Happy Birthday to actress Jan Gan Boyd, Charles Bronson’s co-star in ASSASSINATION (1987)!


I wanted to take a moment and show some appreciation for actress Jan Gan Boyd on her birthday. Jan has been a part of my life since I was 13 years old since she co-starred with Charles Bronson in the 1987 Cannon film ASSASSINATION.

In a nutshell, the plot of ASSASSINATION revolves around secret service agent Jay Killian (Bronson), who finds himself in the position of trying to protect an extremely strong-willed first lady (Jill Ireland) from assassins trying to kill her. Jan plays Charlotte “Charlie” Chang, a member of the team assigned to protect the first lady, who has an extra special relationship with Killian. And while ASSASSINATION is not one of Charles Bronson’s best movies, I always liked Jan in the film. She had spunk and attitude, and her relationship with Bronson’s character is definitely unique in Bronson’s 80’s filmography. Believe it or not, Killian and Charlie had casual sex, and she survived the end of the movie to talk about it! As a matter of fact, her exchange with Killian the next morning leads to one of the great moments of Bronson dialogue:

Charlie Chang: “Killy, why don’t you move in here permanently?”

Jay Killian: “I don’t want to die of a terminal orgasm!”

I guess lines like that bond actors for life and Jan stayed friends with Charles Bronson and Jill Ireland all the way up to each of their deaths.

Jan got her start in the movies through her abilities as a trained dancer when she co-starred with Michael Douglas in the 1985 film, A CHORUS LINE, directed by Richard Attenborough. I think she’s one of the best characters in the film. And 1987 was a very busy year for Jan. After filming ASSASSINATION with Bronson, she would co-star with Martin Kove in the film STEELE JUSTICE, and then with David Soul in HARRY’S HONG KONG. She would spend the next few years of her career doing guest spots on shows like CHEERS, SISTERS, and SILK STALKINGS. It was at this point that she took a break from her career to get married and raise a family. Over the last few years, she has started to get involved in voice-over work, as well as appearing on shows like “Dance Dish,” where she discussed her time as a dancer and her work on A CHORUS LINE.

On a personal note, I must say that Jan Gan Boyd is one of the sweetest ladies I’ve ever met. My partner Eric Todd and I got the opportunity to interview her for an episode of the THIS WEEK IN CHARLES BRONSON podcast a couple of years ago. She told us some of the best stories about Charles Bronson and Jill Ireland, as well as what it was like to work with them on ASSASSINATION. She truly loved them in real life, and it was so fun sharing that time with her. As a matter of fact, over on our TWICB Facebook page, every January is now Jan-Gan-uary! I’ve attached a link to the podcast episode if you would like to hear more from Jan about her career and her work with Bronson, Michael Douglas, and Richard Attenborough.

The TSL’s Grindhouse: Steele Justice (dir by Robert Boris)


“You don’t recruit him!  You unleash him!”

That’s what they say about John Steele, the man who Martin Kove plays in 1987’s Steele Justice.  John Steele served in Vietnam and he was one of the best and most fearless members of the special forces.  On the final day of the war, he was on the verge of arresting the corrupt General Kwan (Soon-Tek Oh) until Kwan suddenly announced that the war was over and the Americans were leaving.  Steele laughed, shrugged, and turned his back on Kwan and started to walk away.  Was Steele planning on just walking back to America?  Well, regardless, Kwan shot Steele and his friend in the back.  Fortunately, Steele survived.  Steele may be stupid but he’s strong.

Years later, both Steele and Kwan are now living in California.  Kwan is a prominent businessman who is also the secret leader of the Vietnamese mafia.  Naturally, his main henchman is played by Al Leong.  If Al Leong’s not working for you, are you even evil?  John Steele has not been quite as successful.  He was a cop until he got kicked off the force.  Then he got a job transporting horses across California.  Despite his cool guy name, John Steele doesn’t seem to be that good at anything that doesn’t involve killing people.

But then Kwan murders Steele’s best friend and former partner, Lee (Robert Kim).  In fact, Kawn not only murders Lee but he also kills Lee’s entire family.  The only survivor is Lee’s daughter, Cami (Jan Gan Boyd), a piano prodigy who is supposed to be 14 years old even though she’s being played by someone who is in her 20s.  Steele and Lee’s former boss, Bennett (Ronny Cox), gives Steele permission to track down the people responsible for Lee’s death.

John Steele sets out to destroy Kwan.  The film gives us a lot of reasons to be on Steele’s side but it’s hard not to notice that a lot of innocent people end up getting killed as a result of Steele’s vendetta.  Any time that Steele goes anywhere, Kwan’s people attack and a bunch of innocent bystanders get caught in the crossfire.  For example, Steele’s ex, Tracy (Sela Ward), agrees to look after Cami.  It turns out that Tracy is a music video director and, of course, she takes Cami to work with her.  The video shoot turns into a bloodbath, with even the members of the band getting gunned down.  And yet, not even Tracy seems to be particularly disturbed by that.  One might think that Tracy would at least sarcastically say something like, “Hey, John, thanks for getting the band killed before I got paid,” but no.  Tracy just kind of laughs it all off.  At no point does Steele or Bennett or really anyone seem to feel bad about all of the people who get killed as a result of the decision to unleash John Steele.  Those people had hopes and dreams too, you know.

I really like Martin Kove on Cobra Kai.  I love how his portrayal of the over-the-hill and burned-out John Kreese manages to be both intimidating and pathetic at the same time.  I’ve also seen a number of interviews with Kove, in which he’s discussed his career as an exploitation mainstay and he always comes across as being well-spoken and intelligent.  That said, Martin Kove appears to be totally lost in Steele Justice, unsure if he should be playing John Steele as a grim-faced avenger or as a quick-with-a-quip action hero.  Whenever Steele is angry, Kove looks like he’s on the verge of tears.  Whenever Steele makes a joke, Kove smiles like an overage frat boy who, while cleaning out his old storage unit, has just discovered his long lost copy of Bumfights.  It’s a confused performance but, to be honest, no one really comes out of Steele Justice looking good.  This is a film that features a lot of talented actors looking completely and totally clueless as to why they’re there.

On the plus side, Steele Justice did give this world this totally intimidating shot of Martin Kove, preparing to be get and give justice.  Recruit him?  No, just unleash him!

A Movie A Day #209: Assassination (1987, directed by Peter R. Hunt)


Charles Bronson, man.

Long before Clint Eastwood starred in In The Line of Fire, Charles Bronson played an over the hill secret service agent in Assassination.  Having just returned to active service after a six month leave of absence, Jay Killian (Charles Bronson), thinks that he is going to be assigned back to the presidential detail.  Instead, he is given the job that no one wants.  Jay is assigned to protect the first lady, Lara Craig (Jill Ireland, Bronson’s real-life wife).

Lara is a handful.  Every one tells Killian that she is “even worse than Nancy.”  (This running joke probably played better in 1987.  If Assassination had been released ten years later, Lara would have been described as being “even worse than Hillary.”)  Lara does not like being told what she can and cannot do. When she refuses to follow Killian’s orders not to ride in a convertible, she ends up getting a black eye when a motorcycle crashes and Killian instinctively throws her to the floor.  Lara may not like Killian but when, she is targeted by a notorious terrorist (Erik Stern), she will have to learn to trust him.  Her life depends on it, especially when it becomes clear that the order to have her killed is coming from inside the White House.  It turns out that the President has been impotent for years.  That may not have troubled Lara before but now Killian is showing her that a real man looks like Charles Bronson.  A divorced president will never be reelected.  A widowed president, on the other hand…

Assassination was one of the last films that Bronson made for Cannon.  It’s never as wild as Murphy’s Law, Kinjite, or many of Bronson’s other Cannon films but it is always interesting to watch Bronson acting opposite of Ireland.  Bronson famously did not get along with many people but he loved Ireland and that was something that always came through in the 15 movies that they made together.  Whenever Bronson and Ireland acted opposite each other, Bronson actually seemed to be enjoying himself.  And while it may be subdued when compared to his other Cannon films, Assassination provides just enough scenes of Bronson being Bronson.

Who other than Bronson could tell his much younger girlfriend that, because of her, he might “die of terminal orgasm?”

Who other than Bronson could drive around a motorcycle with machine gun turrets and execute a jump that would put his old co-star Steve McQueen to shame?

Who other than Bronson could use a bazooka to kill one man and then smile about it?

Charles Bronson, man.  No offense to Bruce Willis, who will be trying to step into Bronson’s gigantic shoes with the upcoming Death Wish remake, but nobody did it better than Bronson.