Late Night Retro Television Review: Highway to Heaven 3.24 “Ghost Rider”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This episode …. ugh.

Episode 3.24 “Ghost Rider”

(Dir by Michael Landon, originally aired on April 1st, 1987)

This episode was …. bad.  It was really bad.  I know that Highway to Heaven is a show with its own unique style and that it’s necessary to sometimes set aside cynicism and just accept the show in all of its sincere and earnest glory but I just couldn’t do it with this episode.

Birdy Belker (Didi Conn) is a ghost writer.  She writes the Roger Bolt spy novels, which are then credited to the glamorous Natasha Gudonov (Victoria Carroll).  Roger was a real spy.  He died years ago but Birdy still has a bit of a crush on him.  Birdy is also Jonathan and Mark’s latest assignment.  Jonathan decides to just wait for her outside of her apartment and introduce himself as being an angel.

“RAPE!” Birdy yells before then spraying Mark with a breath freshener that she mistook for mace.

Jonathan brings Birdy’s dead plants to life, proving that he’s an angel.  Birdy goes from being terrified to inviting two strangers into her apartment.  Birdy is single and her parents are giving a hard time about her lack of a boyfriend.  Mark suggests that Birdy buy Roger’s old car, which is set to be auctioned off.  Birdy and her father (Bobby Baum) go to the auction with Jonathan and Mark.  Uh-oh, shady Boris (Adam Gregor) wants the car as well!  However, Boris has to call his boss to see if he should bid more than $20,000.  Jonathan stares at the phone until it explodes.  Birdy wins the auction!  She has the car!

(Destroying someone’s property does not seem like proper angel behavior, to be honest.)

It turns out that the car is haunted by the ghost of Roger Bolt (Warwick Sims).  Jonathan insinuates that Roger is actually in Purgatory and helping out Birdy is his final chance to make it into Heaven.  That’s …. okay, I guess.  The problem is that Roger’s ghost doesn’t show up until 30 minutes into the episode.  A ghost is a pretty big plot point to introduce that late in the game.  Birdy is in love with Roger, up until she realizes that he’s a cad.  Still, Roger redeems himself but helping Birdy outsmart the two spies who want his old car.  Birdy becomes a celebrity, Roger goes to Heaven, and Birdy meets her new neighbor, a nerdy guy who seems perfect for her.  But then, as Mark and Jonathan are heading to their next assignment, Roger’s car starts and we hear Roger’s voice.  “Bolt, Roger Bolt.”  Okay, so did he go to Heaven or not?  Or is he still a ghost?  What’s going on!?

My honest guess is that this was meant to be a backdoor pilot, one that would have featured Birdy and Roger’s ghost getting involved in espionage on a weekly basis.  That’s really the only way that this oddly paced episode makes any sort of sense.  Tonally, it had nothing in common with any other episode of Highway to Heaven that I’ve seen.  It doesn’t work, largely because Birdy is an amazingly annoying character and Roger was a less than interesting take on the Bond stereotype.

This episode was definitely a misfire.  Luckily, the season ends next week with an episode featuring Leslie Nielsen.  That should be great!  It certainly can’t be any worse than this one.

Late Night Retro Television Review: Highway to Heaven 3.23 “Heavy Date”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark are back in Los Angeles.

Episode 3.23 “Heavy Date”

(Dir by Michael Landon, originally aired on March 18th, 1987)

Jonathan and Mark’s latest assignment finds them in Los Angeles, where they share an apartment in a building that is managed by Marge Davis (Peggy Pope).  Marge, a widow, is upset that her son, Gary (Patrick O’Bryan), doesn’t seem to have any direction in life.  When Gary loses his job, Marge kneels down and puts her head in the oven.  Uhmm …. okay.  Suicide humor, that’s great, I guess.

Alice Hartman (Lorie Griffin) shows up in Los Angeles and takes an apartment in the building.  Alice is seven months pregnant.  Her mother has created a cover story, that Alice has gone to Europe for the summer.  Instead, Alice has gone to Los Angeles so she can have the baby and give it up for adoption without her father finding out.  Jonathan works his magic and manipulates Gary and Alice into falling in love.  When Alice has her baby, Gary asks her to marry him and says that he wants to help her raise the baby.  So, I guess the nice couple who wanted to adopt the baby are just out of luck.

This episode was a bit odd.  When Alice first comes to Los Angeles, she says she’s seven months pregnant.  The episode takes place over  a longer period of time than usual and Alice eventually has the baby.  At no point does Alice ever appear to be pregnant.  She wears baggy clothes but still, there’s only so much that an extra-large sweater can conceal when you’re that pregnant.  There was also a weird scene where Gary, pretending to be the baby’s biological father, lied to the adoptive parents and claimed that he was on probation and that his mother was in a mental institution.  The show played it for laughs but again, the couple seemed so nice and happy about the idea of adopting that Gary’s lies just felt cruel.  And, for a show that was all about an angel on a mission from God, it’s interesting that Gary’s actions went unpunished.  If anything, he was rewarded for them.

(Seriously, the couple that wanted to adopt Alice baby, they were so nice!  That the episode just kind of pushed them aside really didn’t feel right.  I get that Jonathan and Mark’s assignment was to help Alice and Gary but Gary is kind of a jerk and Alice is kind of immature.  Whose going to help the Wallaces, who sincerely wanted to give the baby a good home?)

This episode was obviously heartfelt.  For once, Michael Landon is the sole credited writer so one gets the feeling that this episode’s story and message both meant a lot to him.  (That said, Landon’s approach to the story makes the message come across as being less pro-family and more anti-adoption.)   In the end, the main problem is that neither Gary nor Alice really seem worthy of all of the effort that Jonathan is putting into the assignment.  It’s hard not to feel that maybe Jonathan and Mark needed to help everyone out and not just Alice and Gary.

 

Late Night Retro Television Review: Highway to Heaven 3.22 “A Father’s Faith”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week brings us a touching episode.

Episode 3.22 “A Father’s Faith”

(Dir by Michael Landon, originally aired on March 4th, 1987)

Jonathan and Mark visit an old friend of Mark’s, a fisherman named Gene Malloy (Eli Wallach).  The Malloy family has been struggling ever since Gene’s son slipped into a coma after risking his life to save Gene’s daughter, Michele (Katherine Wallach), from drowning.  Gene neglects his business and his family to spend all of his time visiting his comatose son.  Gene’s wife (Anne Jackson) is feeling neglected and, because she blames herself for the accident, Michele has never visited her brother.  Everyone tells Gene that his son is never going to wake up but Gene has faith.

This was a simple but effective episode, one that worked largely because of the cast.  Eli Wallach and Anne Jackson were married in real life and Katherine Wallach was their daughter.  Watching this family drama being played out by a real family made it all the more touching.  In the end, Gene’s faith is rewarded.  It’s a little bit implausible but it doesn’t matter.  I still teared up a little.  For that matter, so did Michael Landon and Victor French and I’m pretty sure those tears were real.  Eli Wallach really poured his emotions into his performance as Gene.  This was a very heart-felt episode where the sincerity of the emotions carried the viewer over any rough spots in the narrative.

As I watched this episode, it occurred to me that, if it was made today, the story would probably be used to promote assisted suicide or euthanasia.  For whatever reason, there’s a lot of people who have really fallen in love with the idea of killing people who are sick or disabled.  Personally, I prefer this episode’s approach.  Sometimes, good things do happen.

 

Late Night Retro Television Review: Highway to Heaven 3.21 “Parents’ Day”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark and Jonathan become narcs!

Episode 3.21 “Parents’ Day”

(Dir by Michael Landon, originally aired on February 25th, 1987)

Robert Culp plays one of the worst characters ever in this week’s episode of Highway to Heaven.

Culp plays Ronald James, a news anchor who is known for his fiery anti-drug editorials.  His teenage son, David (Lance Wilson-White), is a student at an exclusive boarding school.  When a joint is found in David’s dorm room, Ronald comes down hard on his son.  Ronald says David should be ashamed of himself.  Ronald says that David has brought dishonor to the family.  Ronald grounds David for four weeks.

After attending an anti-drug lecture delivered by newly hired narcotics detective Mark Gordon, David decides to call the police and tell them about the cocaine that is hidden in his family’s garage.  The cocaine belongs to Ronald but, when Ronald is confronted by the police, he announces that it must belong to David.  When it becomes obvious that Ronald’s job is at risk, he tells David to take the blame.  David says he’ll do it if Ronald promises to stop using.  Ronald agrees.

David takes the blame….

….and Ronald keeps on using!

Seriously, what a scumbag!

While Ronald is disappointing everyone, Jonathan — who is also working as a narcotics detective — pressures the local boarding school drug dealer, Brad Dietrich (Bill Calvert), to stop dealing.  Brad laughs off Jonathan’s threat.  Come back with a warrant, Brad says.  Then Brad’s girlfriend overdoses on the cocaine that Brad gave her.

Finally, after David nearly drinks himself to death, Ronald goes on the news and admits that he’s a drug addict.  He then says that parents have to step up and do a better job.  That’s fine, Ronald, but you know what?  YOU’RE A DRUG ADDICT WHO FRAMED YOUR OWN SON!  You don’t get to be a moral authority!

As you can probably guess, there was not a subtle moment to be found in this episode.  On the one hand, the message was obviously heartfelt.  That’s kind of a given when it comes to Highway to Heaven.  With every episode, it’s obvious that Michael Landon was sincerely trying to make the world a better place.  On the other hand, this episode was so heavy-handed that it sometimes verged on camp.  Culp was very believable as someone who was totally coked up.  The kid playing his son, on the other hand, was considerably less convincing.  It also doesn’t help that there’s a massive hole in the middle of the plot.  If the police were really unsure about who had brought the cocaine into Ronald’s house, they could have just drug-tested both Ronald and David to see who was snorting.  As well, seen from a modern perspective, it’s hard to really buy into the show’s argument that parents and children should be constantly calling the police on each other.  Today we know that the attempt at a zero tolerance war on drugs made the situation even worse.  This episode’s suggestion that snitching on loved ones is the answer reminded me of the worst excesses of the COVID era.

As I mentioned earlier, the episode ends with Ronald making an impassioned plea to parents to get serious about teenage drug use.  Hopefully, he was arrested as soon as the cameras were turned off.

 

Late Night Retro Television Reviews: Highway to Heaven 3.20 “The Hero”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan meets a man who is desperate for money.

Episode 3.20 “The Hero”

(Dir by Michael Landon, originally aired on February 18th, 1987)

In desperate need of dental work that the VA refuses to pay for, disabled Vietnam veteran Joe Mason (James Stacy) considers stealing money from work and spends his time getting drunk and getting into fights in parking lots.  Luckily, Jonathan is his new coworker and is able to show Joe that he truly deserve to be called a hero.

This was a standard Highway to Heaven episode but some people will find it interesting just because it features James Stacy.  Stacy was the former star of the western series Lancer, the one that played a central role in Quentin Tarantino’s Once Upon A Time In Hollywood.  (In that film, Stacy is played by Timothy Olyphant.)  In real life, Stacy lost both his left arm and his left leg when he was hit by a drunk driver while he was riding his motorcycle.  (Stacy’s girlfriend at the time was killed.)  Stacy continued to act, appearing in roles, like this one, that were specifically written to include his disability.  Stacy was nominated for a few Emmy Awards after his accident and he gives a good performance in this episode.

Unfortunately, James Stacy’s career did not have a happy ending, as he struggled with alcoholism after the accident.  He retired from acting in 1991 and four years later, he pled “no contest” to inappropriately touching an 11 year-old girl.  (I’ve come across a lot of different version of what happened, with some saying it was a misunderstanding and others saying that it definitely wasn’t.  What everyone does seem to agree on is that Stacy was drunk at the time.)  Due in court in California, Stacy instead fled to Hawaii where he attempted to commit suicide by jumping off a cliff, just for the wind to slam him into a ledge below.  Stacy, who had been looking at probation, was instead sent to prison for six years.  After his release, Stacy lives in seclusion until his 2016 death.

Stacy’s appearance on this episode is another example of Highway to Heaven giving work to veteran actors who were not necessarily working on a regular basis.  In many ways, this show was like The Love Boat or Fantasy Island, in that its guest cast leaned heavy on nostalgia.  Landon was a Hollywood veteran himself and one gets the feeling that one of his main motivations for doing this show was to help out his friends and acquaintances, the ones who weren’t necessarily at the top of Hollywood’s casting list anymore.  The use of so many veteran actors, even someone who eventually became rather problematic like James Stacy, just adds to the earnestness that was this show’s defining characteristic.

Late Night Retro Television Review: Highway to Heaven 3.19 “Normal People”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark help out at a halfway house.

Episode 3.19 “Normal People”

(Dir by Michael Landon, originally aired on February 11th,  1987)

This week, Jonathan and Mark find themselves assigned to work as handymen at a halfway house for patients who have recently been released from a mental hospital but who are still not quite ready to reenter the society.  As usual, Mark is skeptical about working with anyone outside of his comfort zone but Jonathan soon shows him the error of his ways.  It seems like almost every assignment was really about teaching Mark to be more tolerant of people who were different than him.

The neighbors aren’t happy about having a halfway house in their neighborhood.  They vandalize the yard.  They blame the patients for every little thing.  When some neighborhood kids accidentally start a fire, the blame is put on a teenager at the halfway house.  Jonathan encourages the patients to try to leave the house and socialize and show everyone that they are just like normal people.  Jonathan also punishes one snobbish neighbor by causing her to have mishap with a stack of melons at a grocery store.  I’ve noticed that, during the third season, Jonathan and the Boss seem to take an extra delight in humiliating people.

Eventually, the stupid kids start another fire, which gives one of the patients that chance to save their lives.  It also reveals that the patient was not responsible for the earlier fires.  Everyone comes to realize the error of the ways.  Hurray!

This was a good example of how Highway to Heaven‘s earnestness often made up for scripts that were a bit obvious and heavy-handed.  There’s nothing subtle about this episode but it’s still so achingly sincere in its message of tolerance that it’s hard not appreciate it.  The show’s good intentions stand the test of time.

Late Night Retro Television Review: Highway to Heaven 3.18 “A Mother And A Daughter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan is considered for a promotion!

Episode 3.18 “A Mother And A Daughter”

(Dir by Michael Landon, originally aired on February 4th, 1987)

Jonathan and Mark are in Hollywood …. again!

Seriously, it’s interesting how many episodes of Highway to Heaven found Jonathan and Mark dealing with movie stars and entertainment executives in Hollywood.  Every Hollywood episode basically followed the same plot.  Jonathan is all-business while Mark is excited to meet one of his old screen idols.  One thing that is a bit odd is that Mark always acts as if he’s never been in Hollywood before, even though almost every season usually featured several Hollywood episodes.

This time, they’ve been assigned to repair the relationship between veteran film star Phoebe Hall (Gloria DeHaven) and her estranged daughter, Gail (Judith Chapman).  Gail is writing a tell-all book about Phoebe, one that is set to be published at the same time that Phoebe is receiving a lifetime achievement award at a televised ceremony.  Can Jonathan get Gail to forgive her mother by showing Gail a bunch of old home movies?  Can Mark show Pheobe how much her career means to her fans?  Episodes in which Jonathan dealt with a film star who hadn’t been there for their children always seemed to hit Michael Landon extra hard.  His children have said that Landon was a bit of a workaholic and not always the most present of fathers.  One gets the feeling that this episode was Landon’s way of dealing with his own regrets.

While Jonathan works, he’s observed by another angel, Henry Clifford (Basil Langston).  Henry confides to Mark that Jonathan is being considered for a promotion into Heaven.  Mark briefly thinks about purposefully tanking the assignment so that Jonathan will stay on Earth with him.  Jonathan explains that they can’t do that and, to the show’s credit, Mark quickly realizes that Jonathan’s correct.  (Doing a bad job on purpose would have gone against everything the show had established about Mark’s character.)  In the end, Henry says that Jonathan will be staying on Earth for the time being because that’s obviously where Jonathan can do the most good.  Jonathan and Mark are happy.

That said, I do find it curious that the show has never really examined how Jonathan feels about the prospect of finally heading “upstairs.”  I mean, as Jonathan explains during this episode, he’s dead.  He’s been dead for a long time.  Wouldn’t he like to relax and enjoy his final reward?  Some people really like to work.  To be honest, I’d probably be the same way.  Give me a choice between going to Heaven and reviewing movies as a ghost …. well, it would be a hard decision for me.

Anyway, this was a sweet episode.  Highway to Heaven‘s strength was that it was shamelessly optimistic and earnest and that’s certainly the case here.

Late Night Retro Television Reviews: Highway to Heaven 3.17 “A Night To Remember”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark go back to high school, just in time for prom!  I went to four proms over the course of my high school years and I loved every one of them.  There is no greater American tradition!

Episode 3.17 “A Night To Remember”

(Dir by Michael Landon, originally aired on January 28th, 1987)

It’s time for the prom!

Danny (Mitchell Anderson) wants to ask out Melanie (Kimberly MacArthur) but can’t bring himself to do it because he’s feeling insecure about the fact that his father lost his engineering job and is now working at a gas station.  Danny makes extra money working at the local pizza joint but he loses his job when he throws a punch at bully Richard Davies (J. Eddie Peck, future star of Lambada).

Sammy (Joel Hoffman) wants to ask his lifelong friend, Kate (Susan Savage).  But Sammy feels insecure because he’s short.  When he tries to buy lifts to make himself taller, Richard calls him out right when he’s about to ask out Kate.  Sammy is an aspiring stand-up comedian and he’s on the verge of dropping out of school all together.  “I can be a comedian or a teenager but I can’t be both!”

Don’t worry, though.  Jonathan is their new social studies teacher.  And Mark is the coach of the girl’s volleyball team because every assignment is designed, in some way, to humiliate Mark.  In this case, Mark takes a volleyball to the nose and spends the entire episode worrying that it’s broken.  Mark really can’t catch a break (heh) on this show.  He has to drive everywhere.  He’s usually the one who has to do all of the hard physical work while Jonathan just appears wherever he wants.  Unfortunately, there doesn’t appear to be a union for human angel helpers but then again, it’s not like Mark ever seems to get paid for all of his hard work.

Anyway, the stakes aren’t particularly high in this episode.  Both Danny and Sammy eventually find the courage to ask their dates to the prom, though Danny doesn’t do it until he’s actually at the prom.  And both of them take some time to tell off Richard.  “Still wearing your mother’s underwear?” Sammy asks and Richard turns a dark shade of red as if Sammy has accidentally guessed his greatest secret.

I actually always like these episodes where Jonathan and Mark become teachers.  They’re not as depressing as the ones where they end up working at a shelter or a retirement home.  This episode was just about giving the students the best prom ever and that’s okay.  Not everything needs to be a huge drama!  Sometimes, you just need a night to remember.

Late Night Retro Television Review: Highway to Heaven 3.16 “A Song of Songs”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, not even the presence of the great James Earl Jones can save Highway to Heaven.

Episode 3.16 “A Song of Songs”

(Dir by Michael Landon, originally aired on January 21st, 1987)

Mark and Jonathan are driving out in the middle of nowhere, waiting for their next assignment.  Mark is annoyed.  He says he’s been driving for ten hours.  Personally, I think Mark has every right to be annoyed.  I’ve noticed that Jonathan never drives.  Are angels not allowed to drive?  Did he never learn how?  It seems a bit self-centered to make Mark do all the driving.

Eventually, Jonathan and Mark stop off at a roadhouse.  Mark order a huge amount of ribs.  Jonathan smiles, even though Mark is going to give himself a heart attack if he’s not careful.  By an amazing coincidence, an old friend of Mark’s is also at the roadhouse.  Gabe (James Earl Jones) is a blind jazz pianist.  He’s also this week’s assignment.

Jonathan and Mark are hired to work at a storefront church that is led by Eleanor (Rosalind Cash).  Eleanor is strict and demanding and when her daughter (Akosua Busia) wants to go off on her own and perform her own type of music, Eleanor accuses her of only caring about “the devil’s music.”  It turns out that Eleanor is also Gabe’s ex-girlfriend!  Eleanor was not always so strict.  Can Jonathan and Mark bring these two back together and also repair the relationship between Eleanor and her daughter?

Eh, this episode didn’t do much for me.  I hate to say that because James Earl Jones was one of our best actors and he’s definitely the strongest thing about this episode but overall, the plot was a bit too predictable and both Rosalind Cash and Akosua Busia gave such over-the-top performances that it was hard to take their storyline seriously.  This was Highway to Heaven at its most predictable and the episode didn’t even benefit from Michael Landon’s trademark earnestness.  It just fell flat.

Oh well, there’s always next week.  Maybe Mark will finally get a break from always having to do the driving!  I wouldn’t count on it, though.

Late Night Retro Television Review: Highway to Heaven 3.5 “Wally”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Dick Van Dyke has a puppet show.

Episode 3.15 “Wally”

(Dir by Michael Landon, originally aired on January 14th, 1987)

Jonathan and Mark’s latest assignment is Wally (Dick Van Dyke), a lovable old man who lives in a box in an alley, puts on a streetside puppet show, and goes out of his way to show kindness to everyone, from a dying boy to a woman who, like Wally, is an alcoholic trying to stay sober to the blind men who line the street and ask for help from people walking by.  Wally is destined to die, at which point he’ll become an angel.  The show suggests that Wally already is angel, having devoted his life to helping other.

Let’s see …. Dick Van Dyke as a saintly, homeless, recovering alcoholic who puts on a puppet show where the puppets discuss the difficulty of being poor in America.  Look, you all know how I usually feel about this stuff.  I usually take real issue with any film or television show that I find to be overly manipulative or heavy-handed.  I’ve also mentioned more than a few times that I think a lot of films and television shows tend to idealize homelessness, an instinct born from good intentions  but one that often ignores the very real reality and which is often counter-productive.  Too often, being homeless is treated in such a sentimental manner that it actually becomes a bit insulting.  Maybe, someday, someone should ask the people who live at the bus stop across the street from the Frank Cowley Courthouse how they feel about things.  Speaking as someone who once got called all sorts of names — and yes, one of them started with a C — because she refused an offer of a drink from a bottle in a brown paper bag while she waited for the bus to take her back to the DART train station after a day of jury duty, I could tell you a few things.  (Another person who could tell you a few things is a friend of mine in Florida who got evicted from his apartment and who spent a month alternating between living on the street and in a shelter.  He told me recently that the main thing he learned from the experience is that no one helps anyone.)  When you add that Wally was being played by Dick Van Dyke, a good actor but one who can go a little overboard when cast in a serious role, you can maybe understand what I was expecting from this episode.

And, to a certain extent, I was right.  This is Highway to Heaven.  It’s not subtle show and this was not a subtle episode.  This was an episode where everyone was so charmed by Dick Van Dyke and his puppets that they would happily let him into their homes to perform for sick children but no one was willing to help him get off the streets.  This was also an episode where Wally revealed that the money he did make all went to providing a home for someone else.  This is an episode where Wally’s kindness literally heals a dying child.  This episode was sentimental, heavy-handed, and a little preachy but it worked.  The show is just so earnest and Dick Van Dyke’s performance was just so heartfelt that it cast a spell that pretty much negated all cynicism for an hour.  (Despite my fears, Van Dyke did not go overboard as Wally, giving a performance that felt genuine and heartfelt.)  This was an episode that perhaps should not have worked but it did.  It worked wonderfully.