October Positivity: Nothing Is Impossible (dir by Matt Shapira)


With apologies to Brad Crain, I’ve never been a basketball fan.

I’m not really a team sports fan in general but basketball truly gets on my nerves.  My main issue, of course, is that all the squeaky shoes make it difficult for me to watch a game.  The constant squeaking is headache-inducing.  My other problem with basketball is that people who like basketball tend to really, really, really like it, to the extent that they can’t handle the fact that some of us don’t really care.  Finally, I get tired of being expected to pay attention to whatever it is the coaches say after the game.  How many times have I come online to see breathless stories about a basketball coach giving his thoughts on current events?  Like seriously, who cares?  Why would I care what a coach thinks about tariffs?  Why are we even asking basketball coaches for their opinions?  Aren’t basketball coaches just supposed to yell at people until they get kicked out of the game?  I’ve seen Hoosiers, which I will acknowledge is a very good movie despite my feelings about the game.  Gene Hackman was constantly getting kicked off the court and everyone loved him for it.  Temper tantrums, that’s what we need from basketball coaches.  We don’t need to know your thoughts on the cost of bread.

What’s the point of all this?  Before I talk about 2022’s Nothing Is Impossible, I thought you deserved to know my own bias against the game.  Nothing is Impossible is a movie that loves basketball.

Nothing is impossible?  Try telling that to former basketball-star-turned-high-school-janitor Scott Beck (David A.R. White).  Scott, we’re told, could have been a star in the NBA but it didn’t pan out.  Instead, Scott works as a janitor and volunteers as an assistant high school coach.  While NBA players and their coaches are answering questions about who they voted for in the last election, Scott is looking after his alcoholic father and regretting the fact that he left Ryan Aikins (Nadja Bjorlin) at the altar.

Ryan is now the owner of a basketball team and, when the team announces that it will be holding live tryouts for anyone who wants to try to make the team, Scott finds himself tempted to try to achieve his dream of playing in the NBA.  Can Scott do it?  Can he still compete at a competitive level?  Actually, could he ever compete at a competitive level?  Listen, I know this is a PureFlix film and David A.R. White can probably appear in any one of their films that he wants to because he’s one of the founders of the company but White is never particularly convincing as someone who could make a professional basketball team.  He’s not particularly tall.  He doesn’t come across as being particularly athletic.  He’s middle-aged.  Nothing is impossible the title tells us but the idea of an unathletic, middle-aged, 5’10 white guy dunking on a bunch of NBA superstars truly tests that claim.

The important thing, of course, is that Scott and Ryan discover that they’re still in love and White and Bjorlin manage to generate enough romantic chemistry to make a believable couple.  The other important thing is that Steven Bauer shows up as a heartless executive.  It’s always nice to see Bauer destroying dreams.  Otherwise, the film did not change my opinion about basketball.

Seriously, those shoes are just too damn squeaky….

Cleaning Out The DVR: Stage Fright (dir by Fred Olen Ray)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 188 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Stage Fright off of the Lifetime Movie Network on January 29th, 2017!)

(aka Stage Fright)

Right above this sentence, you’ll see the original “poster art” for the film that was eventually broadcast on the Lifetime Movie Network as Stage Fright.  Even though the title changed (and personally, I think Stage Fright does carry a bit more oomph than Her Final Bow), I love this poster.  It’s just so melodramatic and I like how the stalker’s blue eye is staring straight at the viewer.  Even though the scene itself never actually occurs in the film, the poster still tells you everything that you need to know about this movie.  If I saw a paperback novel with this poster as the cover, I would definitely buy it and probably read it in one sitting.

Stage Fright tells the story of Sarah Conrade (Jordan Ladd).  At one time, Sarah was one of the most popular and famous opera singers in the world.  But then she was attacked by an obsessed fan.  Though he was subsequently gunned down by the police, he left Sarah with scars that are both physical and mental.  After she had a nervous breakdown, Sarah retired from performing and devoted her time to raising her daughter, Haley (Savannah Osborn).  However, one day, Sarah gets a call from a producer, letting her know that another singer is planning to perform Sarah’s signature songs and claim them as her own.  Though Sarah may be frightened of stepping back out on the stage, she’s a performer and she has her pride.  Sarah agrees to make a comeback and perform for one night only.

A lot of people are happy to hear this but it’s debatable whether any of them are as happy as Kevin (Peter Stickles).  Kevin works in a music store and he is one of Sarah’s biggest fans.  When she happens to step into the store, he not only tells her that he listens to her voice regularly but he also contrives to take a quick look in her purse.  Of course, Kevin also has a shrine to her in his house.  That’s … well, that’s a little bit creepy…

Audiences have waited for years for Sarah to make a comeback and now that she’s making it, the people around her are mysteriously dying.  The police even suspect that Sarah might have something to do with it.  Of course, we suspect the truth…

State Fright was directed by Fred Olen Ray, who is a veteran of these type of thrillers and who specializes in giving the audience what it wants.  In this case, the audience wants melodrama and Stage Fright certainly delivers that.  (Ray also delivers some effectively creepy shots of characters running around in the dank, lower levels of the opera house.)  Personally, I would have liked it if there had been a little more mystery about the identity of Sarah’s stalker but Jordan Ladd gave a good performance as Sarah and the mother-daughter relationship between Sarah and Haley felt real.  This is an entertaining little Lifetime movie that delivers exactly what it promises.