Horror TV Review: The Walking Dead 11.7 “Promises Broken” (dir by Sharat Raju)


It’s been such a busy week that it was only about an hour ago that I was finally able to sit down and actually watch last Saturday’s episode of The Walking Dead.  

As I watched Promises Broken, I found myself asking one question over and over again.  Can Maggie and Negan just kiss already?  Seriously, it’s totally obvious that Maggie and Negan are in love.  Even if the writers didn’t necessarily plan for them to be in love, Jeffrey Dean Morgan and Lauren Cohan definitely have the right chemistry for some Maggie/Negan action.  And I know some people are going to say that it’ll never happen because of what happened in the past but listen …. Glenn’s been dead for a long time.  Because of the time jump, he’s been dead even longer on the series than he has been in reality.  The world of the Walking Dead is a different place and traditional periods of mourning no longer hold much currency.  It’s time to move on.

This week, Negan did convince Maggie to stop plotting to kill him.  That was definitely a step forward.  Then he taught her how to wear a whisperer’s mask.  Awwwwww!  But then he said that he should have killed Rick’s entire party when he had the chance and that …. well, that was awkward.  I know I’ve been critical of the way the show has used Negan in the past but, this season, he’s gotten on my nerves a lot less and Jeffrey Dean Morgan finally seems to have a handle on the character.

As for the Reapers …. eh, who cares.  Pope sent Daryl and Leah on a scouting mission.  They came across a family of survivors.  They didn’t kill the survivors like they were supposed to.  Pope will probably be pissed off but Pope’s always pissed off so who cares?  The Reapers are like totally squaresville.  Real melvin.

Meanwhile, in the Commonwealth …. well, listen, I just love the Commonwealth!  There’s just something so brilliant about this gated, suburban community just sitting there in the middle of the zombie apocalypse.  So far, this season’s best scenes have been set in the Commonwealth and that continued to be true this week.  In the latest episode, Eugene and the Gang had to do community service by killing walkers.  Unfortunately, this led to Eugene and Stephanie interrupting a date between Sebastian Milton and his girlfriend, Kayla.  Sebastian, who is basically the preppy from Hell, got mad about the interruption.  Words were exchanged  Eugene punched Sebastian.  Uh-oh!  Sebastian is the son of Governor Milton!  Eugene ended up getting thrown in jail, where he was informed that he was going to stay imprisoned unless he gave up the location of Alexandria.  Is it is possible that all of this was just a set up to get Eugene to turn snitch?  Bravo, Commonwealth, bravo!

Interestingly enough, Sebastian Milton played a small but key role in the final few issues of The Walking Dead comic book.  After Rick (who was still around in the comic book) took over the Commonwealth and started to form an alliance with the recently deposed Governor Milton, a jealous Sebastian ended up killing him.  On the TV show, of course, Carl is dead and Rick is believed dead.  Unless the show is going to go super dark and kill off either Judith or Rick, Jr., there are no members of the Grimes family for Sebatian to kill.  In theory, who would Sebastian kill?  Ezekiel, with his leadership experience and his messianic tendencies, seem the most likely to take power in the Commonwealth so he might want to watch his back.

Next week is the finale of the first half of season 11.  So far, season 11 has been a bit uneven but it’s started to pick some momentum with the previous few episodes.  Hopefully, that momentum will continue to build and season 11 will give this show the conclusion that it deserves.

Horror On TV: Friday the 13th: The Series 1.13 “The Baron’s Bride” (dir by Bradford May)


On tonight’s episode of Friday the 13th: The Series, Micki and Ryan go back to Victorian-era London and deal with a vampire.

Who doesn’t like a good vampire story?

This episode originally aired on February 20th, 1988.

Pod People (a.k.a. Extra Terrestrial Visitor) (1983, directed by Juan Piquer Simon)


“Trumpy, you can do stupid things!”

Everyone knows about Trumpy, the snorkel-nosed alien with telekinetic powers who befriend a lonely boy and a really bad band while his mother killed people in the forest.  He was one of the stars of Pod People, which was famously lampooned by Mystery Science Theater 3000 in 1991.  It became one of MST 3K’s most beloved episodes.  Audiences loved the the attempts to by Joel and the Bots the decipher the song that the band is first seen performing.  Was it Idiot Control Now or Tires Are Ready To Roll Now?  They also loved Trumpy showing off his cool but ultimately useless powers.  But why was Trumpy so good but Trumpy’s mom was so evil?

The reason is because Trumpy wasn’t originally supposed to be in the movie.  Originally, the movie was just going to be about Trumpy’s mom killing poachers and stalking the band when their van broke down in the woods.  But then a little movie called E.T. became a worldwide hit and the film’s backers decided that the movie needed a cute alien.  Director Juan Piquer Simon, best known for the relentless gore fest that was Pieces, created Trumpy and had him befriend a child.  The film became the only killer alien film made for a family audience.  Families came for the cuteness of Trumpy and stayed for the scenes of Trumpy’s mom stalking a woman while she took a shower.

Weird, weird film.  Have you ever tried to watch Pod People without Joel and the Bots to help you make you way through it?  It’s not recommended but it can be done.  A non-MST 3K version has been released on DVD under the film’s original title (Extra Terrestrial Visitor) but the movie is really boring without anyone making jokes.  You can make your own jokes, I guess.  You probably will.

No, Pod People is a film to watch with the Satellite of Love crew.  With them, it’s a classic.

The Hole of Death: A Personal Story For October


The past two and a half months have been difficult. My mind has been elsewhere. Our loyal readers deserve to know why. Can you handle the horror of the Hole of Death?

It all started at the end of July when the dishwasher here at the house appeared to be leaking water. Not wanting to have a flooded kitchen and feeling that it was perhaps time for a new dishwasher anyways, Erin and I went down to Lowe’s and bought a new one. The day after we purchased it, the deliveryman showed up to drop off our purchase, remove our old dishwasher, and install the new one. Yay!

Except, of course, there was a problem. There’s always a problem, right? When he took out our old dishwasher, he noticed that there was mold behind it. He announced to us that, legally, he could not install our new dishwasher until we got rid of all that mold. I looked in the open space under the kitchen countertop where the dishwasher had once sat. There was definitely some mold on the back wall, the result of the leak that had caused us to get a new dishwasher in the first place. It didn’t look like a lot of mold but, as an asthmatic, I still knew that it could be a problem for me.

When Erin asked him what we could do about the mold, he listed several steps and each one sounded more difficult and time consuming than the last. Later, when my sister and I discussed things, we would both agree that he went out of his way to make mold removal sound like the most complicated process in the world. With every step he listed — from drying out the hole to spraying bleach in the hole to scraping away at the mold — he made it sound like something that two mere homeowners like us would never be able to handle. After he finished explaining all the steps, he then said, “Or you can call these people and they’ll do it for you.” He gave us a phone number. And then he left, taking the old diswasher with him and leaving us with essentially a big empty space under our kitchen counter.

As you can imagine, I was not happy about either the mold or the empty space. But what especially angered me was the dismissive attitude of the deliveryman. His condescending tone did not sit well with me. Later, Erin and I would agree that he went out of his way to make us feel stupid so that we would call the number that he gave us.

And yes, we did call that number. The person on the other end said that he would come out to look at our kitchen in four days. Four days? I wondered. Weren’t we all supposed to be dead from the mold by then?

When he did show up, he was a very good salesman. He took one look at the hole — which Erin and I had christened the Hole of Death — and he announced that we definitely needed to hire him and his company to not only take care of the mold but that we also needed to let him remove every fixture in the kitchen so that he could make sure that there wasn’t any other mold in the house. He told us that, because our house was old, we also needed to hire him to check for and remove any asbestos. We needed to hire him to do a lot but, of course, he couldn’t tell us how much it would cost. He would need to bring in some associates to take a closer look and then he could give us an estimate.

While he was giving his spiel, I noticed that there was fresh water in The Hole of Death. That meant, of course, that there was still a leak and the dishwasher had not been the source. When I mentioned this, the Salesman was very quick to tell me not to call a plumber. He was insistent that only he and his crew were qualified to rip up the kitchen and find the leak. In fact, he told us, there were probably several leaks. He wouldn’t know for sure until the entire kitchen was ripped apart.

The Salesman left but promised to return the following week. When he did, he brought another man with him. They both looked in the Hole and agreed that we should not call a plumber and that we needed to hire them to rip up the entire kitchen. In fact, they would probably need to not only rip up the kitchen but perhaps the nearby bathroom as well. The floor would probably have to be replaced. They informed us that, before they could start working, they would need someone to come in and test the air to make sure it wasn’t toxic. They gave us yet another number to call. As they left, they again assured us that it would be a waste of time and money to call a plumber. When I asked them how high they thought the estimate would be, the Salesman smiled and reminded us that we had homeowner’s insurance.

These meetings raised a few red flags. I couldn’t help but notice that, despite the fact that the mold was apparently going to kill us in a matter of days, no one seemed to be in a hurry to do much much about it. Instead, every meeting and conversation ended with Erin and I being told to call someone else and to have them come out. And, of course, everyone who came out would need to be paid money for their services. Instead of actually doing anything about the mold, it seemed like everyone who came out just wanted to scare us, as if they had decided that we were easy marks. These men seemed to talk a lot without really saying anything. They kept telling horror stories about how mold could kill us but they never told us to leave the house or to stay out of the kitchen. The biggest red flag was their insistence that only they could find and stop the leak and that they could only do that after we had paid them to rip apart our kitchen. If the mold was due to the leak and the mold was going to kill us by the end of the month, shouldn’t the leak have been a bigger concern?

Finally, I did what I probably should have done before doing anything else. I called a plumber. I mean, even if he showed up and said, “I can’t do anything,” I figured that would still be more helpful than just ignoring the leak. Fortunately, he didn’t say that he couldn’t do anything. Instead, he got underneath the sink, found a loose pipe, and took care of it. It took him about twenty minutes. He was calm, courteous, professional, and everything that the other men hadn’t been. He even mopped up the water, for us. By the next morning, the Hole of Death was dry.

I called up the Salesman and told him that we had called a plumber and he had taken care of the leak. The Salesman was not happy with me, snapping that he had told us to wait so that an expert could take a look at it. He said that it was good that we had gotten one leak taken care of but there were probably others. After I pointed out that the Hole of Death was completely dry — which would indicate the leak had been stopped — he told me that I was not an expert on things. He also said that he’d soon have an estimate ready but he needed to drop by the house sometime next week.

I was about ready to tell the Salesman to fuck off but Erin insisted that we go ahead and get the air tested, just to make sure were weren’t in a toxic environment. The man who came out to do the air test was in his 70s and, to my relief, turned out to be almost as nice as the plumber. By nice, I mean that he didn’t talk down to us and he didn’t try to scare us. Instead, he did his test and then he told us to be careful because “a lot of people in this business will try to take advantage of you because they’ll assume girls won’t know any better.” While I would have preferred to have been called a woman instead of a girl, I have to admit that I was actually happy to hear him say that because it meant that someone who didn’t seem to have an ulterior motive had confirmed what Erin and I suspected was happening.

The next day, the Tester called us and told us that air was not toxic. It wasn’t good to have mold in the house, obviously. But it wasn’t going to kill anyone.

The Salesman came by the following week, with two more experts. They took a look at the hole and nodded when we said that it wasn’t toxic. When I mentioned that there hadn’t been any other leaks, they kind of smirked. They said they would email us an estimate. They left.

By now, we were into September. Having gotten tired of worrying about Doc wandering into the hole of death, we had put a trashbag over the hole. It kept the cat out but it just looked so trashy. It was driving me crazy that we had a perfectly good dishwasher in the garage and big ugly bag in the kitchen. Whenever I considered the fact that a trashbag was now a part of our kitchen decor, I wondered how long we had until a car showed up in our front yard, sitting on cinder blocks.

Finally, 10 days after his previous visit, the Salesman sent us his estimate. He wanted $15,000 to remove all the cabinets and take care of any mold that they found. I emailed them back and asked if that estimate included the cost of then rebuilding our kitchen. No, it did not. In fact, the Salesman and his crew would not be rebuilding our kitchen but they would give us a number to call for another company that would come out and give us an estimate and it would probably all be done by December, unless of course they found something else that needed to be fixed….

And this point, my sister announced that she was through with this. Working with Jeff (who, I should add, distrusted the Salesman from the start and who spent this entire ordeal offering to clean up the mold for us), she took a crash course on mold removal. They went down to Home Depot, bought some gloves and goggles and spray bottles. Using a combination of vinegar and water, they spent a few hours spraying and scrubbing and, soon, the mold was gone. At most, it cost about $50 to remove the mold themselves.

And today, finally — we got our dishwasher installed! Yay! I threw away the trashbag that had been covering the now-filled Hole of Death. I have never been happier to get rid of anything. As for the Salesman and his friends, they can get their kickbacks from someone else.

So, why am I telling you this? Because I feel I owe you, our readers, an explanation for where my mind has been during the past few months. You deserve to know why I haven’t reviewed as many movie as usual. You deserve to know why I have occasionally been distracted the point of not noticing glaring typos. (In my defense, I always correct them as soon as I do catch them.) I love writing for this site and I love our October horrorthon the most of all. And, for the past two months, my mind has been elsewhere.

But now, my mind is back here.

And now, I’ve got movies to watch and review and to write about.

Enjoy the rest of October, everyone! It’s going to be great month!

Scenes That I Love: Adam Driver Has Read The Script in The Dead Don’t Die


Jim Jarmusch’s The Dead Don’t Die is a film that has definitely grown on me. When I first watched it, I thought it was intriguing but perhaps a bit too cutesy and enamored with itself. However, I’ve subsequently come to realize that, actually, Jarmusch finds just the perfect tone for his look at our zombie-saturated culture.

In the scenes below, Bill Murray, Chloe Sevigny, and the wonderful Adam Driver all deal with the inevitability of doom that comes with being a character in a zombie film.

 

Horror on the Lens: Teenagers From Outer Space (dir by Tom Graeff)


Can Earth survive an invason of teenagers?

Watch today’s Horror on the Lens and find out! From 1959, it’s Teenagers From Outer Space! In this film, a bunch of teenage-looking aliens come to Earth so that they can raise lobsters. Things don’t really go as planned, of course. The teens have ray-guns that can transform anyone intto a perfectly preserved skeleton. It’s sad to think that they could come up with the technology to power their ray-guns and to pilot their spaceshiip but not to raise lobsters on their own planet.

It’s a damn shame.

Anyway, I hope you’re ready to cry because it’s time for …. TEENAGERS FROM OUTER SPACE!

The TSL’s Grindhouse: Final Exam (dir by Jimmy Huston)


The 1981 slasher film, Final Exam, opens with a familiar scene.  A couple is making out in a car.  A man (played by Timothy L. Raynor) comes along and kills them both.

Why does the man do this?  Is he an escaped mental patient, like the killer who always appear in the urban legend about the man with the hook?  Is he an angry father, upset that students have been parking near his farm and corrupting his children with their sinful ways?  Is he an occultist, hoping that a blood sacrifice will bring about the end of the world?  Is he a jilted lover or an unemployed day laborer or a zombie or an international assassin or a former fat boy looking for vengeance on the students who pulled the prank that caused him to drop out of college?  Seriously, what is this guy’s deal!?

We never find out.  That, in itself, makes Final Exam unique.  The Killer is not only not given a motive, he’s not even given a name!  He’s just someone who shows up and starts killing.  No one knows him and he doesn’t appear to know anyone that he kills.  The fact that he’s so anonymous is actually a factor in the film’s favor.  The flamboyant motivations that are given to most slasher villains tend to serve as a distancing device for the audience.  It’s easy, for instance, to dismiss Jason Voorhees because we know that the idea of him drowning and then somehow showing up in the woods just doesn’t make any sense.  The convoluted backstory of Michael Myers (or at least the Myers who was present in the original, pre-reboot Halloween films) eventually became so ludicrous that it made it easier for audiences to say, “Well, it’s just a move.”  Final Exam‘s motiveless killer is actually far more true to life.  In real life, it’s rare that we ever learn the motives behind the crimes.  By making the Killer anonymous, Final Exam takes away one of the tools that the audience can use to assure themselves that it’s only a movie.

Unfortunately, the scenes following the opening murder are so inept that the audience is instantly reminded that they’re just watching a movie and not a particularly well-made one at that.  It’s final exam time on campus but several students aren’t ready to take their Chemistry exam.  So, a fraternity fakes a shooting spree — yes, you read that correctly — and manages to get the exam delayed for a day.  That means that, while all of the other students have gone home, the chemistry students stay on campus so that they can study for their final exam.  And, of course, the killer is on his way to the campus as well….

While the killer makes his way to campus, we sit through several scenes of campus hijinks.  It’s a weird mix of horror and comedy.  We meet a few students who are obviously destined to victims.  Neurotic Radish (Joel S. Rice) is likably nerdy.  Lisa (DeAnna Robbins) is having an affair with one of her professors, but at least she has a great first name.  The frat boys are doing steroids and tying each other to trees.  Apparently, spending the night tied to a tree is some sort of initiation ritual.  That’s not a good situation to find yourself in when there’s a killer stalking the surrounding area.

Yes, the killer does eventually arrive on campus but it seems to take him forever.  Once he does arrive, he starts killing everyone that he meets and, again, his lack of motivation makes him far more disturbing and frightening than he has any right to be.  It really is the ultimate nightmare.  Not only is someone trying to kill you but he’s doing it just because.  There’s no reason for his actions and therefore, there’s no way to talk him out of it.  There’s no secret to distracting or stopping him.  You just have to run and hope you can escape.  Cecile Bugdadi plays Courtney, who is pretty obviously destined to be the final girl.  She gives a good performance and you definitely want her to escape but again, the film is so poorly paced that, by the time she gets her chance to face the Killer, the majority of the audience will probably have checked out, either mentally or physically.

Final Exam has a cult following, which I kind of understand.  It really is the epitome of what people imagine when they imagine a typical, low-budget, early 80s slasher film.  It represents an era.  But for me, it’s just too uneven to work.

Horror On TV: Friday the 13th: The Series 1.12 “Faith Healer” (dir by David Cronenberg)


Tonight’s episode of Friday the 13th is all about fake faith healers but, even more importantly, it was directd by none other than David Cronenberg!

Be sure to keep an eye out for Robert Silverman, a Cronenberg regular who had important roles in The Brood and Scanners and who has appeared in a host of other Cronenberg films over the years.  He also appeared in Prom Night, playing the creepy janitor who is briefly used as a red herring before the identity of the real murdere is revealed.

This episode originally aired on February 13th, 1988.  (Originally, I got excited when I saw that date but, checking with a calendar, I saw that this show aired on a Saturday the 13th and not an actual Friday the 13th.)  Unfortunately, due to budget cuts after the show’s first season, Cronenberg would be Friday the 13th‘s last celebrity director.

(Cronenberg would, however, go on to appear in Jason X.)

International Horror Review: La Llorona (dir by Jayro Bustamante)


Enrique Monteverde (Jose Diaz) lives in a mansion in Guatemala.  He’s an old man, one who look harmless on first glance.  He always has an Oxygen tank nearby.  His family says that he’s suffering from Alzheimer’s and, therefore, can’t always be held responsible for some of the things that he might say.  He shamelessly leers at the younger woman who work in his home.  His family says that he’s always been a flirt but he doesn’t mean any harm or offense.  His family insists that he’s just an old man with dementia who is hoping to pass away peacefully while surrounded by his loved ones.

The protestors who gather daily outside of Enrique’s mansion have a different opinion of the man.  They chant and hold up signs illustrated with the faces of their missing relatives.  Before he retired, Enrique was a general.  He fought the communist guerillas.  Previously, he was convicted of committing genocide against the indigenous people of Guatemala but his conviction was overturned by a higher court.  There are other retired generals who know that, if Enrique had gone to prison, it would not have been long until they followed him.  Just because people are going on trial and even getting convicted, that’s not guarantee of justice.

Enrique’s wife, Carmen (Margarita Kenefic)m insists that Enrique is innocent and that all of his accusers are lying.  Enrique’s daughter, Natalia (Sabrina De La Hoz), is less sure while his granddaughter, Sara (Ayla-Elea Hurtado), just thinks of Enrique as being her somewhat goofy grandfather.  Meanwhile, his housekeeper, Valeriana (Maria Telon), remains strangely devoted to him.  Even after a scared and confused Enrique fires a gun in the house because he swears he heard someone moving in the darkness, Valeriana stays.  The rest of the household staff quits.  Alma (María Mercedes Coroy), a young woman from Valeriana’s village, comes to the home to work as a maid.

Enrique continues to insist that some sort of curse has been placed over the mansion and that something evil has entered the house.  Is he just suffering, as his family assumes, from dementia or is he correct?  Even as the protests continue outside and the enigmatic Alma hints that she has a secret of her own, Carmen finds herself haunted by nightmares and visions of her husband’s crimes.

La Llorona is a film that combines two horrors, one legendary and one very real.  There is, of course, the legend of the weeping woman.  She is said to haunt the night, crying for her drowned children and, in some cases, killing anyone who tries to help her.  And there’s the very real horror of the war crimes that were committed, by various military dictatorships, against the indigenous people of Central and South America.  Though Enrique may be a fictional creation, the crimes that he and others committed were not.  La Llorona is more than just a haunted house story.  It’s a film about the crimes of the past and how those crimes continue to haunt the present.  Like many prominent men, Enrique is protected not by the loyalty of those he worked with but instead by the knowledge that the minute one guilty war criminal actually pays for his crimes, they’ll all end of paying.  The political and legal establishment will do what it has to do to protect itself by protecting men like Enrique.  But, as this film demonstrates, the sins of the past cannot be escaped in present.

Unfortunately, the premise is a bit more interesting than the execution.  The film’s deliberate pacing often lends La Llorona a dream-like feel but, in other scenes, the film just feels slow.  The idea of the legendary weeping woman acting as a sort of vigiliante is an interesting one but the story itself is a bit predictable.  That said, the cast all give strong and memorable performances and the film uses the horror genre to discuss disturbing truths that many would rather ignore.  Flawed or not, La Llorona is a good example of how the horror genre can be used to comment on the past and the present.

La Llorna was a Guatemala’s submission for the 2020 Oscar for Best International Film.  Though it deserved a nomination for ambition alone, it didn’t make it beyond the 15-film shortlist.  Fortunately, nominated or not, the film can currently be viewed on Shudder.