Tag Archives: MPSE

Here Are The 2022 Golden Reel Winners

Posted on by Lisa Marie Bowman

The Golden Reel Awards, honoring the best in 2022 Sound Editing, were handed out on Monday by the Motion Pictures Sound Editors.  Top Gun: Maverick may not be picking up the Best Picture Oscar but I bet it’s got Best Sound in the bag.

Here are the Golden Reel winners:

Outstanding Achievement in Sound Editing – Feature Effects / Foley
Avatar: The Way of Water
The Batman
Everything Everywhere All at Once
Jurassic World: Dominion
Nope
Top Gun: Maverick

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
The Banshees of Inisherin
The Batman
Elvis
Empire of Light
Everything Everywhere All at Once
Top Gun: Maverick

Outstanding Achievement in Music Editing – Feature Motion Picture
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Tár
Whitney Houston: I Wanna Dance with Somebody

Outstanding Achievement in Sound Editing – Feature Animation
DC League of Super-Pets
Guillermo del Toro’s Pinocchio
Lightyear
Puss in Boots: The Last Wish

Outstanding Achievement in Sound Editing – Feature Documentary
Good Night Oppy
Louis Armstrong’s Black and Blues
Moonage Daydream
The Territory

Outstanding Achievement in Music Editing – Documentary
Louis Armstrong’s Black and Blues
Moonage Daydream
My Life as a Rolling Stone: Mick Jagger
The Way Down: Revelations

Outstanding Achievement in Sound Editing – Foreign Language Feature
All Quiet on the Western Front
Argentina, 1985
Bardo, False Chronicle of a Handful of Truths
EO
The Quiet Girl
Triangle of Sadness

Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Camp Cretaceous – “The Last Stand”
Love, Death & Robots – “In Vaulted Halls Entombed”
Tales of The Jedi – “The Sith Lord”
Transformers: Earthspark – “Age of Evolution”

Outstanding Achievement in Sound Editing – Non-theatrical Feature
Pinocchio
Prey
Weird: The Al Yankovic Story
Women of the Movement

Outstanding Achievement in Sound Editing – Non-theatrical Animation
The Ice Age Adventures of Buck Wild
Jurassic World: Camp Cretaceous – “Hidden Adventure”
Lego Star Wars Summer Vacation
Rise of the Teenage Mutant Ninja Turtles: The Movie

Outstanding Achievement in Sound Editing – Non-theatrical Documentary
Formula 1: Drive to Survive: Gloves Are Off
George Carlin’s American Dream
Lucy and Desi
Selena Gomez: My Mind and Me
Tony Hawk – Until The Wheels Fall Off
Trainwreck: Woodstock ’99: Kerosene, Match. Boom!

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
Andor – “Reckoning”
Better Call Saul – “Carrot and Stick”
Gaslit – “Year of the Rat”
The Lord of the Rings: The Rings of Power – “Udûn”
Stranger Things: Chapter Seven – “The Massacre at Hawkins Lab”

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
Better Call Saul – “Saul Gone”
The Crown – “Gunpowder”
The Lord of the Rings: The Rings of Power – “Udûn”
Severance – “The We We Are”
Stranger Things: Chapter Seven – “The Massacre at Hawkins Lab”

Outstanding Achievement in Music Editing – Broadcast Long Form
The L Word: Generation Q – “Questions for the Universe”
The Lord of the Rings: The Rings of Power: “Alloyed”
Severance – “The We We Are”
Stranger Things: Chapter Nine – “The Piggyback”
Wednesday – “A Murder of Woes”
The White Lotus – “Bull Elephants”

Outstanding Achievement in Sound Editing – Broadcast Short Form
Barry – “710N”
The Bear – “Review”
Only Murders in the Building – “Framed”
She Hulk – “Ribbit and Rip It”
Wild Babies – “Big Families”

Outstanding Achievement in Music Editing – Broadcast Short Form
Love, Death & Robots – “Night of the Mini Dead
Pitch Perfect: Bumper in Berlin – “Torschlusspanik”
Russian Doll – “Matryoshka”
She-Hulk: Attorney at Law – “Is This Not Real Magic?”

Outstanding Achievement in Sound Editing – Game Effects / Foley
Call of Duty: Modern Warfare II
Destiny 2: The Witch Queen
God of War Ragnarök
Horizon Forbidden West

Outstanding Achievement in Sound Editing – Game Dialogue / ADR
Call of Duty: Modern Warfare II
God of War Ragnarök
Horizon Forbidden West
Immortality

Outstanding Achievement in Music Editing – Game Music
Call of Duty: Modern Warfare II
God of War Ragnarök
Horizon Forbidden West
Immortality

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Ascent
Brutal
Entertain Me
Key of See
Spring Roll Dream
This is Your Captain Speaking
Whiteboy

For True Oscar Junkies, Here Are The 2022 Nominations of the Cinema Audio Society and The Motion Picture Sound Editors!

Posted on by Lisa Marie Bowman

For those of you who are currently making your predictions for which films will be nominated for Best Sound in two weeks, here are the nominations of the Cinema Audio Society and The Motion Picture Sound Editors!  Please note that I’m only listing their film nominations because that’s really what most people are interested in right now.  No offense, television lovers.

First off, here are the nominees of the Motion Picture Sound Editors:

Outstanding Achievement in Sound Editing – Feature Animation
“DC League of Super-Pets”
Warner Bros. Animation
Supervising Sound Editors: Bill R. Dean MPSE, Ando Johnson
Sound Designer: Erick Ocampo
Sound Effects Editors: Chris Battaglia MPSE, Kip Smedley
Supervising Dialogue Editor: Stephanie Brown
Dialogue Editor: Chase Keehn
Supervising Foley Editor: Jessie Pariseau
Foley Editor: Bruce Tanis MPSE
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana

“Guillermo del Toro’s Pinocchio”
Netflix
Supervising Sound Editor: Scott Martin Gershin MPSE
Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon MPSE, Dan Gamache MPSE
Dialogue Editor: Dan Gamache MPSE
Foley Artists: Dan O’Connell, John Cucci MPSE

“Lightyear”
Disney Animation
Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt
Dialogue Editor: Cheryl Nardi
Foley Editors: James Spencer, Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE

“Puss in Boots: The Last Wish”
DreamWorks Animation
Supervising Sound Editors: Jason W. Jennings, Julian Slater MPSE
Sound Designer: Tim Walston MPSE
Sound Effects Editor: Ken McGill
Dialogue Editor: Mia Stewart MPSE
Supervising Foley Editor: Paul Pirola

Outstanding Achievement in Sound Editing – Feature Documentary
“Good Night Oppy”
Amazon
Supervising Sound Editor: Mark Mangini MPSE
Supervising Dialogue Editor: Dave Bach
Sound Designers: Tim Walston MPSE, Dave Whitehead MPSE, Mark Mangini MPSE

“Louis Armstrong’s Black and Blues”
Apple TV+
Supervising Sound Editor: Leslie Shatz
Sound Designer: Leslie Shatz
Supervising Dialogue Editor: Jon Flores

“Moonage Daydream”
Apple TV+
Supervising Sound Editor: Nina Hartstone
Sound Designers: Samir Foco, James Shirley
Sound Editor: Louise Burton MPSE

“The Territory”
National Geographic
Supervising Sound Editors: Rune Klausen, Peter Albrechtsen MPSE
Sound Designers: Rune Klausen, Peter Albrechtsen MPSE
Sound Effects Editors: Mikkel Nielsen, Tim Nielsen
Dialogue Editors: Sebastian Vaskio, Guilherme Tortolo Magrin
Foley Editor: Pietu Korhonen
Foley Artist: Heikki Kossi, MPSE

Outstanding Achievement in Sound Editing – Foreign Language Feature
“All Quiet on the Western Front”
Netflix
Supervising Sound Editor: Frank Kruse
Sound Designer: Markus Stemler
Supervising Dialogue Editor: Alexander Buck
Supervising ADR Editors: Benjamin Hörbe, Alexander Buck
ADR Editors: Thomas Kalbér, Moritz Hoffmeister
Foley Editor: Kuen Il Song
Foley Artists: Carsten Richter, Daniel Weis

“Argentina, 1985”
Amazon
Supervising Sound Editor: Santiago Fumagalli
Sound Effects Editors: Juan Ignacio Giobio, Nahuel De Camillis
Dialogue Editor: Ignacio Seligra
Foley Editor: Nicolás Mannara
Foley Artist: Diego Marcone
Music Editor: Stephen M. Davis

“Bardo, False Chronicle of a Handful of Truths”
Netflix
Supervising Sound Editors: Martín Hernández, Nicolas Becker
Sound Designer: Ken Yasumoto
Sound Effects Editors: Alejandro Quevedo, Jaime Sainz, Carolina Santana
Dialogue Editors: Valeria López Mancheva, Raynier Hinojosa, Omar Blanco
ADR Editors: Alitzel Diaz, Daniel Douglass MPSE
Foley Editors: Oscar Victoria, Pietu Korhonen, Alan Romero
Foley Artists: Heikki Kossi MPSE, Alan Romero

“EO”
Janus Films
Supervising Sound Editor: Radoslaw Ochnio MPSE
Sound Designer: Radoslaw Ochnio MPSE
Sound Editor: Marta Weronika Weronska
Foley Editor: Suraj Bardia MPSE

“The Quiet Girl”
Break Out Pictures
Supervising Sound Editor: Steve Fanagan MPSE
Sound Designer: Steve Fanagan MPSE
Sound Effects Editor: Steve Fanagan MPSE
Dialogue Editor: Louise Burton MPSE
ADR Editor: Louise Burton MPSE
Foley Editor: Steve Fanagan MPSE
Foley Artist: Caoimhe Doyle

“Triangle of Sadness”
Imperative Entertainment
Sound Editors: Andreas Franck MPSE, Bent Holm MPSE, Gustav Landbecker, Johannes Dekko, Claes Lundberg, Benny Persson, Daniel Lindvik, Alexander Wunsch, Erik Watland
Sound Designers: Andreas Franck MPSE, Bent Holm MPSE
Foley Artists: Claes Lunderberg, Ulf Olausson

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“The Banshees of Inisherin”
Searchlight Pictures
Supervising Sound Editor: Joakim Sundström
Supervising ADR Editing: Simon Chase
Supervising Foley Editor: Rebecca Glover
Foley Artist: Julien Naudin

“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Douglas Murray MPSE, William Files MPSE
Dialogue Editor: Jacob Riehle
ADR Editors: Bobbi Banks MPSE, David V. Butler

“Elvis”
Warner Bros. Pictures
Supervising Sound Editor: Wayne Pashley MPSE
Supervising Dialogue Editor: Derryn Pasquill
ADR Supervisor: Libby Villa
Dialogue Editors: Nick Breslin, Marisa Marsionis, Lauren Ligovich

“Empire of Light”
Searchlight Pictures
Supervising Sound Editors: Oliver Tarney MPSE, Rachael Tate MPSE

“Everything Everywhere All at Once”
A24
Supervising Sound Editor: Brent Kiser MPSE

“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Bjørn Ole Schroeder, James Mather, Al Nelson
Dialogue Editor: Chris Gridley
Dialogue Editors: Simon Chase, Matthew Hartman, Michael Maroussas, Gwendolyn Yates Whittle MPSE
ADR Editor: Gwendolyn Yates Whittle MPSE

Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Avatar: The Way of Water”
20th Century Studios
Supervising Sound Editor: Christopher Boyes
Supervising Effects Editor: Brent Burge
Sound Designers: David Chrastka, Dave Whitehead MPSE, Christopher Boyes
Sound Effects Editors: Hayden Collow, Matt Stutter MPSE
Foley Editors: Craig Tomlinson, Dee Selby
Foley Artists: Dan O’Connell, John Cucci MPSE

“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Will Files MPSE, Douglas Murray MPSE
Sound Designers: Chris Terhune, Lee Gilmore MPSE, Craig Henighan MPSE
Sound Effects Editor: Diego Perez MPSE, Phil Barrie

“Everything Everywhere All at Once”
A24
Supervising Sound Editor: Brent Kiser MPSE

“Jurassic World: Dominion”
Universal Pictures
Supervising Sound Editors: Al Nelson, Gwendolyn Yates Whittle MPSE
Sound Designers: Pete Horner, Gary Rydstrom MPSE
Sound Effects Editors: Stuart McCowan, Benjamin A. Burtt, Scott Guitteau, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editor: Coya Elliott
Foley Artists: Jana Vance, Ronni Brown

“Nope”
Universal Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff Smith, Beresford Cookman
Foley Editors: Natalia Lubowiecka MPSE, Ewa Mazurkiewicz
Foley Artist: Jacek Wisniewski

“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Al Nelson, James Mather, Bjørn Ole Schroeder
Sound Designers: Christopher Boyes, Jed Loughran
Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editors: Dmitri Makarov, David Mackie
Foley Artists: Jana Vance, Ronni Brown, John Roesch MPSE, Shelley Roden MPSE

Outstanding Achievement in Music Editing – Documentary
“Louis Armstrong’s Black and Blues”
Apple TV+
Music Editors: Louie Schultz MPSE, Jordan Wiggins, Alex Carr-Engler

“Moonage Daydream”
Neon
Supervising Music Editor: John Warhurst
Music Editor: Brett Morgan

“My Life as a Rolling Stone: Mick Jagger”
EpiX
Supervising Music Editors: Ben Newth, Nick Ashe

“The Way Down: Revelations”
HBO Max
Supervising Music Editor: Richard David Brown MPSE

Outstanding Achievement in Music Editing – Feature Motion Picture
“Elvis”
Warner Bros.
Supervising Music Editor: Jamieson Shaw MPSE
Music Editor: Evan McHugh
Scoring Editor: Chris Barrett

“Everything Everywhere All at Once”
A24
Music Editors: Dean Menta, Luke Wilder, Katherine Gordon Miller

“Guillermo del Toro’s Pinocchio”
Netflix
Music Editors: Lewis Morison, Eric Caudieux
Scoring Editor: Chris Barret

“Tár”
Focus Features
Supervising Music Editor: Gerard McCann MPSE

“Whitney Houston: I Wanna Dance with Somebody”
TriStar Pictures
Supervising Music Editor: John Warhurst
Supervising Sound Editor: Nina Hartstone
Music Editors: James Shirley, Victor Chaga

The winners will be announced on February 26th!

Now, here are the nominations of the Cinema Audio Society!

MOTION PICTURES: LIVE ACTION
“All Quiet on the Western Front”
Production Mixer: Viktor Prášil
Re-Recording Mixer: Lars Ginzel
Re-Recording Mixer: Stefan Korte
Scoring Mixer: Daniel Kresco
ADR Mixer: Jan Meyerdierks
Foley Mixer: Hanse Warns

“Avatar: The Way of Water”
Production Mixer: Julian Howarth CAS
Re-Recording Mixer: Christopher Boyes
Re-Recording Mixer: Gary Summers
Re-Recording Mixer: Michael Hedges
Scoring Mixer: Simon Rhodes
ADR Mixer: Bill Higley CAS
Foley Mixer: Tavish Grade

“Elvis”
Production Mixer: David Lee
Re-Recording Mixer: Andy Nelson CAS
Re-Recording Mixer: Michael Keller CAS
Re-Recording Mixer: Wayne Pashley
Scoring Mixer: Geoff Foster
ADR Mixer: Tami Treadwell
Foley Mixer: Amy Barber

“The Batman”
Production Mixer: Stuart Wilson CAS
Re-Recording Mixer: Andy Nelson CAS
Re-Recording Mixer: William Files CAS
Scoring Mixer: Kirsty Whalley
ADR Mixer: Ryan D. Young
Foley Mixer: Darrin Mann

“Top Gun: Maverick”
Production Mixer: Mark Weingarten
Re-Recording Mixer: Chris Burdon
Re-Recording Mixer: Mark Taylor
Scoring Mixer: Al Clay
Scoring Mixer: Stephen Lipson
Foley Mixer: Blake Collins CAS

MOTION PICTURES: ANIMATED
“Guillermo del Toro’s Pinocchio”
Re-Recording Mixer: Jon Taylor CAS
Re-Recording Mixer: Frank Montaño
Scoring Mixer: Peter Cobbin
Foley Mixer: Tavish Grade

“Lightyear”
Original Dialogue Mixer: Paul McGrath CAS
Re-Recording Mixer: Stephen Urata
Re-Recording Mixer: Ren Klyce
Scoring Mixer: Warren Brown
Foley Mixer: Scott Curtis

“Minions: The Rise of Gru”
Re-Recording Mixer: Tim Nielsen
Re-Recording Mixer: Steve Slanec
Scoring Mixer: Alan Meyerson CAS
Foley Mixer: Jason Butler

“Puss in Boots: The Last Wish”
Original Dialogue Mixer: Ken Gombos
Re-Recording Mixer: Julian Slater
Re-Recording Mixer: Greg P. Russell CAS
Scoring Mixer: Alan Meyerson CAS
Foley Mixer: Ryan Squires

“Turning Red”
Original Dialogue Mixer: Vince Caro CAS
Re-Recording Mixer: Stephen Urata
Re-Recording Mixer: Ren Klyce
Scoring Mixer: Chris Fogel CAS
Foley Mixer: Scott Curtis

MOTION PICTURES — DOCUMENTARY
“Good Night Oppy”
Re-Recording Mixer: Mark Mangini
Scoring Mixer: Greg Hayes

“Hallelujah: Leonard Cohen, A Journey, A Song”
Re-Recording Mixer: Bob Edwards
Re-Recording Mixer: Scott R. Lewis

“Louis Armstrong’s Black and Blues”
Re-Recording Mixer: Leslie Shatz
Scoring Mixer: Louis Schultz

“Moonage Daydream”
Re-Recording Mixer: Paul Massey CAS
Re-Recording Mixer: David Giammarco CAS
ADR Mixer: Jens Rosenlund Petersen

“The Volcano: Rescue from Whakaari”
Re-Recording Mixer: Joe Milner
Scoring Mixer: Jacob Johnston
Foley Mixer: Kevin Carvalho

The winners will be announced on March 4th!

The main thing that I’ve noticed from these nominations is that All Quiet On The Western Front seems like it’s going to be perhaps a bigger contender than some might have guessed from just looking at the critics awards.

Here Are The Golden Reel Winners!

Posted on by Lisa Marie Bowman

If you’re making out your Oscar predictions and you need a little help predicting which film will win Best Sound, fear not!  The Motion Picture Sound Editors have announced the winners of this year’s Golden Reel awards!

And here they are:

Outstanding Achievement in Sound Editing – Feature Effects/Foley
“Cherry”
“Greyhound”
“The Midnight Sky”
“News of the World”
“Sound of Metal”
“Tenet”
“Wonder Woman 1984”

Outstanding Achievement in Sound Editing – Feature Animation
“The Croods: A New Age”
“Onward”
“Over the Moon”
“Soul”
“Wolfwalkers”

Outstanding Achievement in Sound Editing – Feature Documentary
“Bee Gees: How Can You Mend a Broken Heart”
“Crip Camp”
“John Lewis: Good Trouble”
“My Octopus Teacher”
“The Reason I Jump”
“Rebuilding Paradise”
“The Social Dilemma”
“Zappa”

Outstanding Achievement in Sound Editing – Foreign Language Feature
“Bacurau”
“The Eight Hundred”
“I’m No Longer Here”
“Jallikattu”
“The Life Ahead”

Outstanding Achievement in Sound Editing – Feature Musical
“Eurovision Song Contest: The Story of the Fire Saga”
“The High Note”
“I Am Woman”
“The Forty-Year-Old Version”
“Ma Rainey’s Black Bottom”
“The Prom”

Outstanding Achievement in Sound Editing – Feature Underscore
“The Invisible Man”
“The Midnight Sky”
“News of the World”
“Sound of Metal”
“Tenet”
“The Trial of the Chicago 7”
“Wonder Woman 1984”

Outstanding Achievement in Sound Editing – Feature Dialogue/ADR
“Emperor”
“Greyhound”
“Ma Rainey’s Black Bottom”
“Mank”
“News of the World”
“Nomadland”
“Sound of Metal”
“The Trial of the Chicago 7”

Sound Effects Editor: Lucas MillerOutstanding Achievement in Sound Editing – Non-Theatrical Feature
“Bad Education”
“Bliss”
“Blow the Man Down”
“The Bygone”
“Christmas On the Square”
“Safety”
“Troop Zero”
“The Ultimate Playlist of Noise”

Here Are The Motion Picture Sound Editors Nominations!

Posted on by Lisa Marie Bowman

Sound Editing is one of the more difficult Oscar categories to predict, largely because most people don’t really know the difference between sound editing and sound mixing.  Fortunately, the Motion Picture Sound Editors are hear to help you out with making your predictions!

Below, you’ll find their nominations for the Golden Reel Awards!

Feature – Dialogue / ADR

Once Upon a Time in Hollywood

Supervising Sound Editor:  Wylie Stateman, MPSE
Dialogue Editors:  Lindsey Alvarez, Michael Hertlein, MPSE
ADR Editors: Leo Marcil, Zach Goheen

Joker

Supervising Sound Editor: Alan Robert Murray
Supervising ADR Editor: Kira Roessler, MPSE
Dialogue Editor:  Carmeron Steenhagen

Ford v Ferrari

Supervising Sound Editor:  Donald Sylvester
Dialogue Editor:  Polly McKinnon

JoJo Rabbit

Supervising Sound Editors: Ai-Ling Lee, Tobias Poppe
Supervising ADR Editor: Susan Dawes
Dialogue Editors: Helen Luttrell, David V. Butler

The Irishman

Supervising Sound Editors: Phil Stockton,MPSE, Eugene Gearty
ADR Editor: Marissa Littfield
Dialogue Editor: Phil Stockton, MPSE

1917

Supervising Sound Editor: Oliver Tarney, MPSE
Dialogue Editor: Rachael Tate, MPSE

Rocketman

Supervising Sound Editor: Danny Sheehan

Avengers: Endgame

Supervising Sound Editors: Daniel Laurie, Shannon Mills
Dialogue Editors: Jacob Riehle, Brad Semenoff

Feature – Sound Effects / Foley

Ford v Ferrari

Supervising Sound Editor: Donald Sylvester
Sound Designers: Jay Wilkenson, David Giammarco
Sound Effects Editor: Eric Norris, MPSE
Foley Editor: Anna MacKenzie

Joker

Supervising Sound Editor: Alan Robert Murray
Sound Designer: Tom Ozanich, MPSE
Sound Effects Editors: John Joseph Thomas, Darren Maynard, MPSE Christian Wenger
Foley Editor: Michael Dressel, Willard Overstreet, Kevin R.W. Murray
Foley Artists: Dan O’Connell, John Cucci, MPSE

1917

Supervising Sound Editor: Oliver Tarney, MPSE
Sound Designers: Michael Fentum, James Harrison
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King

Once Upon a Time in Hollywood

Supervising Sound Editor: Wylie Stateman, MPSE
Sound Designer: Harry Cohen,MPSE, Sylvain Lasseur
Foley Artists: Rick Owens, MPSE, Gary Hecker, MPSE, Kyle Rochlin

Avengers: Endgame

Supervising Sound Editors: Shannon Mills, Daniel Laurie
Sound Designer: Nia Hansen, David Farmer, MPSE
Sound Effects Editors: Josh Gold, Samson Neslund, Steve Orlando
Foley Artists: John Roesch,MPSE, Shelley Roden, MPSE, Dan O’Connell, John Cucci, MPSE
Foley Editor: Christopher Flick, Jim Likowski

John Wick 3

Supervising Sound Editor: Mark Stoeckinger, MPSE
Sound Designers:  Alan Rankin, Martyn Zub,MPSE Luke Gibleon
Foley Artists: Dan O’Connell, John Cucci, MPSE

Star Wars

Supervising Sound Editors: David Acord, Matthew Wood
Sound Designer: David Acord
Sound Effects Editors: Addison Teague, Justin Doyle, Coya Elliott, Steve Slanec
Foley Editors: Richard Gould, Dee Selby
Foley Artists: Ronni Brown, Margie O’Malley

A Hidden Life

Supervising Sound Editor: Brad Engleking
Sound Effects Editors: Robert Kellough, MPSE David Forshee
Foley Artists: Dusty Albertz, Bastien Benkhelil

Feature – Music Underscore

Joker

Music Editors: Lena Gilkson, Daniel Waldman

Once Upon a Time in Hollywood

Music Editor: Jim Schultz

JoJo Rabbit

Music Editor: Paul Apelgren

Dolemite Is My Name

Music Editor: Philip Tallman

Waves

Music Editors: Sally Boldt, Trey Edward Shults, and Johnnie Burn

Queen & Slim

Music Editor: Joseph S. DeBeasi

Ad Astra

Supervising Music Editor: Katrina Schiller, MPSE
Music Editor: Lena Glikson, Terry Wilson, Will Kaplan, Philip Tallman
Scoring Editor: Sam Zines, Rick Zeigler

Little Women

Scoring Editor:  Xavier Faricolli
Music Editor: Suzana Peric

Feature – Documentary

Making Waves: The Art of Cinematic Sound

Supervising Sound Editors: Kimberly Patrick, Qianbaihui Yang
Dialogue Editor: Sung Rok Choi

Apollo 11

Supervising Sound Designer and Editor: Eric Milano
Foley Artist:  Eric Milano

The Cave

Supervising Sound Editor: Peter Albrechtsen, MPSE
Supervising Dialogue Editor: Lars Ginzel
Sound Effects Editors: Rana Eid, Mikkel Nielsen, Thomas Pape
Dialogue Editor: Theodora Flygt
Supervising Music Editor: Graeme Stewart
Foley Artist: Heikki Kossi, MPSE
Foley Editors: Lars Halvorsen, Anne Tolkinnen

Linda Ronstadt: The Sound of My Voice

Supervising Sound Editor: Milos Zivkovic
Supervising Music Editors: John Boylan, Julian Raymod, Bennett Salvay

Echo in the Canyon

Sound Designer: Robby Stambler, MPSE
Dialogue Editor:  Sal Ojeda, MPSE

Sea of Shadows

Sound Designer: Bernhard Zorzi
Dialogue Editor: Michael Pioderl
Foley Editor: Bernd Dormayer

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

Supervising Sound Editor: Phillip Stockton, MPSE

Feature – Foreign Language

Parasite

Supervising Sound Editor: Choi Tae Young
Sound Designer: Kang Hye Young
Supervising ADR Editor: Kim Byung In
Sound Effects Editors: Kang Hye Young
Foley Artists: Park Sung Gyun, Lee Chung Gyu
Foley Editor: Shin I Na

Atlantics

Supervising Sound Editor: Benoit de Clerck
Dialogue Editor: Claude Gillet
Foley Editor:  Thomas Ferrando
Foley Artists: Bertrand Boudaud

The Sound Story

Supervising Sound Editor: Resul Pookutty, MPSE
Sound Designer: Mahadevaiah Vijayakumar
Sound Effects Editors: Krishnanunny Kj
Foley Artists: Karan Arjun Singh, Shankar Sing, Anil Pawar
Foley Editor: Ram Kishan Nath

Shadow

Supervising Sound Editors:  Yang Jiang, MPSE, Zhao Nan, MPSE
Dialogue Editors:  Li Xinghui, Liu Ye
Sound Effects Editors: Skip Lievsay, MPSE, Yang Jiang, Blake Leyh, Larry Zipf
Foley Editor: Ning Wei
Foley Artists: Han Jun Sheng

The Fall of the American Empire

Supervising ADR Editor: Nathalie Fleurant, MPSE
Sound Designer: Marie-Claude Gagne
Dialogue Editor: Claire Pochon
Sound Effects Editors: Jean-Philippe Savard, Marie-Claude Gagne
Foley Artist: Nicolas Gagnon

Gully Boy

Supervising Sound Designer and Editor: Ayush Ahuja
Music Editor:  Nakul Kamte

Feature – Musical

Rocketman

Music Editors: Andy Patterson, Cecile Tournesac

Frozen II

Supervising Music Editor: Earl Ghaffari

Music Editors:  Fernand Bos, Kendall Demarest

Judy

Music Editor: Paul John Chandler

Cats

Supervising Music Editor: John Warhurst, Nina Harstone

Music Editors: Victor Chaga, Cecile Tournesac, James Shirley

Western Stars

Music Editor:  Brandon Duncan

Echo in the Canyon

Music Editor: Robby Stambler, MPSE

Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese

Music Editor: John M. Davis

Feature – Animation

Toy Story 4

Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Supervising Dialogue Editor: Cheryl Nardi
Sound Effects Editors: Kimberly Patrick, Qianbaihui Yang, Jonathon Stevens
Foley Editors: Thom Brennan, James Spencer
Foley Artists:  John Roesch,MPSE, Shelley Roden, MPSE

How to Train Your Dragon: The Hidden World

Supervising Sound Editors:  Brian Chumney, Leff Lefferts
Supervising Sound Designer: Randy Thom
Sound Designers:  Al Nelson, Rick Hromadka
Sound Effects Editors: Jon Borland, Malcolm Fife
Foley Editor: Dee Selby
Foley Artists: Jana Vance, Geoff Vaughan

Frozen II

Supervising Sound Editor: Odin Benitez, MPSE
Sound Designers:  Jeff A. Sawyer, Stephen Robinson, MPSE Angelo Palazzo, Eliot Connors, MPSE
Supervising Dialogue Editor: Harrison Meyle, MPSE
Sound Effects Editors: Russell Topal
Supervising Foley Editor:  Christopher Bonis
Supervising Music Editor: Earl Ghaffari
Music Editors: Fernand Bos, Kendall Demarest
Foley Artists: John Roesch, MPSE, Shelley Roden, MPSE
Foley Editor: Scott Curtis

Missing Link

Supervising Sound Editor: Tim Chau, MPSE
Sound Designers: Clayton Weber, MPSE, Tim Chau, MPSE
Sound Effects Editors: Thomas O’Neil Younkman, Terry Rodman,MPSE, Jessie Pariseau
Dialogue Editor: Fred Paragano
Foley Editor: Travis Crotts
Foley Artists: Catherine Harper, MPSE, Katherine Rose,MPSE, Amy Kane

Abominable

Supervising Sound Editors:  Ethan Van der Ryn, Erik Aadahl, MPSE
Sound Designers: Rick Hromadka, Malte Bieler
Sound Effects Editors: Jason W. Jennings, Tim Walston, MPSE, Goeun Lee

The Lion King

Supervising Sound Editors: Christopher Boyes, Frank Eulner
Sound Designer: Christopher Boyes
Sound Effects Editors: Justin Doyle, Pascal Garneau
Dialogue Editor: Marshall Winn
Foley Editor: Dee Selby
Foley Artists: Jana Vance, Ronni Brown

White Snake

Supervising Sound Editor: Gary Chen
Sound Effects Editors: Shuangshuang Wang, Mei He, Irene Sun, Sam Fan, Emily Ding, Silence Lu
Dialogue Editor: Emily Ding
ADR Editor: Sandra Sun
Foley Artists: Ziwei Wang, Yin Miao
Foley Editors: Sandra Sun, Mei He

Spies in Disguise

Supervising Sound Editors:  Leff Lefferts, Jeremy Bowker
Sound Designer: Randy Thom
Supervising ADR Editor: Bjorn Ole Schroeder
Sound Effects Editors: Samson Neslund, David Farmer
Dialogue Editor: Michael Silvers
Foley Editors: Larry Oatfield, Chris Manning
Foley Artists: Shelly Roden,MPSE, John Roesch, MPSE