4 Shots From 4 Films: Madam Satan, Safe In Hell, Rasputin and the Empress, and Search For Beauty


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

All of the scenes below come from films that were made and released between the introduction of sound in the late 1920s and the adoption of the infamous Hays Production Code in 1934.  This was truly an exciting time for film as an art form.  Not only were filmmakers intoxicated with discovering what they could accomplish through the medium but they were also unhindered by censorship or regulation.  The end result was some of the most visually imaginative and narratively daring films to ever be released by the major American studios.

There’s a reason why film lovers continue to eagerly seek out pre-code films.  And if you want to experience what made the pre-Code era so memorable, you could not do any worse than to start with the four films featured in this post.

Madam Satan (1930, dir by Cecil B. DeMille)

Madam Satan (1930, dir by Cecil B. DeMille)

Safe in Hell (1931)

Safe in Hell (1931, dir by William Wellman)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Search For Beauty (1934, dir by Erle C. Kenton)

Search For Beauty (1934, dir by Erle C. Kenton)

Cecil B. DeMented: MADAM SATAN (MGM 1930)


gary loggins's avatarcracked rear viewer

It’s wild! It’s weird! It’s Cecil B. DeMille’s  MADAM SATAN, a movie I’ve heard about for decades, but never had the chance to catch, until now. It’s got a little something for everybody, from drama to comedy to musical numbers to half-naked women to jazz baby Lillian Roth! Was it worth the wait, Dear Readers? Well… read on!

Better hold on to your seats though, as MADAM SATAN shifts abruptly in tone throughout it’s running time. It’s slow going the first few minutes, starting out as a stiff drawing-room drama. Angela Brooks (Kay Johnson) is worried about her dissipating  marriage to Bob, who neglects her and stays out all night. Now here comes comedy, with Bob (Reginald Denny ) and his pal Jimmy (Roland Young) trying to sneak in at dawn, two wasted wastrels drunk as the proverbial skunks. Suddenly, out of nowhere, the maid (Elsa Peterson) breaks out…

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4 Shots From 4 Films: Madam Satan, Safe In Hell, Rasputin and the Empress, and Search For Beauty


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

All of the scenes below come from films that were made and released between the introduction of sound in the late 1920s and the adoption of the infamous Hays Production Code in 1934.  This was truly an exciting time for film as an art form.  Not only were filmmakers intoxicated with discovering what they could accomplish through the medium but they were also unhindered by censorship or regulation.  The end result was some of the most visually imaginative and narratively daring films to ever be released by the major American studios.

There’s a reason why film lovers continue to eagerly seek out pre-code films.  And if you want to experience what made the pre-Code era so memorable, you could not do any worse than to start with the four films featured in this post.

Madam Satan (1930, dir by Cecil B. DeMille)

Madam Satan (1930, dir by Cecil B. DeMille)

Safe in Hell (1931)

Safe in Hell (1931, dir by William Wellman)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Rasputin and the Empress (1932, dir by Richard Boleslawski)

Search For Beauty (1934, dir by Erle C. Kenton)

Search For Beauty (1934, dir by Erle C. Kenton)