Six Gun Gospel (1943, directed by Lambert Hillyer)

Posted on July 27, 2025 by Jedadiah Leland

Marshals Nevada Jack McKenzie (Johnny Mack Brown) and Sandy Hopkins (Raymond Hatton) are sent to the frontier mining community of Goldville to determine who is responsible for hijacking all of the gold that should be coming out of the town. Not surprisingly, it’s all the work of another dastardly saloon owner (Kenneth MacDonald) who is planning on stealing all the gold, chasing off all the settlers, and then selling their land to the railroad company. While Sandy goes undercover as the town’s new preacher, Jack agrees to ride shotgun on a gold shipment, along with with Dan Baxter (Eddie Drew). Dan is in love with Jane Simms (Inna Gest), the daughter of honest miner Bill Simms (Kernan Cripps).

Johnny Mack Brown made a countless number of westerns for several different production companies but it seems like they always featured a crooked saloon owner and a plan to sell the land to a railroad company. Luckily, nobody watches these movies for the plots and that was probably true even when they were first released. People watch these movies for the nostalgia value of watching a movie where it’s good vs evil and good always triumphs without leaving any sort of lingering doubt about whether or not the heroes did the right thing. Johnny Mack Brown is as authentic on a horse and carrying a gun as he ever was and there’s a scene where he manages to get a gun despite being tied up that’s pretty cool. The appeal of Johnny Mack Brown was that he always seemed like he could do the things that he did in the movies in real life as well. Raymond Hatton provides comic relief, pretending to know the hymns being sung by his congregation and providing some songs of his own. There’s enough gun fights and horse chases to provide nostalgic happiness for fans of the genre and that’s the important thing.

Billy The Kid’s Range War (1941, directed by Sam Newfield)

Posted on February 28, 2025 by Jedadiah Leland

Billy the Kid was a big damn hero.

At least that’s the claim of Billy The Kid’s Range War, in which Billy (played by middle-aged Bob Steele) is a do-gooder with a comedic sidekick named Fuzzy (Al St. John) and a hankering to help Ellen Gorman (Joan Barclay) bring a new stagecoach line to town. Williams (Karl Hackett) does want to the Gorman family to success so he hires Buck (Rex Lease) to dress up like Billy the Kid and ride a horse that looks like Billy the Kid’s and commit crimes, like killing Ellen’s father. Framed for all those crimes that he didn’t commit and with his best friend (Carleton Young) ordered to arrest him, Billy decides to go under cover so that he can clear his good name. Someone pretending to be Billy the Kid got him into this mess. Now, Billy’s going to get out of it by pretending to be someone else.

The action is pretty standard for a B-western. Mostly, it’s interesting to see a movie where Billy the Kid is actually a nice guy who gets framed. No wonder a whole generation grew up with no idea about true history of the American frontier. Sam Newfield directed a handful of Billy the Kid films and the capable Bob Steele starred in most of them but this is the only one that I’ve sat down and watched and it actually left me missing the production values of the Johnny Mack Brown films. For fans of these type of westerns, there’s the promise of seeing familiar actors like George Cheseboro and Ted Adams doing there thing. Even the outstanding character actor Milton Kibbee makes an appearance. For those who do not like westerns, this film is not going to change their minds.

Despite the promise of the title, there is no range war in this movie. There’s just Billy the Kid, trying to clear his good name.

Bar-Z Bad Men (1937, directed by Sam Newfield)

Posted on February 22, 2025 by Jedadiah Leland

After getting kicked out of town for shooting the place up during a night of friendly fun, cowboy Jim Waters (Johnny Mack Brown) drops in on his old friend, rancher Ed Parks (Jack Rothwell). Ed has got a strange problem. There are cattle rustlers about but instead of stealing Ed’s cattle, they’re adding cattle to Ed’s herd. It’s an obvious scheme to try to create a feud between Ed and his neighbor, rancher Hamp Harvey (Frank LaRue). Before Jim and Ed can solve the problem, Ed is gunned down. Harvey is the number one suspect but Jim figures out the truth, that Harvey has been betrayed by one of his own employees and that all of this is a part of a scheme by Sig Bostell (Tom London) to take control of both ranches.

Bar-Z Bad Man is a B-western with a notably twisty plot as Bostell plays both sides against each other for his own benefit. As usual, Johnny Mack Brown makes for a good and convincing western hero. Whether he’s chasing someone on his horse or drawing his guns, Brown is always a convincing cowboy. What makes this film interesting is that it opens with Johnny Mack Brown engaging in the type of behavior that most B-western heroes would never think of doing. Shooting up the town and then getting exiled for his actions adds an element of redemption to Jim’s efforts to get to the bottom of Bostell’s schemes. Or it would if Jim ever really seemed to feel bad about shooting the town up. His excuse is that he was just having a good time. Try to get away with that in the real old west, Jim!

Bar-Z Bad Men is a good B-western for those who like the genre. The story is solid and Johnny Mack Brown is as convincing saving the west as he was shooting it up.

The Stranger From Ponca City (1947, directed by Derwin Abrahams)

Posted on May 13, 2024 by Jedadiah Leland

After spending the past few years cleaning up the west, Steve Leary (Charles Starrett) rides into the town of Red Mound and says that he is ready to buy a ranch and settle down. What Steve finds is an unfriendly town that is divided between law-abiding citizens on one side and cattle rustlers on the other. The cattle rustlers want to prevent Steve from purchasing the old Atkins ranch and they’ll do anything to keep the deed from being signed over. It’s a good thing that Steve also happens to be the legendary Durango Kid.

This is a standard entry in the Durango Kid series. To me, it’s interesting to see that, even though Steve seems like he wants to settle down and live a peaceful, ranching life, he still can’t bring himself to give up his secret identity. It is also interesting that Steve cannot escape Smiley Burnette. This time, Smiley is the owner of Red Mound’s restaurant and he’s accompanied by Texas Jim Lewis and the Lone Star Cowboys. It seems like Smiley sings even more than usual in this entry.

I liked the opening of The Stranger From Ponca City, in which Steve rides into town and all of the townspeople demand to know which side of Red Mound he supports. Smiley even explains that food made on one side of the town cannot be taken to the other without it leading to violence. After the opening sequence, The Stranger From Ponca City focuses on all of the usual horse chases and gunfights that showed up in all of the Durango Kid films. Most of the Durango Kid stock company shows up as well. Keep an eye out for Jock Mahoney, playing a bad guy with Kermit Maynard.

Director Derwin Abrahams keeps things moving, even if his direction is not up the level of the work of Durango’s usual directors, Ray Navarro and Fred F. Sears. This isn’t the best of the Durango Kid films but fans of the genre should enjoy it.

West of the Law (1942, directed by Howard Bretherton)

Posted on May 26, 2023 by Jedadiah Leland

In the mining town of Gold Creek, an outlaw gang has been hijacking shipments of gold. Newspaper publisher Rufus Todd (Milburn Morante) has learned that the head of the gang is saloon owner Jim Rand (Harry Woods). Todd is planning on publishing a story identifying Rand as the outlaw leader on the front page of his newspaper so Rand’s secret partner, businessman John Corbett (Jack Daley) arranges for Rufus’s printing press to be blown up.

Rufus calls in his old friend, Marshal Buck Roberts (Buck Jones). Buck arrives in town with his fellow Rough Riders, Tim McCall (Tim McCoy) and Sandy Hopkins (Raymond Hatton). As usual, everyone is working undercover. Buck pretends to be an outlaw named Rocky Sanders. Tim claims to be a preacher who is not afraid to draw his gun and force everyone in the saloon to put down their drinks and listen while Rufus identifies Rand as being an outlaw. Sandy is the new undertaker and his coffins prove useful for smuggling in some much needed equipment.

The eighth Rough Riders film trods familiar ground. Once again, Buck is framed for a crime he didn’t commit and, as always, the villains are a businessman and a saloon owner. Still, I enjoyed seeing Tim to pretend to be a preacher and Sandy had some funny moments are the town’s garrulous undertaker. As always, McCoy, Roberts, and Hatton possessed an authentic western toughness that made them compelling heroes even in B-westerns like this one.

Since Tim McCoy reenlisted in the U.S. Army following Japan’s attack on Pearl Harbor, this was the last Rough Riders film to feature the original three riders and their chemistry and friendship are as strong as when the series first began. The movie ends with the promise that the Rough Riders would ride again but sadly, it was not to be. Though West of the Law doesn’t break any new ground, it’s still a decent finale for the original team.

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