Comedians (1979, directed by Richard Eyre)


“Laugh, you buggers, laugh!”

Set in Manchester, Comedians is about a group of working class men who are enrolled in an evening class for aspiring comedians.  Sammy Samuels (Linal Haft) and Mick Connor (David Burke) both tell jokes about being a member of a minority in England.  (Sammy is Jewish while Mick is Irish.)  George McBrain (Derrick O’Connor) works on a loading dock and tells stereotypically racist and sexist jokes.  Phil and Ged Murray (James Warrior and Edward Peel) are brothers and a tense comedy team.  Phil is desperate to become a star and escape Manchester while Ged is more laid back.  Finally, Gethin Price (Jonathan Pryce) is an aggressive comedian who is willing to take risks on stage.  Teaching the class is Eddie Water (Bill Fraser), a veteran comic who was a star during World War II but who has since faded into obscurity.  Gethin says that he’s lost his edge.

Bert Challenor (Ralph Nossek), a retired stand-up and an old colleague of Eddie’s, is in town.  Challenor is now the President of the Comedy Federation and he is scouting new talent.  Eddie’s class will be performing, between games, at a bingo hall.  Before the performance, Eddie admonishes all of them to stay true to themselves and to not pander to the audience with cheap, racist, or sexist jokes.  However, when Challenor drops by the class, he gives the comedians the opposite advice.  He tells them that getting laughs is the most important thing and the only way to do that is to make the audience like you.  Stick to the acceptable targets, move quickly from one joke to the next, and don’t make any of your humor too personal.

The bingo hall performance is the highpoint of Comedians.  Each student performs and each one has to make their own decision whether to follow Challenor’s advice or to stay true to what Eddie told them.  Some sell out and some don’t.  One act implodes on stage.  The bravest performance of the night is greeted by stony silence from the audience.  Each performance allows a look into the mind of the man telling the jokes, even the ones who are trying to hide behind Challenor’s advice.  After the performance, the students return to the classroom and consider what they’ve done and they’ve become.  Challenor comes to the class to offer some of the comedians a contract while dismissing the others as not being ready or worthy of his time.

Comedians started life as a play by Trevor Griffiths.  It opened in London in 1975, where it was directed by Richard Eyre.  Just as he would in the eventual film, Jonathan Pryce played the role of Gethin Price.  When the play moved to Broadway in 1976, Mike Nichols took over as director and Pryce was the only actor to make the transition from New York to London.  Pryce would go on to win his first Tony for his performance in Comedians.  In 1979, when Comedians was filmed for the BBC’s Play For Today, Richard Eyre returned to direct and Pryce, again, played the role of Gethin Price.

As a debate about what makes comedy “good,” Comedians feels especially relevant today.  The debate about how comedians should view their audience and the role that comedy should play in an unstable world is still going on today.  As opposed to the current argument that comedy should always “punch up,” Challenor encourages all of the students to punch down and to get laughs by appealing to the prejudices of the audience.  As Challenor suggests when giving his notes to the students, it’s more important to get laughs than to actually be funny.  As unsympathetic a character as Challenor is, Comedians does acknowledge that the students who got those easy laughs are also the same ones who going to escape the drudgery of working dead end jobs in Manchester.  Comedians like Gethin Price may stay true to themselves but they’ll also probably never become a star.

Very much a filmed version of a theatrical production, Comedians is undeniably stagey.  But the dialogue and the themes remains sharp and Pryce’s performance is still electrifying.  Unfortunately, several of the BBC’s Play For Today productions have been lost or destroyed but Comedians survived and can be viewed on YouTube.

Rocking the Waves: The Endless Summer (1966, directed by Bruce Brown)


The Endless Summer“With enough time and enough money, you could spend the rest of your life following the summer around the world.”

That’s the idea behind The Endless Summer, Bruce Brown’s classic surfing film.  The Endless Summer follows two surfers, Mike Henson and Robert August, as they make their way across the world, following the summer, exploring virgin beaches, and finding new waves to conquer.  The journey starts in California and takes them to Africa, Australia, New Zealand, Tahiti, and finally to Hawaii.  Along the way, they discover some surprising things about the world circa 1965.  For instance, in Senegal, it costs 30 dollars to stay overnight at a hotel.  Even worse, it costs a dollar to get a cup of coffee and a gallon of gas!  They also teach some of the natives that they meet how to surf.  As they leave one beach in Africa, Brown says that the local tribe now knows only one English phrase: “Hang ten!”

The Endless Summer is usually considered to be a documentary but mostly, it is just director Bruce Brown talking about the history of surfing and how much he loves it.  The only soundtrack to be heard in the film is Brown’s narration and the music of the Sandals, a California surf band.  Brown’s narration is casual and conversational, mixing corny jokes with hepcat slang and ruminations on the philosophy behind surfing.  He also takes the time to explain what a bikini is.

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Though The Endless Summer is usually thought of as being a surfing film, it’s also a rock film.  During the early 1960s, surf culture and rock culture were largely interchangeable.  Surfing films were a huge influence on rock and roll because surf music was born at their screenings.  When a filmmaker like Bruce Brown would screen one of his films, he would often provide live narration while playing either west coast jazz or a rock instrumental in the background.  For many future aspiring musicians, going to the screening of a surf film would also be their introduction to bands like the Fireballs, the Revels, and the Ventures.  Without surf films, there would have been no surf music and no musicians inspired by it.

The Endless Summer may only feature one band on the soundtrack but it captures the free spirit of mid-60s rock and roll.  It is a seminal film that will be enjoyed even by people like me who have never surfed a day in their life.

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