For today’s music video of the day, we have one final video for the greatest song of the ’10s, Dangerous by Big Data. In this video, Big Data performs the song on the ALT98.7 FM Penthouse rooftop at the Historic Hollywood Tower.
With each passing day, I became more and more convinced that Big Data’s Dangerous is the most important song of the 2010s. No other song quite captures our paranoid times like this one:
How could you know, how could you know That those were my eyes? Peepin’ through the floor, it’s like they know It’s like they know I’m looking from the outside And creepin’ to the door, it’s like they know And now they’re coming, yeah, now they’re coming Out from the shadows To take me to the court because they know Gotta shut this down ‘Cause they been watching all my windows They gathered up the warrant ’cause they
You understand, I got a plan for us I bet you didn’t know that I was dangerous It must be fate, I found a place for us I bet you didn’t know someone could love you this much
How could they know, how could they know What I’ve been thinking? Like they’re right inside my head because they know Because they know, what I’ve been hiding They’re right under my bed, they’re on patrol Here they come, yeah, here they come Out of the shadows To take me to the court because they know Gotta shut this down ‘Cause they’ve been watching all my windows They gathered up the warrant ’cause they
You understand, I got a plan for us I bet you didn’t know that I was dangerous It must be fate, I found a place for us I bet you didn’t know someone could love you this much
Nobody’s listening when we’re alone Nobody’s listening, there’s nobody listening No one can hear us when we’re alone No one can hear us, no, no one can hear us
I’ve gotta get out of here Sink down, into the dark Keep on runnin’ And I’ve gotta get out of here Keep on runnin’ Sink down, into the dark
You understand, I got a plan for us I bet you didn’t know that I was dangerous It must be fate, I found a place for us I bet you didn’t know someone could love you this much
Valerie already shared two other videosfor Dangerous. Here’s another one of Big Data performing at Los Angeles’s KROQ Red Bull Sound Space. While the studio version features Joywave’s Daniel Armbruster performing the vocals, this live version is performed by Alan Wilkis and Liz Ryan.
I have to admit that this is yet another video that I initially assumed was about vampires. Apparently, it’s not.
My second guess was that it was about the Russian mafia but then they started breaking those plates and I decided that it was more likely that the club was owned by the Greek mafia.
Actually, I think the video’s just about Kristen Stewart doing what she wants and generally kicking ass. That’s why I like this video. The meaning is less important than the style.
This song, of course, features a sample from David Bowie’s Heroes.
As for the video, I always assume that everyone here is having one last party before a gigantic meteor crashes into the planet and wipes out all human life. To be honest, I tend to assume that most music videos are about humanity’s attempt to ignore the fact that everyone’s life will eventually end in a combination of misery, death, and absolutely horror.
Hearing this song transports me back to 2003, when life seemed so simple and the future seemed limitless… actually, that’s the way things still seem to me in 2018. I guess I’m a born optimist!
Anyway, I always think of this as being a song of liberation but that’s mostly just because of the title. The lyrics are actually about an independent woman finding the courage to let people into her life. But, ultimately, what matters is how a song — any song — makes you feel.
As for the video, I would say it features just about the safest house party that I’ve ever seen. Compare it to the video for Fiona Apple’s Criminal.
This video from Phantogram (who are like one of my favorite musical duos of all time) puts me in the mood for apocalypse. The starkness of the interiors reminds me of David Lynch. The crashing waves reminds me of Jeff Nichols’s Take Shelter. And then, of course, you’ve got the whole Ex Machina thing going on as well.
This video was directed by Grant Singer, who has directed videos for pretty much everyone. Well, maybe not everyone by he has worked with Taylor Swift, which is just as good. He’s also done videos for Lorde, The Weeknd, Ariel Pink, Sleigh Bells, and Skrillex.
(Also, to all of our readers and to my fellow collaborators here at the Shattered Lens, rest assured that all of you still get me high.)
This video reminds me of … well, almost every recent futuristic dystopia movie that I’ve ever seen. You’ve got the large but kinda messy apartment. You’ve got the virtual reality. And you’ve got the really, really bright sun.
Seriously, have you ever noticed that? Futuristic dystopias are always either extremely dark and rainy or extremely bright. It’s like, in the future, people aren’t allowed to close the curtains or pull down the shades on a sunny day. I don’t know if I’d be able to handle that. Hopefully, the robots won’t take over anytime soon.
Since it’s shark week on the SyFy Network, I figured this would be as good a time as any to share this shark-related video.
In this video, the Deftones perform while standing on shark cages. Which … I don’t know. That, honestly, is something that I would never do. It just seems like you’re inviting trouble and, to prove my point, Chino Moreno does fall into the water while performing. Apparently, Chino survived being attacked by the shark because he’s still around. Maybe he’s like Felix Leiter in the James Bond novels and he’s bionic now.
To quote Mr. Big in Live and Let Die: “He disagreed with something that ate him.”
Anyway, this video was directed by Dean Karr, who has directed music videos for everyone from Korn to Lisa Marie Presley.
Seeing as how this is shark week on the SyFy network and I reviewed both Deep Blue Sea and Deep Blue Sea 2 on Sunday, it seems appropriate that today’s music video of the day should feature LL Cool J turning into a shark.
I mean, doesn’t it!?
Anyway, this is one of the songs that plays over the end credits of Deep Blue Sea. The video was directed by Renny Harlin and features several clips from the film. And, of course, LL Cool J turns into a shark.