Film Review: A Stranger In The Woods (dir by József Gallai)


“My humor is a bit abstract.”

— Victor Browning (Bill Oberst, Jr.)

“He’s a very strange guy.”

— Edith (Laura Ellen Wilson)

A Stranger In The Woods opens with a car driving into the woods.  The skies are cloudy.  The road is isolated.  It’s unsettling because, other than the driver of the car, there aren’t any other people around.  Other than the road, there are no signs of civilization.  It’s the type of image that causes the viewer to consider just how much we take for granted the idea of interacting with other people and living in a world where our needs are taken care of.  Today, we view anyone who would separate themselves from civilization as being an eccentric.  In the past, though, that was how most people lived.  They lived alone in home that they built for themselves and visitors and strangers were viewed with suspicion.  It’s a way of life that many people had forced upon them from 2020 to 2021 and it led to the anger and societal anxiety that is still shaking the world today.  Living in isolation is not easy for most people in the modern world, which is perhaps why we are so fascinated with people who can actually handle it.

Driving the car is Edith (Laura Ellen Wilson), a 20-something film student who has been given a tip by one of her professors.  There is a man named Victor Browning (Bill Oberst, Jr.) who lives by himself in the woods.  He’s known for being a bit off-key but he is considered to be generally harmless.  He lives in a cabin, spending his time in what appears to be self-imposed exile from the world.  He only occasionally leaves his cabin so he can get supplies.  Victor has agreed to be interviewed by Edith for a student documentary.

The first meeting with Victor is a bit awkward but he soon starts to open up to Edith.  Victor seems to be friendly and polite, even if he does appear to be a bit haunted by things that happened in the past.  Then again, Edith has things in her past that haunt her as well.  However, as Edith’s stay with Victor continues, she starts to notice some odd and eventually disturbing things about Victor and his isolated existence….

A Stranger In The Woods is a found footage film, playing out as a combination of the footage that Edith shot for her documentary and audio recordings of phone calls that she placed to various people.  As a result, we learn about Victor’s secrets along with Edith.  Like Edith, we start the film liking Victor for his shy manners and his seemingly gentle sense of humor and, just like Edith, we are shocked to witness his sudden changes in mood and his seeming reluctance to discuss certain aspects of his life.  Bill Oberst, Jr. gives a performance that keeps you guessing about just who Victor is and what he’s doing out in the woods.  Oberst is sometimes likable and sometimes frightening and he always keeps the audience from getting too complacent while watching the story unfold.  Victor Browning’s name brings to mind such Universal horror icons as Victor Frankenstein and director Tod Browning and, like the characters who appeared in those classic horror films, he is compelling even when we’re not sure what’s going on inside his head.

A Stranger In The Woods is an atmospheric film, one that understands that there’s nothing scarier than being alone in the middle of nowhere in the dark.  Victor is a fascinating character and fans of 70s horror will want to watch for Lynn Lowry’s cameo during the second half of the film.  A Stranger In The Woods is an effectively creepy portrait of a very strange guy.

Film Review: The Poltergeist Diaries (dir by József Gallai)


“They wanted me to laugh when I wanted to cry,” Jacob Taylor (András Korcsmáros) says at one point during the upcoming horror film, The Poltergeist Diaries.

Jacob is attempting to explain why he’s recently abandoned not only his job but also the closeness of his girlfriend and his family and retreated to an isolated house in the middle of the woods.  And really, who can’t relate to what Jacob’s feeling?  We’ve all been in that situation at some point.  We’ve all felt that we were expected to conform to some arbitrary standard and that our honest emotions were not welcome.  Not all of us have chosen to go off the grid and isolate ourselves but there’s probably not a single person reading this who has not, at some point, been tempted.

We learn quite a bit about Jacob over the course of The Poltergeist Diaries.  We learn that he was always something of an outsider.  He was a seeker, a brilliant student who wrote stories and made films and who always seemed to be trying to discover some sort of hidden truth.  We learn that he was also close to his mother.  In fact, it was her worsening health that apparently led to Jacob leaving the city and heading out to the country.  He got a big house for a surprisingly cheap price.  He often filmed himself as he walked around the woods that surrounded his new home.  He saw things in the woods and he heard things in the house.

Of course, the main thing that we learn about Ben is that he’s missing.  The film opens with a statistic, telling us that thousands of people disappear every year in the United States and that only 15% of them are recovered alive.  Jacob Taylor is among the missing and whether or not he’s among that lucky 15% is anyone’s guess.

The Poltergeist Diaries is set up as a documentary, featuring interviews with the people who knew Jacob along with footage that Jacob himself shot of the woods and his house.  Among those interviewed are Jacob’s girlfriend (Kata Kuna) and his brother (Péter Inoka), along with a police detective (Dávid Fecske) who has his own reasons for taking a particular interest in Jacob’s mysterious disappearance.  Eric Roberts even makes a brief appearances, playing Jacob’s apologetic stepfather.  As I’ve said many times on this very site, any film the features Eric Roberts is automatically going to be better than any film that doesn’t.

It’s an effectively creepy film, one that makes good use of the faux-documentary format.  (Jacob being a frustrated artist helps to explain why, even with things getting increasingly strange in the house, he keeps filming.)  The first half of the film is dominated by interviews with people who knew Jacob and who are haunted by his disappearance.  By the time the film switches over to showing us the footage that Jacob filmed in the house and the woods, the audience is definitely ready to discover what happened.  András Korcsmáros plays Jacob as just being unstable enough to leave some doubt as to whether or not he’s really stumbled across something supernatural or if he’s just allowing the isolation to get to him.  He’s at his best when he’s trying to articulate what he’s feeling.  His performance captures Jacob’s desperation and makes him into an intriguing protagonist, one who is both sympathetic and enigmatic.  You’re never quite comfortable Jacob but you still hope the best for him.

Visually, director József Gallai does a good job of creating and maintaining a properly ominous and threatening atmosphere.  The woods that surround Jacob’s house are creepy because they really do appear to stretch on forever and it’s very easy to imagine that they’re could be someone (or something) hiding behind every tree.  The imagery leaves you feeling uneasy and every time that Jacob went outside, I found myself anticipating an attack.  The inside of the house is just as creepy, full of dark hallways and menacing shadows.  This is a film that keep you watching for any hint of unexpected or mysterious movement.

It makes for an effectively intense and dream-like horror film, with the final 15 minutes providing a number of effective jump scares.  It’s a film that will inspire you to take a second look at every shadow and jump at every bump in the night.  It’s a seriously creepy movie.  Don’t watch alone.

Film Review: Spirits In The Dark (dir by Jozsef Gallai)


An abandoned building is just inherently creepy.

I mean, think about it.  Unlike a forest or a mountain or a canyon, a building is not something that forms naturally.  People actually have to build buildings.  Plans have to be drawn up.  Materials have to purchased.  Hours of backbreaking labor are required.  Creating a building requires work, resources, and time.  It’s not something that you do on a whim.  It’s something that’s done as a part of a larger plan.  With all of the effort that goes into creating the building, it’s always strange to come across one that has subsequently been abandoned.  You find yourself wondering what could have happened that made the inhabitants or the owners say, “We’d rather have all that hard work be for nothing than remain in this location?”

Walking through an abandoned building, it’s difficult not to think about the fact that, once upon a time, strangers that you’ll probably never meet moved through these now deserted hallways.  People worked in those empty rooms.  For a period of time, the building was probably the center of someone’s life.  Where are those people now?  Do they ever think about the past?  Do they still have memories of things that were said or thought while walking through those now-empty hallways?

Finally, there’s the constant reminders that even an abandoned building isn’t never truly abandoned.  There’s the animals that move in after the people leave.  There’s the plants the continue to grow around and, in some cases, consume the empty structure.  And, of course, there’s the reminders that you might not be the first person to have explored this empty building.  There’s the broken windows or the empty bottles or the crumpled cigarette pack, all of which remind you that others may even consider this building to be their home.  And, of course, there’s the graffiti.  Graffiti and abandoned buildings tend to go hand-in-hand.  For whatever reason, it’s often the graffiti that makes an abandoned building feel especially ominous.  Are those words on the wall a sign of ownership, an act of rebellion, or a warning?

Of course, the only thing more creepy than one abandoned building is when you come across an entire town of abandoned buildings….

And yet, as creepy as an empty building can be, it’s also hard not to be fascinated by them.  You look at them and you wonder why?  Why did everyone leave and how long will the building stand there deserted before it’s either torn down or destroyed by nature?  That’s one reason why ghost towns remains such a popular tourist destination.  They’re a reminder of just how short and fragile life can be.  You can build a home or an office but, once your time is up, it’s just going to be another abandoned building.

That’s something that Gil Spencer, the protagonist of Spirits in the Dark, understands.  Gil (played by the film’s director, Jozsef Gallai) used to love exploring abandoned buildings with his wife.  Ever since his wife’s death, Gil has struggled with being lonely and depressed.  But then, one day, something mysteriously appears on his laptop.  It appears to be a video shot by someone exploring an abandoned military complex.  The person shooting the video comes across a white pendant, one that looks exactly like the one that Gil’s wife used to wear.  While the person holds the pendant, we catch a glimpse of a ghostly figure standing a few feet away, watching.

Intrigued, Gil searches for and manages to track down the deserted complex.  As creepy as the abandoned and graffiti-covered buildings may be, Gil — who films his exploration — informs us that it’s nothing he hasn’t seen before.  Even when he spots blood on the wall, he figures that it was probably just someone shooting “an indie horror film.”  But then, he comes across a mask hanging in a corner.  And then his car’s horn starts honking for no reason.  And then, things start to get really creepy!

Spirits in the Dark is a haunting and moody exercise in atmosphere and genuine creepiness.  Wisely, instead of going for easy jump scares, the film takes its time to set up both the location and the situation.  We get to know Gil and, as he makes his way through them, we also get to know the abandoned building and the surrounding wilderness.  Like Gil, we find ourselves looking at every shadow, searching for some sort of explanation.  Just like Gil, we can feel the menacing atmosphere closing in on us and we become aware of every strange noise and every possible movement in the darkness.  When the scares do come, they’re all the more effective because the film has earned the right to frighten us.  It’s a wonderfully effective and creepy movie, one that has an intriguing plot and which is distinguished by the moody cinematography and the ominous score, both of which are credited to Gergo Elekes.

Wild Eye Releasing is going to be releasing Spirits in the Dark via DVD and VOD early in 2020 so keep an eye out for it!

Here’s The Trailer For Spirits In the Dark!


AGCK!

I don’t know anything about this film but this trailer is super creepy and dream-like!

According to the imdb, this is a Hungarian film that was directed by, written by, and stars József Gallai.  The imdb plot description reads: A lonely widower finds a mysterious video on his computer that leads him to an abandoned town occupied by an ominous entity.  The film is listed as having a 70-minute running time.  That may sound short but that’s actually kind of a good sign.  Some of the best horror films are quick and efficient.

The film was released in Hungary earlier this year and, whenever it’s available here in the U.S., I’ll be sure to watch and share my review!