In JACKIE CHAN’S FIRST STRIKE (1996), aka POLICE STORY 4: FIRST STRIKE, Jackie Chan plays Inspector Chan Ka-Kui (called “Jackie” in the dubbed version), a Hong Kong police officer tasked with helping CIA and Russian authorities track a missing nuclear warhead. His investigation leads him to Ukraine and Australia, where he discovers a conspiracy involving a rogue CIA agent named Jackson Tsui (Jackson Lui) and a criminal organization. Chan teams up with Annie (Annie Wu), a marine biologist and Tsui’s sister, to try to stop the rogue agent from selling the warhead to global terrorists. 

As you might imagine, JACKIE CHAN’S FIRST STRIKE has incredible stunt work. Chan was 42 years old when he made this movie, but he still has “it!” His amazing acrobatic ability is on full display as he engages in snowy mountain top chases, ladder fights, shark tank shenanigans, all leading to a final showdown in an aquarium! Every set piece highlights Chan’s special blend of martial arts, comedy, and scary stunts. Aside from the incredible stunts, Chan brings so much charm and humor to the table. He’s so likable that you can’t help but smile as he goes from one crazy situation to the next. This is why I watch Jackie Chan movies, and this one has a lot of good stuff!

As far as the supporting performances, Bill Tung, who plays his boss “Uncle Bill Wong,” is the only real connection to the earlier “POLICE STORY” movies. He pops up at the very beginning and a couple of times during the movie, but that’s about it. Having enjoyed all the prior films in the series, it is fun seeing him here, but there is certainly no need to watch the others to be able to enjoy this one. Annie Wu was only 18 years old when she made this movie, which is her first credit, and she’s as cute as it gets! There’s nothing that special about the villains. They’re mostly here to be used as punching bags for Chan to work off of during his unique action sequences. 

Overall, I really enjoy JACKIE CHAN’S FIRST STRIKE because I’m a big fan of the unique blend of action and comedy that Chan brings to his movies. It may not be his very best, but it’s a pleasant reminder of what Hong Kong cinema was like in the 90’s before the 1997 handover. I miss those days of Hong Kong cinema. There was nothing like it in the world.