Earlier tonight, I watched the latest Lifetime celebrity biopic, Britney Ever After.
Ever since that ill-fated Aaliyah movie, Lifetime biopics have had a reputation for being hot messes and I’m sure that a lot of people will say the same thing about Britney Ever After. Britney Ever After is about Britney Spears, following her from her first tour with *NSYNC through her relationship with Justin Timberlake through her marriages to both Jason Alexander and Kevin Federline and finally concluding with her well-publicized breakdown in 2008. As usually seems to happen with these biopics, the whole story is framed by interviews with a documentary crew. From what I saw, the twitter reaction was pretty savage and I’m sure that there will be all sorts of snarky reviews tomorrow.
But you know what?
As far as Lifetime celebrity biopics go, Britney Ever After was not that bad.
It suffered from some obvious problems. Since neither Britney nor her management had anything to do with the making of the film, none of Britney’s original music was heard. That means there was no Oops! I did it again! There was no Baby One More Time. No Toxic. No If U Seek Amy. There was no Work Bitch, which incidentally is both the greatest song that Britney’s ever done and my favorite song to sing while stuck in traffic. I think it was mentioned, at one point, that Britney was working on a song called Womanizer but I may have misheard. When the actress playing Britney sang, it was only to cover songs by other artists. In the film, Britney performed I Love Rock and Roll and a bit of Walking After Midnight.
For what I presume are legal reasons, the film had to be circumspect. Yes, Justin Timberlake (played by Nathan Keyes) was a character in the movie but he was portrayed so blandly that he could have been any hyperactive teenager with good hair. Jason Allen Alexander (Kelly McCabe) shows up just long enough to marry Britney and then be told that the marriage is going to be annulled. Amazingly, Britney’s entire marriage to Kevin Federline (Clayton Chitty) takes place over less than 10 minutes of screen time. Adnan Ghalib (Serge Jaswal) and Sam Lufti (Benjamin Arce) get more attention that Kevin but both of them are portrayed so negatively that they probably wish they hadn’t.
(Adnan and Sam both made the mistake of testifying about Britney in court, meaning that their douchebaggery was a part of the public record and free for Britney Ever After to portray.)
As for Britney’s “rivalry” with Christina Aguilera (which, early in their careers, pretty much defined both of their public personas), it goes unmentioned. Christina is only briefly seen in a long shot. For those of you hoping for any details about the dark side of life at the Mickey Mouse Club, Britney Ever After is not for you. Really, the film’s main problem was one of logistics. Britney Ever After had only 90 minutes to tell the story of a very dramatic and complicated life. If the film felt rushed, that’s because it had a lot to show and not much time to do it.
But, even with all that in mind, Britney Ever After was not the disaster that some seem to believe that it was. In the role of Britney, Natasha Bassett did far better than I was expecting. There were some issues, of course. Her attempt to duplicate Britney’s Southern accent led to her sounding more like Jessica Simpson than Britney Spears. During the film’s early scenes, she seemed almost too innocent to be believed but it quickly became apparent that this was intentional on the film’s part. One of the themes running through the film was how Britney’s image was continually shaped by her parents, her management, and her boyfriends. In the end, Britney is portrayed as having no control over her own life. When Britney suffers a break down in 2007, she’s at least trying to live her own life. When everyone around her panics, are they concerned about her health or are they concerned about her image and their investment in her career? This unanswered question hangs over the final 30 minutes of Britney Ever After. If Natasha Bassett never quite seemed to be Britney, she was still very believable as a character living the exact same life and dealing with the exact same issues.
Plus, there was an enjoyably silly scene where Britney ran into Justin in a club and they had an epic dance off. If only all relationship issues could be solved by a dance off!
That said, I was a bit disappointed that, at no point, was Crossroads mentioned.
(Seriously, a Britney movie with no mention of Crossroads!?)
But give the film some credit. It did a good job of capturing the suffocating experience of being hounded by paparazzi. And the film was even-handed and compassionate when it came to portraying Britney’s 2007 breakdown. Like Britney, I’m bipolar and I’ve always felt that I could understand what she was going through while the rest of the world was finding so much entertainment in her very public struggle. Since 2008, Britney’s father has had conservatorship over her life and control of all of her assets. For nearly ten years, Britney Spears has not been allowed to stand on her own and has essentially made a lot of money for everyone but her. During the documentary segments that provide a wrap-around to the film’s story, Britney Ever After obliquely hints at this sad reality. In those sequences, there’s a sadness to Bassett’s performance, an acknowledgement that Britney has paid a price for public stability.
Britney Ever After was on Britney’s side, which is more than can be said of many other biopics.
Pro tip! Don’t stay up till 3 in the morning trying to figure out the locations used in a Hallmark movie. Sure, it means you can make some nice jokes, but the next few days you are exhausted. Plus, I was going to go hiking today. Now that’s shot. Oh, and so is some guy in a shack because boat guy, shown above, showed up while “haunting bluegrass music” played according to my captions.
Now we cut to San Francisco because of the Golden Gate stock footage. Inside we meet our interior designer named Sayre Hoyle played by Shenae Grimes-Beech. Hmm…I guess she got married. However, she”ll always be Darcy from Degrassi: TNG to me. While her name is Sayre, they just call her Sar throughout the movie, or at least that’s what my captions kept saying. She’s making a sales pitch. I’m not sure what Latin gibberish on her laptop has to do with interior design,…
but when her phone goes off, she simply says “cue music” and the deal is done! Good job on the phone too!
All the shots of cellphone screens are done well in this movie. Unfortunately, the call is from Beck Merchant (Sean Faris), her father’s lawyer, telling her that her brother Danny (Kelly McCabe) is dead. She is told that she has a message on her voicemail with the details, but we cut to her office to find out her brother has left a cryptic and foreshadowing message as well.
Now we cut to a swamp to establish they are in Louisiana before cutting to this…
to make sure we don’t forget that Camden, Maine exists.
Now we meet the family lawyer Beck Merchant who represents her dad’s company called Hoyle Enterprises. He invites her back to the family estate. By the family estate, I mean the house from Unleashing Mr. Darcy.
Unleashing Mr. Darcy (2016, dir. David Winning)
Unleashing Mr. Darcy (2016, dir. David Winning)
I forgot to mention that the J.R. of the family, named Huff Hoyle, is played by John Schneider. If Schneider wants that house, then he’ll have it torn down and moved from New York to Louisiana piece by piece!
Next we meet Sar’s only surviving brother Chris played by Jeremy Guilbaut.
Am I the only one that thinks Jeremy could do a good impression of Kyle MacLachlan? Take a look at this shot.
See! Also, I’m sure Schneider imports cherry pie from Twin Peaks. Only the best for his family.
Now we go inside and meet Sar’s mother Alma played by Marilyn Norry. Then the cops come in to talk to her brother, Huff, and the lawyer.
They’ve come to tell them that frogs have entered town and appear to be headed for Huff estate. That’s my requisite Frogs (1972) joke. They have actually come to tell them that the dead brother named Danny appears to have died from an accidental firearms discharge. Old cop believes that determination, but young cop isn’t so sure. He raises some good points. To the best of his knowledge Danny was never an outdoorsman so why the heck would he be out fishing where they found him. There was also no bait. The whole thing smells funny to him. But Schneider is having none of this.
Sar then talks to the lawyer and an old boyfriend named Clark comes up. This is when we go to visit Danny so that we can meet the crazy guy from this movie.
It’s funny. I can totally see this guy in another movie warning kids not to go to Camp Crystal Lake. This is Slap Watkins (Primo Allon).
We now go to a school to meet Jessica (Kristen Comerford). She’s a former close friend of Danny’s. This scene exists to tell us in no uncertain terms that not only did Danny hate fishing, but also guns. It is suspicious that he supposedly was fishing at the time and found with a gun.
Now we cut to a shot to remind us that Telluride, Colorado exists,…
before cutting inside a clothing store so that we can find out she and Clark were an item in high school before the lawyer shows up. They decide to go and talk over breakfast.
They go to Schneider’s favorite diner. He saw Rae’s at 2901 Pico Blvd, Santa Monica, CA, and had a duplicate made in Louisiana, but with the generic name Diner. That was Rae’s one request.
All jokes and plot summary aside for a moment. Here is what the stock footage Hallmark bought for this shot from FootageBank actually looks like.
Look at how they changed the signs and added shadows to it. I’m not an expert in Photoshop so that may be incredibly easy for all I know, but I’m impressed.
Edit: Look to the comments section to find out how I was wrong to be impressed here. Chuck does a great job explaining why this doesn’t look right.
Back in the movie, the scene in the restaurant is there to tell us how the lawyer went to LSU with Chris, pledged his fraternity, and when the company lawyer retired, they hired him. The lawyer also drops the information that the father pushed for a thorough investigation after the recent death, but they found nothing so that it will be suspicious later when Sar instantly finds something the cops didn’t notice in plain sight.
Sar now goes to visit Jessica again to find out more information. We find out that Danny was well liked by the workers at Huff’s factory. She also brings up a recent accident at the plant. Apparently, as a result, Danny’s tires were slashed. Also, we discover that Danny cancelled plans for a picnic on the day he died.
Now we cut to a police station that I don’t know where it’s from, but they did the photoshopping thing to it too. This time you can actually see it just below where it says “Sheriff”.
Of course there’s an American Flag. There’s one inside too hanging on the wall. Sar’s not happy with the sheriff and neither am I. Look at that!
Guy gives Louisiana, British Columbian sheriffs a bad name. Just in case we didn’t know the sheriff isn’t on the level.
The young cop and Sar go to visit the fishing shack where they meet up with the lawyer. This scene is to tell us that her and Danny used to hide things in the walls. Sar also finds a nightclub matchbook meaning the cops didn’t do their job, or someone planted it. We go back to the house to remind us Schneider is the head of the family, wants this matchbook looked into, and we find out that Danny didn’t go to nightclubs.
Off to the family factory and we run into Clark (Sean Poague). The lawyer takes her on a tour of the factory. This is when we discover the recent accident that killed a worker is not what this cross is referring to.
A man named Sonny Holzer died a long time ago when the lawyer was a kid.
Next important thing is that we learn a reporter is saying that Danny might have been killed in revenge. Who am I kidding? It’s John Schneider going into his angry father mode again.
If the crazy guy in Hearts of Spring was the real highlight of that film, then Schneider’s outbursts in this make him the equivalent. After Schneider reluctantly leaves the room after finishing his dinner table scene, we find out from the lawyer about that recent accident. A guy named Billy Pollock died only a month prior. The story is that he was drinking a lot when it happened.
We go and meet Billy’s wife, but it really isn’t important. What’s important is that Sar appears to go onto some cross between Pinterest and Facebook.
Kind of weird, but it’s there because of the baseball photo. The people in the photo are tagged. The person in the middle is Danny and the person on right is Slap. That’s when who else but the lawyer calls her up. They go to a cajun restaurant.
You have no idea how much I searched to find where this was located. It’s a cajun food restaurant, appears to have the address 8667, and I knew the stock footage sites to search because they are in the credits of the movie, but nope. Even with all that info, this is still a mystery to me. Sometimes you have to let things go, or not because the lawyer and Sar now sit down to talk so we get some more details. Turns out that after information was leaked to the paper about the accident that killed Billy, Slap was fired and Pollack was “cut…from the payroll.” Danny was the one who had to give Slap his pink slip.
Now someone pretends they are going to run into Sar’s car with theirs while she is parked.
That doesn’t faze a Shenae Grimes! The woman survived this creeper who was just as much of a threat many years prior.
Degrassi: The Next Generation
That means it’s off to the factory so Clark can drop some info. He had stumbled upon Danny and Chris arguing because Danny thought that Billy was murdered. Chris apparently didn’t care how he died. Don’t dig up info on the company. End of story!
Now the spotlight starts to turn on Chris. That’s when Schneider bursts into the room because John knows it’s been too long since he did his thing.
This outburst winds him up in the hospital because this time it was too much for his heart. They take him to the photoshopped version of the Hollywood Presbyterian Medical Center.
We really can jump over a lot now. Slap tries to kill Sar with a knife. We have a conversation between the lawyer and Sar that hints Huff may have had something to do with the really old accident that we now learned happened 20 years ago. After Sar talks with the wife of the guy who died 20 years prior, we find out his lawyer died too. Turns out also that Huff ordered Clark to be beaten. We saw him in the hospital looking pretty bad.
Now we can really really skip over things. Slap takes Sar hostage with a gun. He ends up getting shot by the cops in Mission, British Columbia where they shot this, which is close to where they did parts of Garage Sale Mystery: Guilty Until Proven Innocent.
This is when I say, if you don’t want the ending spoiled, then stop here. I recommend this one so you can stop here if you don’t want to know the ending. To separate this from the ending below, I have embedded the famous coffee scene from the Twin Peaks inspired game Deadly Premonition since I did reference Twin Peaks earlier.
Okay, here’s the deal. Huff killed the guy 20 years prior. We also find out that his lawyer didn’t die by accident either. It turns out Beck is the son of said lawyer. He got close to the family in the hope of exposing Huff for the murder of his father and Huff’s general corruption that lead to this whole string of incidents. As for the more recent murder, that wasn’t Huff. Well, not directly. Huff told his son Clark to deal with the issue with Billy Pollock, which he did. He got Slap riled up by making sure he got fired by Danny. Slap then went and killed Danny as a result. Danny caught it on a tiny camera, which Sar found in one of those hidden places I mentioned earlier. The matchbook was placed by Beck to help lead Sar while maintaining his cover with the family. So off to jail goes Huff and Clark.
Then even in this movie it ends with a kiss between Sar and the lawyer.
I already said it, but I do recommend this one. I’m not a fan these cozy mysteries that Hallmark is churning out lately. The Gourmet Detective being an exception. This, and Jesse Stone: Lost in Paradise, are just better. The cozy mystery ones tend to be too whitewashed, obvious, and sometimes they really don’t go for it. By that I mean like in Flower Shop Mystery: Mum’s The Word. They needed to cut a lot of the setup between the two crime solvers. Just let them do their thing. The acting here is good all around. I especially liked John Schneider and his over the top moments. It was also nice to see Shenae Grimes again. Those are my final thoughts. Check it out!