Mitzi Hoag | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

It’s time to get back on that highway!

Episode 2.12 “The Good Doctor”

(Dir by William Claxton, originally aired on December 18th, 1985)

This week, Mark is super-excited about Jonathan’s new assignment. They’re going to be working, as equipment managers, for a pro football team! Mark’s excited because he loves football and he can’t wait to meet his favorite player of all time, a banged-up, aging guy named Alex Carpenter (Ray Young).

Jonathan, however, is concerned that everyone is on drugs. Alex is in almost constant agony from his injuries and he’s gotten hooked on the pain pills that are provided to him by the team doctor, Dr. Dan Hickey (Michael Constantine). Dan is hooked on pills himself, along with being an alcoholic. Dan is such an addict that he doesn’t even realize that his son, medical student Neal (William Kirby Cullen), is now abusing drugs himself. Everyone’s an addict and everyone’s in denial.

When Alex gets cut from the team, he is also cut off from his main supplier and soon, he’s tearing up his house while searching for any leftover pills. (Jonathan appears and loudly encourages him to destroy his entire office while searching, presumably so Alex can see how out-of-control his addiction is.) When Neal takes too many pills before his next exam, he ends up in the hospital. And Dan is finally forced to admit that he hasn’t been a good doctor.

Does this episode end at a Narcotics Anonymous meeting, attended by all three of the addicts? You better believe it!

This was pretty much a typical Highway to Heaven episode. This message was earnest and heartfelt but the direction and the script totally embraced the episode’s already heightened melodrama. It wasn’t enough for Alex to get upset over not being able to find his pills. Instead, he had to furiously toss everything around his office (and even break a window) while Jonathan shouted, “WHERE ARE THE PILLS, ALEX!? WHERE ARE THEY!?” It wasn’t enough for Dan to overprescribe pills. He also had to be so drunk that he didn’t even notice when Jonathan materialized in his office. And, of course, Neal had to OD because there was no way we were going to end this episode without someone being rushed to the hospital. It was all a bit predictable but the show wasn’t incorrect when it came to discussing the dangers of abusing even prescription medication. If the show aired today, the enemy would be fentanyl. Since it was made in 1985, the enemy is instead just generic pain pills.

As often was the case with this series, the acting was a mixed bag but Michael Constantine was certainly effective as the “good doctor,” wandering through his day in a haze of pills and alcohol. And Michael Landon delivered his denunciation of drugs with a quiet fury that let you know that he meant every word of it.

Next week, Jonathan and Mark help a young man who is living alone.

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1973’s The Bait! It can be viewed on YouTube!

Tracey Fleming (Donna Mills) is the widow of a cop and an undercover detective herself. Unfortunately, her superior, Captain Maryk (Michael Constantine), is not convinced that Tracey has what it takes to be in a dangerous situation and, as a result, Tracey spends most of her time riding the bus and busting perverts and low-level drug dealers. When four woman are raped and murdered by the same serial killer, Tracey writes up a report on what she thinks is motivating the killer. Captain Maryk is, at first, skeptical about Tracey’s claim that the killer is fueled by a puritanical rage but, when it turns out that the killer has been wiping off his victims’s lipstick (just as Tracey speculated that he was), Maryk starts to think that Tracey might have something to offer the investigation.

Tracey becomes the bait in an operation to lure out the killer. Leaving behind her son and her mother, Tracey moves into an apartment in the neighborhood that is believed to be the center of the killer’s activities. Tracey is given a job as a survey taker and soon, she’s walking around the neighborhood and asking random men for their opinions on current events and women’s liberation. A local waitress (Arlene Golonka) recognizes Tracey as a detective but Tracey lies and say that she’s no longer with the force. When the killer makes the waitress his next victim, Tracey becomes even more determined to capture him but will she able to get Marsyk and the rest of the force to give her the room to investigate the murders?

This may sound like an intriguing whodunit but, for some reason, The Bait reveals early on that the murderer is a bus driver named Earl Stokely (played, in a very early performance, by William Devane). There’s really nothing to be gained by revealing the killer’s identity as early as the film does. Perhaps if the film was split between scenes of Tracey investigating the neighborhood and Earl stalking Tracey, that would have generated some sort of suspense but, with the exception of one bus ride, Tracey and Earl barely even interact before he comes after her at the film’s end. Devane does give a good performance as a homicidal lunatic but, when viewed today, it’s impossible to watch him in this film without spending most of the time thinking, “Hey, that’s the usually Kennedyesque William Devane, playing a killer bus driver!”

I was not surprised to learn that The Bait was intended to be a pilot for a weekly television series that would have followed the future investigations of Tracey Fleming. Donna Mills was likable in the lead role and she had a good chemistry with the other actors playing her colleagues so it’s easy to imagine a series in which Tracey solved a new case every week while Marsyk continually underestimated her. Ultimately, though, that series never happened and The Bait would be the sole televised adventure of Detective Tracey Fleming.