Lang Yun | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark get into the detective business.

Episode 5.9 “Choices”

(Dir by Michael Landon, originally aired on June 30th, 1989)

Working as private investigators, Mark and Jonathan are approached by a Vietnamese couple who are looking for the two sons that they gave up for adoption many years ago. They gave the boys up so that they could escape Vietnam and live in America, safe from communism. Now, the father (Dr. Haing S. Ngor) wants to bring his sons back to Singapore, despite the fact that both of them have been adopted by good people and the oldest has been accepted to a prestigious college.

This was an above average episode of Highway to Heaven. It was undoubtedly heavy-handed and there were more than a few minutes where the dialogue was a bit too spot-on for its own good. But ultimately, the episode was so earnest and heartfelt that the viewer couldn’t help but forgive the show’s flaws. This particular episode was very well-acted, especially by Dr. Haing S. Ngor. A Cambodian who lost most of his family after the Khmer Rogue came to power and attempted to return the country to “Year Zero” by killing off anyone who was considered to be too educated or cosmopolitan, Dr. Ngor survived by disguising the fact that he was an educated doctor. After the fall of the Khmer Rogue, Ngor made his way to Thailand and eventually to America. He won an Oscar for playing a character who suffered much as he suffered in The Killing Fields (a film about communist atrocities that has the gall to unironically include John Lennon’s Imagine on the soundtrack). In this episode, Ngor gives a strong performance as a stubborn man who struggles with the fact that his sons have grown up in his absence. Tragically, seven years after this episode aired, Dr. Ngor was murdered in his driveway. Though a group of gang members were arrested and convicted of his murder, it’s always been known that his murder was ordered by Pol Pot, the leader of the Khmer Rogue.

The final season of Highway to Heaven has been uneven but this was a good episode.

This month, since the site is currently reviewing every episode of Twin Peaks, each entry in Move A Day is going to have a Twin Peaks connection. Paint In Black was directed by Tim Hunter, who directed three episodes of Twin Peaks, including the one that I reviewed earlier today.

Jonathan Dunbar (Rick Rossovich) should have it all. He is an acclaimed sculptor but he’s being cheated financially by his dealer and sometimes girlfriend, Marion Easton (Sally Kirkland). Things start to look up for Jonathan after he has a minor traffic accident with Gina (Julie Carmen). Not only are he and Gina immediately attracted to each other but it turns out that Gina is the daughter of Daniel Lambert (Martin Landau), who owns the most prestigious art gallery in Santa Barbara. It appears that Jonathan is finally going to get the big show that he has always dreamed of, but only if he can escape from Marion’s management.

One night, Jonathan helps out a man who was apparently mugged outside of an art gallery. The man, Eric (Doug Savant), says that he’s an art collector and that he is a big fan of Jonathan’s work. When Jonathan opens up about his problems with Marion, Eric decides to return Jonathan’s favor by killing Marion and anyone else who he feels is standing in the way of Jonathan’s success. Because of the way that Eric artistically stages the murders, the police suspect that Jonathan is the murderer.

Depending on the source, Paint It Black’s original director was either fired or walked off the project and Tim Hunter was brought in to hastily take his place. According to Hunter, he spent the production “shooting all day and rewriting all night.” Paint it Black is a standard late 80s, direct to video thriller but it is interesting as a tribute to Alfred Hitchcock. Hunter taught a class on Hitchcock at the University of California at Santa Cruz and Paint it Black is full of shout outs to the master of suspense. Marion’s murder is staged similarly to a murder in Frenzy. There are frequent close-ups of scissors, a reference to Dial M For Murder. Probably the most obvious homage is the character of Eric, who appears to be based on Robert Walker, Jr’s character from Strangers on a Train.

Rick Rossovich was best known for playing cops, firemen, and soldiers in movies like Top Gun, Navy SEALS, and Roxanne. He’s not bad in Paint it Black but he is still not the most convincing artistic genius. Doug Savant and Sally Kirkland were better cast and more enjoyable to watch. In fact, Kirkland is killed off too early. The movie loses a lot of its spark once she is gone.

Paint It Black may not live up to being named after one of the best songs that the Rolling Stones ever recorded but Tim Hunter took unpromising material and shaped it into something that is far more watchable than anyone might expect.