Late Night Retro Television Review: Degrassi Junior High 2.10 “Censored”

Posted on March 24, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!

This week, Degrassi tackles freedom of the press and freedom of lockers.

Episode 2.10 “Censored”

(Dir by Mike Douglas, originally aired on March 7th, 1988)

The inside of Joey’s locker is covered with pin-ups. When L.D. and Alexa walk by and see Joey, Wheels, and Snake rating the pin-ups, L.D. is offended while Alexa is amused. (Alexa, I have to admit, has become the character to whom I relate on this show.) When Joey the announces that he would only rate L.D. “a four,” L.D. responds by covering the inside of her locker with pictures of half-naked men. L.D. then goes to the principal to complain about Joey’s pin-ups. When Joey gets in trouble, he complains about L.D.’s locker. In the end, both Joey and L.D. end up in school suspension together. Awwwwww!

However, that’s not the only case of censorship in this episode! When Caitlin overhears the principal talking to two parents who want Spike to be forbidden to attend school until she gives birth, Caitlin decides to use the power of the press. She writes an editorial called “Keep Spike At Degrassi,” in which she announces that everyone knows that Spike is pregnant and that Spike should be allowed to continue to go to class. Everyone who reads it says that it’s the best thing that Caitlin has even written but Mr. Radish, the faculty advisor to the school newspaper, announces that it is a violation of school policy and that it can’t be published. So, Caitlin decides to print up several copies of the editorial and then just hand them out to students in the hallway.

Now, you may have noticed that Caitlin did not talk to Spike before writing or printing up her editorial. And, to Caitlin’s shock, Spike is not at all happy about the editorial, explaining that she’s under enough stress without everyone at the school reading about her life. Spike feels that Caitlin used her and Spike is totally correct. Everyone tells Caitlin that she’s a great writer and she’s a hero for standing up to the school administration but Spike is still pretty much alone and isolated at school. The episode ends with a classic depressing Degrassi freeze frame, this time of Spike walking up the school’s front steps and looking totally alone.

With this episode, Caitlin becomes the first of many crusading journalists to pass through the halls of Degrassi. What sets this story apart from future episodes about the school newspaper is its willingness to admit that not all issues are as a simple as they originally appear. I appreciated the fact that Spike was given a chance to call out Caitlin for essentially using Spike’s problems to promote herself and I liked the fact that the show didn’t pretend like there was some sort of easy or perfect solution for any of the issues that both Spike and Caitlin were dealing with.

Degrassi Junior High has often been called the most realistic and honest teen show ever made and episodes like this one show why.

Late Night Retro Television Review: Degrassi Junior High 2.9 “Dog Days”

Posted on March 17, 2024 by Lisa Marie Bowman

This week, we check back in with Stephanie and Arthur.

Episode 2.9 “Dog Days”

(Dir by Kit Hood, originally aired on February 29th, 1988)

Stephanie is feeling depressed. She no longer cares about keeping up her grades. She no longer changes clothes or puts on makeup when she arrives at school. She wants nothing to do with her former best friends, the Farrell Twins. She’s no longer interested in being school president or even trying to capture Simon’s attention.

When her friends, her teachers, and her mother ask her why she’s so depressed, Stephanie refuses to tell them. “Maybe I’ll just kill myself,” she says at one point and while the Farrell Twins assume that she’s just being overdramatic, the viewer knows that Stephanie has been skipping school so that she can gaze up at a bridge and fantasize about jumping off.

(The bridge that appears in this episode was an actual bridge in Toronto that was nicknamed “Suicide Bridge,” because so many people did jump from it. So, Canadian viewers would have immediately understood the horrible significance of Stephanie standing in front of that particular bridge and staring up at it.)

Meanwhile, Stephanie’s mother wants Arthur to come over for dinner. Arthur is curious about the dinner but he’s also very concerned about what he’s going to do with Phil, an adorable puppy that has started following him around. Arthur tries to take the dog to school with him, hiding him first in his book bag and secondly in the school’s boiler room. Both times, the dog is discovered and Arthur eventually ends up with detention. Myself, I’m not a dog person but I thought the puppy was adorable and he definitely should have been enrolled in the school.

At dinner, Stephanie and Arthur’s mom announces that she’s getting married to Jerry, her latest boyfriend. Stephanie throws a tantrum and Arthur grabs Phil and leaves the house. Stephanie follows after him and finds him in the park. They have a conversation about how awkward their parents’ divorce has made their lives while sitting in the swings and Stephanie cheers up a little, realizing that Arthur will always be there for her.

During the first season of Degrassi Junior High, nearly every episode focused on Stephanie and Arthur. Up until this episode, they spent most of the second season in the background, overshadowed by the drama surrounding Spike’s pregnancy and Joey’s dreams of rock stardom. For me, as someone who likes to keep up with what’s going on with people, it was kind of nice to see the two of them finally get another spotlight episode. This episode hit close to home for me, as I struggled with depression when I was in high school and I also used to make life Hell for anyone who thought he could be my stepfather. I related to Stephanie in this episode and Nicole Stoffman did a great job of capturing the feeling of oppressive ennui that had afflicted her. Duncan Waugh also gave a good performance as Arthur, with this episode showing how much he had matured since the first season while also acknowledging that Arthur is still basically a very naive kid. I just hope he was allowed to keep the dog.

In typical Degrassi Junior High fashion, this episode ends without any clear or definite resolution. Stephanie is doing a little better but she’s still depressed and she’s still angry about her mom marrying Jerry. That was one of the great things about Degrassi. Whereas other shows always tried to wrap everything up in 30 minutes or an hour, Degrassi had the courage to admit that things were not always that easy or simple.

Late Night Retro Television Review: Degrassi Junior High 2.6 “Fight!”

Posted on February 11, 2024 by Lisa Marie Bowman

This week, we meet Dwayne Myers!

Episode 2.6 “Fight!”

(Dir by Mike Douglas, originally aired on February 8th, 1988)

After appearing in the background over the past few episodes, Dwayne Myers (Darrin Brown) takes center stage in this episode.

At first glance, Dwayne is the school bully. He’s bigger than everyone else. He appears to be in a permanently bad mood. He deliberately knocks Joey off of his skateboard and then laughs about it. When he later overhears Joey calling him a “dozer,” (which is seriously one of the most Canadian words that I’ve ever heard in my life), Dwayne tells Joey that he’s going to beat him up after school.

And yet, Dwayne is not all bad. When Scooter (Christopher Charlesworth), a student who is younger and smaller than everyone else, needs help opening his locker, Dwayne is the one who yanks off the lock. Later, when Scooter can’t reach his bag of chips (because some other bully put it on top of a high shelf), Dwayne lifts Scooter up so that Scooter can get them. Dwayne seems to sincerely like Scooter, perhaps because Scooter is the only person at the school to not show any fear of him.

Scooter, however, is shocked to hear that Dwayne is going to beat up Joey because Joey, like Scooter, is considerably smaller than Dwayne. When Scooter asks Dwayne why he’s going to beat up Joey, Dwayne shrugs and says, “It’ll feel good.”

And Dwayne proceeds to do just what he said he would do. Joey doesn’t attempt to run away from the fight and that wins him a measure of respect from the other students. But, in the end, he still gets thoroughly beaten up. On the plus side, it wins him some sympathy from Liz and it also wins him a new friend when Scooter decides that he would rather hang out with Joey than Dwayne.

Speaking of hanging out with each other, Stephanie is still obsessed with getting Simon to notice her and Simon is still only interested in Alexa. Even when Stephanie pretends to sprain her ankle, Simon barely notices. (Ankle sprains are no joke, Stephanie! Believe klutzy little me, I know.) Stephanie finally asks Simon to go to the fight with her and Simon says sure. Stephanie is overjoyed until Simon brings Alexa with him as well. Amazingly, Simon and Alexa are both totally clueless as to what Stephanie is doing. Then again, I think we’ve all known at least one couple like Simon and Alexa, who are so perfect for each other and so thoroughly vapid in their personalities that you just know they’re never going to have any disagreements at all and that the real world is never going to invade their fantasy.

This was a good episode, largely due to Darrin Brown’s multi-layered performance as Dwayne. While this is Dwayne’s only big Junior High episode, he is destined become one of show’s most ground-breaking characters once the action moves into high school.

A Movie A Day #9: Gator (1976, directed by Burt Reynolds)

Posted on January 9, 2017 by Jedadiah Leland

gatorposter Gator McClusky is back!

Since the events in White Lightning, Gator (Burt Reynolds) has been released from prison and he’s now living in the Okefenokee Swamp. Other than running moonshine, Gator is laying low and keeping to himself. Gator may be done with the feds but the feds are not done with him.

Gator’s old friend, Bama McCall (Jerry Reed), is now unofficial boss of Dunston County and both the Department of Justice and the Governor of Georgia (played by talk show host Mike Douglas) are determined to take him down. Federal agent Irving Greenfield (Jack Weston) is convinced that he can get Bama on charges of tax evasion. But Irving’s from New York and he does not know how to talk to the good ol’ boys. He needs someone on the inside and that’s where Gator comes in.

Gator not only starred Burt Reynolds but it was his directorial debut as well. Though it’s a sequel to White Lightning, Gator feels like a very different movie. Whereas Joseph Sargent kept White Lightning relatively serious, Reynolds take a more jokey approach with Gator. Reynolds has his famous mustache and his hairpiece in Gator and the self-amused attitude that went along with them. Gator is full of car chases, fist fights, willing women, and corny jokes. It also has Lauren Hutton, playing a familiar character who would appear in all of Reynolds’s movies, the sophisticate who cannot resist Burt’s good ol’ boy, country charm. In the 1970s, audiences couldn’t resist Burt’s good old boy charm, either. Critics hated Gator but it made a lot of money.

Gator is dumb but fun. The most interesting part of the movie is seeing Jerry Reed playing a ruthless villain. Reed is thoroughly convincing as a Dixie Mafia crime boss, the type of redneck who earlier inspired Buford Pusser to pick up a baseball bat and destroy pool halls. One year later, Jerry would play Burt Reynolds’s best friend in Smoky and the Bandit so it’s interesting to see them playing deadly rivals in Gator.

For tomorrow’s movie a day, Burt’s a football player in jail in The Longest Yard.