What Lisa Watched Last Night #192: His Perfect Obsession (dir by Alexandre Carrière)


Last night, I watched the latest Lifetime premiere, His Perfect Obsession!

Why Was I Watching It?

Because it was on Lifetime, of course!

Plus, I was kinda hoping that it would be like a special Labor Day movie.  Since I’m still not sure what Labor Day is actually supposed to celebrate, I thought maybe His Perfect Obsession would provide some clues.  (Unfortunately, it did not.)

 What Was It About?

Bart (Brendan Murray) is an accountant with a problem.  He’s obsessed with both his client, Allison (Arianne Zucker), and her blind teenage daughter Abigail (Ali Skovbye).  However, Allison doesn’t want to date him and Abigail doesn’t really seem to like him that much either.  Even after Bart murders Allison’s creep of an ex, Allison still doesn’t want to go out with him.  She’d rather go out with a sleazy real estate agent.

What is a crazy sociopath like Bart to do?  He tries drinking at the local bar but the bartender keeps getting in his business.  He tries murdering his mother but that really doesn’t do much for him, either.  Finally, Bart remembers that he does have that remote cabin that hardly anyone knows about…

What Worked?

His Perfect Obsession was filmed in Canada and, visually, it made good use of the snowy landscape.  I especially liked a scene at the start of the film where Bart approached Abigail outside of her house and they had an awkward conversation while the frozen ground glowed in the night behind them.

The performances were all excellent.  Brendan Murray was wonderfully creepy as Bart and Arianne Zucker and Ali Skovbye were both perfectly cast as the mother and daughter.

A lot of us watching online especially liked the character of Ben (Scott Gibson), the world’s most heroic bartender.  If Captain America got a job working in a bar, he’d be a lot like Ben.

Finally, there was a character named Lance Lancaster (Seann Gallagher), who everyone liked because his name was Lance Lancaster.  That’s like one of the greatest names ever!

What Did Not Work?

In general, I’m not a fan of any movie where the final half of the film is taken up with scenes of people being held hostage.  A hostage situation always seems to stall whatever narrative momentum the film has been building up and that’s what happened with His Perfect Obsession.

The scene where Bart murders his mother was so drawn out that the scene itself almost became extremely unpleasant and rather icky to watch.  I know that might sound strange coming from a self-confessed horror fanatic like me but the scene was just way too sadistic for a Lifetime film.  As of late, Lifetime seems to be trying to be a bit more edgy as far as violence is concerned but that’s really not why people watch Lifetime.  Lifetime melodrama should be fun, not traumatic.

“Oh my God!  Just like me!” Moments

I’ve never actually worked with a professional accountant.  My sisters do my taxes for me and, when it comes to money, I find that it’s better to spend it now and hold off on worrying until later.  So, I really couldn’t relate to that part of the movie.

What I did relate to was the relationship between Allison and Abigail, which felt very real and was well-played by both actresses.  It reminded me of the type of relationship that I had with my mom.

Lessons Learned

Use TurboTax.

Cleaning Out The DVR, Again #3: Mommy’s Little Girl (dir by Curtis Crawford)


Mommy's Little Girl

After I finished up The Other Wife, I continued to clean out my DVR by rewatching Mommy’s Little Girl.

Mommy’s Little Girl, was premiered on Lifetime on March 19th, is a crazy little kid movie.  How crazy?  Well, the film is also known as Mommy’s Little Murderer and for good reason!  Speaking for myself, I always enjoy a good crazy kid movie because this entire genre is built around an uncomfortable truth: Children are creepy!  They’ve got those squeaky voices and they’re always staring and they don’t have a filter so you never know what they’re going to say to you.  Even worse, it’s somehow considered socially unacceptable to snap at a stranger’s child, even if it’s obvious that stranger has no idea how to raise their children.

Plus, you have to consider that every serial killer was a child at some point.  If a child did decide to kill you, he’d probably get away with it.  You wouldn’t think to be cautious if you were alone with him because everyone assumes that children always have the best intentions.  No investigator would give serious consideration to the possibility that you were murdered by a child.  Even if the kid was arrested, he’d only be charged as a minor.  He would ultimately end up with a clean record while you just ended up as some sort of dumbass ghost haunting the landfill where he dumped your body.

Seriously, people need to think about this stuff before they deal with children.

Consider Sadie Connell (Emma Hentschel), the title character of Mommy’s Little Girl.  Sadie is only 11 years old and, as cute and innocent-looking as she may be, when we first meet her, she’s already killed at least one person.  She arranged for her abusive grandfather to take a nasty tumble down a flight of stairs.  In fact, not only did she kill her grandfather but she also stole his lighter.  She claims that it’s a magic lighter and, despite being a non-smoker, Sadie finds many uses for that flame.  For instance, she can use the lighter to threaten her dolls.  And when a classmate bullies her, she uses the lighter to punish his prized action figures.

Over the course of the movie, Sadie commits a few more murders.  She pushes people off cliffs.  She poisons their food.  At one point, she even places her hands over one unfortunate victim’s mouth and helps to suffocate her.  Sadie is definitely a little bit psycho and yet, as a viewer, I couldn’t help but feel some sympathy for her.  Both her grandparents treated her so badly that you can’t blame Sadie for being a little bit bitter.  As for her classmate with his precious action figures — well, nobody likes a bully.

At the start of the film, Sadie is finally reunited with her mother, Theresa (Fiona Gubelmann), who has issues of her own when Sadie was born and, as a result, allowed her daughter to be raised by her parents.  However, Theresa now has her life together and is ready to raise her daughter!  Sadie is so excited to finally have a family but she’s also extremely paranoid of losing that family.  Some of the film’s best scenes come when Sadie fears that she’s about to be rejected and sent back to her grandmother.  Sadie never becomes a one-dimensional villain.  The end result is a Lifetime film that actually makes you think.

Keep an eye out for Mommy’s Little Girl!