Cool as Ice (1991, directed by David Kellog)


Johnny Van Owen (Robert “Vanilla Ice” Van Winkle) is a rapper who travels across the country on his big yellow motorcycle, with his loyal crew traveling behind him.  When one of the motorcycles is damaged, Johnny and the crew pull into a repair shop owned by Roscoe (Sidney Lassick) and Mae (Dody Goodman).  Even though their repair shop looks like something out of Pee Wee’s Playhouse, Mae says that Roscoe can fix anything.

Johnny says it’s all cool because he’s got his eye on Kathy Winslow (Kristin Minter), an honors student who is about to leave for college and who is dating Nick (John Haymes Newton).  Johnny is so in love with Kathy that he rides his motorcycle in front of her while she’s riding a horse and she nearly breaks her neck as a result.  Johnny doesn’t apologize because Johnny’s cool as ice.  Instead, Johnny renames Kathy “Kat” and then takes one look at Nick and says, “Drop that zero and get yourself a hero.”  Just to make sure there’s no confusion how Johnny feels about his romantic rival, he also calls Nick “Dick.” Later, Johnny performs a rap just for Kat and Kat agrees to go on a date with him to an abandoned construction site.

Kat’s father (Michael Gross) is in the witness protection program but, when he and Kathy appear on the news, he’s spotted by two gangsters who kidnap Kat’s younger brother.  Kat’s father assumes that Johnny must be working with the gangsters so Johnny has to clear his name by defeating the gangsters and performing the rap to end all raps.

Cool As Ice was an attempt to update the old Elvis formula with infamous white rapper Vanilla Ice in the place of the King of Rock and Roll.  The end result was a box office flop that hastened the demise of Vanilla Ice’s career.  (At the same time the film came out, some journalists dug into Ice’s background and discovered that he wasn’t a gangster from Miami but instead he was a douchey ex-jock from Lake Highlands, Texas.)  Even today, it’s still surprising to see what a terrible actor Vanilla Ice truly was.  The role doesn’t demand that he do much, other than smirk and rhyme a few insults but Vanilla Ice wasn’t even up to successfully doing that.  Most musicians at least have enough stage presence that they can get by onscreen, even if they don’t have a large amount of range.  Vanilla Ice is a blank onscreen.  It doesn’t do Vanilla Ice any favors that he’s surrounded by people who actually can act, like Michael Gross, Kristin Minter, and Sidney Lassick.  Even John Haymes Newton, playing the stock bad boyfriend role, gives a better and more sympathetic performance than Vanilla Ice.

I went into this movie knowing that it would be bad but I had no way of preparing myself for just how bad it was.  It’s almost so bad that it’s watchable, though for all the wrong reasons.  Watching Vanilla Ice in this movie, I saw why grunge (and not poppy white boy rap) replaced hair metal as the 90s favorite music.

Cleaning Out The DVR: Deadly Shores (dir by Fred Olen Ray)


(I recorded Deadly Shores off of the Lifetime Movie Network on August 24th!)

Oh my God, isn’t life just perfect!?

That’s what Anna (Carly Schroeder) should be asking herself.  After a whirlwind courtship and engagement, Anna has just married Richard Palmer (Phillip P. Keene), a famous mystery novelist!  Not only is she a newlywed and it appears that she might soon also be newly rich.  Her parents died mysteriously years ago and she stands to come into a lot of money!

Of course, nothing is ever as perfect as it seems.  Her psychiatrist seems to be concerned about Anna acting too impulsively and he worries that she’s marrying Richard without even knowing him.  When Anna arrives at her new home, she is struck by how coldly she’s treated by the housekeeper.  Anna soon starts to feel that everyone is comparing her unfavorably to Richard’s previous wife, the one who died mysteriously at the lighthouse.   And when Anna discovers that Richard has apparently incorporated his first wife’s death into his latest book, she is not amused.  Even worse is how Richard reacts when Anna dares to wear a necklace that once belonged to dead wife.

And then there’s Beth (Kristin Minter), who seems friendly enough except that she’s awfully close to Richard.  Of course, their closeness could have something to do with the fact that she’s Richard’s mistress.  You know what they say: Just because you’re paranoid doesn’t mean that they’re not out to get you.

And, make no mistake about it, people are out to get Anna.  However, what no one realizes is that Anna has got secrets and shadows in her past as well…

With all of the gothic scenery and the insecure wife and the hostile housekeeper, I was expecting Deadly Shores to just be another version of Rebecca.  And, certainly, the first hour or so has much in common with that classic film.  However, in the best grindhouse tradition, there’s a big twist that occurs during the final seven minutes of the film, one that totally turns the entire movie upside down.  I won’t ruin the twist but I will say that it was a hugely satisfying one.  In the end, Deadly Shores reminded me of one of those strange movies that Joan Crawford and Olivia de Havilland would have made for William Castle or Robert Aldrich back in the 1960s.

Deadly Shores is one of the many movies to have been directed by the prolific Fred Olen Ray.  What his films often lack in budget, Ray makes up for in pure entertainment.  Ray does a pretty good job directing this one, playing up the ominous atmosphere and giving Carly Schroeder enough room to go enjoyably over-the-top in the role of Anna.

All in all, Deadly Shores is an entertaining Lifetime film and one to keep an eye out for.