips over.  Harry’s car flips over.  Harry breaks his leg.  Artie’s breaks both of his arms.  The judge sentences Harry to serve as Artie’s manservant until Artie’s arms heal.  Everyone has a good laugh, including Harry.

What a weird episode!  I mean, its heart was definitely in the right place.  The whole point of the episode was that Artie and his friends were just as capable as anyone who could walk.  That’s a good message.  But, then, out of nowhere, Artie is suddenly involved in a street race and Harry is trying to crash into his van.  And then, at the end of it, everyone finds it all to be terrifically amusing.  And somehow, Ponch and Jon manage to be at the scene of every incident involved Harry, Artie, and Artie’s friends.  Like, seriously, what are the odds?  There are other highway patrolmen in California.

Again, a strange episode.  As always, the scenery was nice.  It’s always fun to see what the world looked like in 1979.  And I appreciated that this episode made a strong case for people not taking it upon themselves to make a citizens arrest because, seriously, people who do that tend to be so obnoxious.

Anyway, I enjoyed it.  It was just weird enough to be fun.  Drive safely out there!

A Blast From The Past: Rookie of the Year (dir by Larry Elikann)


TSL’s review of Highway to Heaven will not be posted tonight so that we may bring you this special presentation….

My retro television reviews will return next week but until then, enjoy this blast from the past.  1973’s Rookie of the Year stars 11 year-old Jodie Foster as Sharon Lee, who causes some controversy when she joins her brother’s little league team.  I picked out this program specifically for my sister, Erin, who loves baseball the way that I love movies!

It’s strange to think, while watching this, that Jodie Foster was just three years away from creating even more controversy with her Oscar-nominated role in Martin Scorsese’s Taxi Driver.

And now, here is Rookie of the Year….

Back to School Part II #6: Jeremy (dir by Arthur Barron)


Jeremy

After I finally finished working out my thoughts concerning A Clockwork Orange, I continued my back to school reviews by watching a 1973 teen romance called Jeremy.  I have to admit that it was kind of a shock going from Stanley Kubrick’s confrontational masterpiece to this rather gentle and sweet-natured film about two nice kids who fall in love.  But that’s one of the things that I love about reviewing movies.  You get to see all sorts of things.

As for Jeremy — it’s a film that tells a familiar story but it doesn’t quite go in the direction that you’re expecting.  15 year-old Jeremy (played by Robby Benson, who was apparently the Justin Bieber of his day) is a 15 year-old student at a private high school in New York City.  He’s a brilliant but painfully shy student.  He’s very serious about learning the cello, even though his teacher (Leonardo Cimino) tells him that he’s good but he’ll probably never be great.  He’s also really into horse racing, though he never bets himself.  Instead, he just likes to pick the winner and is content with the knowledge that he was right.  Jeremy is largely ignored by his parents and has only one friend but he seems to be okay with his largely solitary life.

That is, of course, until he spots Susan (Glynnis O’Connor) practicing ballet in a classroom.  Jeremy is instantly attracted to her and it’s obvious that she likes him as well but, because of his pathological shyness, Jeremy cannot bring himself to ask her out.  (In fact, he even forgets to ask her name the first time that they meet.)  It’s not until Susan compliments him on his cello playing that Jeremy is able to work up the courage to ask her out.  It’s not that Jeremy is arrogant or stand-offish or any of the other stuff that people regularly say about shy people.  It’s just that talking about his cello gives Jeremy the courage to be himself.  It’s rather sweet, actually.

Jeremy and Susan go out for three weeks and, in a tastefully handled scene, even end up making love for the first time.  However, Susan’s father has been transferred to another city and Susan is about to move away.  Even when Susan and Jeremy say that they’re in love, all of the adults ignore them.

At this point, I was expecting Susan and Jeremy to enter into a suicide pact but it didn’t happen.  That’s not the type of film that Jeremy is.  Jeremy is a very sweet but ultimately realistic film about first love and first heartbreak.

As for the two lead performers, they apparently dated for a while after making Jeremy and they both display a very real chemistry in the film.  Admittedly, there’s a few scenes where Benson goes a little bit overboard but, watching him, I could tell why he was a teen idol in the 70s.  There’s not a threatening or dangerous thing about him and when he’s insecure or sad, you just want give him a big hug.  Glynnis O’Connor brings a bit of an edge to Susan (there always seems to be a poignant sadness right under the surface when it comes to Susan) and it contrasts nicely with Benson’s performance.

In the end, it may not add up too much but it’s heartfelt and nicely done and I’m glad that I watched it.

http://www.youtube.com/watch?v=jLi-oAbkEHQ